Ninth Cavalry Colored Troops on Washing Duty in the Golf
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Ninth Cavalry Colored Troops on Washing Duty in the Golf
Reproduction Medium
Reproduction Size
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Total Price
$ 263
Artwork Description
A Moment of Quiet Dignity Amidst the Wild West Landscape
Frederic Remington’s “Ninth Cavalry Colored Troops on Washing Duty in the Golf,” painted in 1898, transcends mere depiction; it embodies a profound statement about American identity and artistic representation. This monumental canvas captures a seemingly unremarkable scene – Buffalo Soldiers diligently washing clothes on a beach – yet within its understated composition lies layers of narrative depth and symbolic resonance.
Remington, born in Canton, New York, wasn’t simply observing the frontier; he was actively shaping its image through meticulous study and an unwavering commitment to capturing its essence. His familial heritage—French Basque ancestry blended with Republican New England values—provided him with a unique perspective on the burgeoning nation, informing his artistic vision. Trained initially as an illustrator for Harper's Weekly, Remington honed his skills documenting the American West’s dramatic expansion, establishing himself as one of the era’s foremost artists.
The painting itself exemplifies Remington’s signature style: Romantic Realism. He eschewed idealized portrayals in favor of gritty realism, prioritizing accuracy and detail to convey the harsh realities of frontier life. The muted palette—dominated by sandy browns and blues—mirrors the coastal environment, grounding the figures within a tangible landscape. Remington's masterful brushwork creates textured surfaces that capture the physicality of the soldiers’ movements and the subtle nuances of light and shadow.
- Subject Matter: The painting focuses on Buffalo Soldiers – African American enlisted men serving in the U.S. Army Cavalry—performing a mundane task: washing clothes. This deliberate choice underscores the importance of everyday life amidst the grandeur of the West, challenging conventional heroic narratives.
- Technique: Remington employed oil paints on canvas, utilizing impasto technique to build up thick layers of pigment that convey texture and depth. The brushstrokes are visible, reflecting Remington’s belief in portraying reality as faithfully as possible.
- Historical Context: Painted during Reconstruction Era America, “Ninth Cavalry Colored Troops” speaks to the complexities of racial identity and representation at a pivotal moment in American history. It reflects both admiration for the soldiers' resilience and an implicit critique of societal prejudices.
Beyond its technical prowess, the painting’s emotional impact is palpable. The figures stand together with quiet dignity, conveying a sense of camaraderie and shared purpose. Remington skillfully captures not just physical appearance but also psychological states—the solemn concentration of the soldiers as they attend to their duties speaks volumes about their commitment to service and their desire for normalcy amidst extraordinary circumstances.
"Ninth Cavalry Colored Troops on Washing Duty in the Golf" isn’t merely a depiction of a scene; it's an invitation to contemplate the human spirit—its capacity for perseverance, its yearning for connection, and its ability to find beauty even in the simplest acts of daily life. It remains a testament to Remington’s artistic genius and his enduring contribution to American art history.
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Artist Biography
A Chronicler of the Vanishing West: The Life and Art of Frederic Remington
Frederic Sackrider Remington, born in Canton, New York, on October 4, 1861, wasn’t a product of the Wild West he so vividly depicted; rather, he was an Easterner who forged his artistic identity through fascination and dedicated study. His lineage hinted at a life far removed from dusty trails and cavalry charges – French Basque ancestry mingled with staunchly Republican New England roots, a father who was a Civil War colonel and newspaper editor, and connections to the famed Remington Arms dynasty through distant cousins. Yet, it was an early exposure to military themes, coupled with a restless spirit and a keen eye for storytelling, that set him on a path toward becoming arguably the most recognizable artist of the American West. His childhood moved to Bloomington, Illinois, then back to Canton and finally Ogdensburg, New York, but his imagination remained captivated by tales of frontier life. Though initially steered towards a military education at Vermont Episcopal Institute, Remington’s true calling lay not in following orders, but in observing and interpreting the world around him through art. A brief stint at Yale University confirmed this; football and sketching held far more appeal than formal academic pursuits.From Illustrator to Painter: Forging an Artistic Vision
Remington’s artistic journey began not with grand canvases, but with ink and paper. His first published work, a cartoon for the *Yale Courant*, signaled an early aptitude for capturing action and narrative. A pivotal trip to Montana in 1881 ignited his lifelong obsession with the West. This wasn't merely a tourist’s gaze; Remington sought to immerse himself in the culture, observing cowboys, Native Americans, and the landscape itself. He initially attempted ranching and mining ventures, but these proved unsuccessful, freeing him to fully dedicate himself to art. Returning East, he quickly established himself as an illustrator for magazines like *Harper's Weekly* and *Collier’s*, his dynamic depictions of Western scenes captivating a national audience hungry for stories of the frontier. These illustrations weren’t simply reportage; they were infused with drama, energy, and a romanticized vision of the West that resonated deeply with the public imagination. It was through this work that Remington honed his skills in composition, capturing movement, and conveying emotion – qualities that would later define his paintings. He received minimal formal training beyond some drawing classes at Yale and a short period at the Art Students League, developing instead a distinctive style characterized by energetic brushwork, bold colors, and a focus on realism blended with dramatic flair.Capturing a Vanishing World: Themes and Style
Remington’s art is inextricably linked to a specific moment in American history – the twilight of the Old West. His canvases are populated by iconic figures: rugged cowboys driving cattle, stoic Native Americans facing displacement, and U.S. Cavalry soldiers engaged in both heroic battles and tragic conflicts. He didn't shy away from depicting the harsh realities of frontier life, but his work often leans towards a romanticized portrayal, emphasizing courage, adventure, and the clash of cultures. His paintings aren’t simply historical documents; they are evocative narratives that explore themes of heroism, loss, and the inevitable march of progress. Remington's style evolved over time, moving from tighter, more academic renderings to looser, more expressive brushwork. He was a master of capturing movement – horses galloping across the plains, cowboys wrestling steers, soldiers charging into battle. He often employed quick sketches and photographs as reference material, but his art always transcended mere imitation, imbued with his own unique vision and emotional intensity. Notable works like *My Ranch*, *Waiting in the Moonlight*, *Ridden Down* (1905), and *The Long-Horn Cattle Sign* (1908) exemplify his ability to capture both the grandeur and the vulnerability of the American West.Legacy and Enduring Influence
Frederic Remington died unexpectedly in 1909 at the age of 48, leaving behind a vast body of work that continues to captivate audiences today. His impact on Western art is undeniable; he didn’t just depict the West, he helped *define* it for generations of Americans. He established a visual language for the frontier – an iconography of cowboys, Indians, and cavalrymen that became deeply ingrained in popular culture.- His work inspired countless other artists, including N.C. Wyeth and Zane Grey.
- The Frederic Remington Art Museum in Ogdensburg, New York, stands as a testament to his enduring legacy, preserving an extensive collection of his paintings, sculptures, and archival materials.
- His art continues to be exhibited in major museums across the country, including the Metropolitan Museum of Art and the Amon Carter Museum of American Art.
Frederic Remington
1861 - 1909 , United States of America
Quick Facts
- Artistic Movement Or Style: Western American Art
- Artists Or Movements Influenced By This Artist:
- N.C. Wyeth
- Zane Grey
- Date Of Birth: October 4, 1861
- Date Of Death: December 26, 1909
- Full Name: Frederic Sackrider Remington
- Nationality: American
- Notable Artworks:
- My Ranch
- Waiting in the Moonlight
- Ridden Down (1905)
- The Long-Horn Cattle Sign
- Place Of Birth: Canton, USA




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