The Family of Louis XIV
Oil On Canvas
WallArt
Baroque
1670
305.0 x 420.0 cm
Château de Versailles
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
The Family of Louis XIV
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
The Majesty of Louis XIV Embodied in Mythological Form
The painting “The Family of Louis XIV,” executed by Jean Nocret in 1670, stands as an unparalleled testament to the artistic fervor and grandeur of the French Baroque era. More than simply a portrait, it’s a carefully crafted allegory—a visual narrative designed to elevate the royal family's status and reinforce their divine right to rule, mirroring the ambitions of Louis XIV himself. Commissioned for Monsieur Philippe d’Orléans, brother of the king, this monumental artwork reflects the Duke’s taste for opulent decoration and artistic excellence, cementing Nocret’s reputation as one of the foremost painters of his time.A Symphony of Color and Composition
Nocret's masterful technique—characterized by meticulous detail and a luminous palette—captures the essence of Baroque painting. Employing oil on canvas, he achieved remarkable tonal depth and vibrancy through layering glazes and impasto, creating textures that convey both solidity and ethereal beauty. The artist’s compositional choices are equally deliberate: Louis XIV dominates the center of the scene as Apollo, seated upon a throne adorned with golden drapery—a symbol of regal authority—surrounded by his wife, Marie-Thérèse, depicted as Juno, representing divine protection and fertility. Their children—Louis Dauphin, François Xavier, Philippe Duc d’Anjou—are portrayed alongside Diana, goddess of chastity and hunting, embodying nobility and virtue. The landscape backdrop—a stylized depiction of Mount Olympus—further enhances the painting's mythological dimension, elevating the royal family to a realm of gods and heroes.Historical Context: Versailles Under Louis XIV’s Reign
The Château de Versailles served as the epicenter of Louis XIV’s reign, transforming into an emblem of absolute monarchy and artistic patronage. Nocret’s painting reflects this era's preoccupation with grandeur and symbolism—a deliberate effort to communicate the king’s power and prestige to both his court and the wider populace. The decision to depict Louis XIV as Apollo was no accident; it underscored his belief in divine providence and reinforced his claim to rule by God’s grace, aligning perfectly with the prevailing theological currents of the time. Furthermore, the inclusion of mythological figures served as a visual shorthand for conveying moral virtues—loyalty, piety, and justice—values deemed essential for maintaining social order and upholding royal legitimacy.Symbolism: Divine Legitimacy and Royal Succession
Beyond its aesthetic brilliance, “The Family of Louis XIV” is laden with symbolic significance. The depiction of Juno safeguarding Marie-Thérèse symbolizes the queen’s role as protector of the monarchy and guarantor of dynastic stability—a crucial consideration for securing the succession to the throne. Diana embodies noble virtue and chastity, representing the moral compass guiding the royal family's conduct. Louis XIV’s portrayal as Apollo reinforces his divine status and underscores his unwavering conviction in the righteousness of his rule. The entire composition serves as a visual manifesto of Louis XIV’s worldview—a celebration of majesty, piety, and the enduring power of tradition.Emotional Impact: A Portrait of Power and Prestige
The painting's impact on viewers was profound, conveying not merely likeness but also an aura of regal dignity and spiritual grandeur. The luminous colors, meticulous detail, and masterful composition evoke a sense of awe and reverence—a testament to Nocret’s ability to capture the psychological essence of his subjects. “The Family of Louis XIV” remains a captivating masterpiece—a timeless symbol of French Baroque art and an enduring reminder of Louis XIV's ambition to establish himself as the embodiment of divine majesty.- Artist: Jean Nocret
- Date Created: 1670
- Medium: Oil on Canvas
- Location: Château de Versailles
Related Artworks
Artist Biography
Salvator Rosa: A Rebel of the Italian Baroque
Salvator Rosa (1615 – 15 March 1673) stands as a singular and profoundly influential figure within the tumultuous landscape of 17th-century Italian art. More than simply a painter, he was a poet, satirist, actor, musician, and printmaker—a true Renaissance man whose life was as vibrant and unconventional as his artwork. Born in Arenella, near Naples, Rosa’s trajectory defied easy categorization, oscillating between the formal training of the Baroque and a fiercely independent spirit that ultimately defined his artistic legacy. His work, particularly his dramatic landscapes imbued with a sense of wildness and untamed nature, exerted an unexpected yet powerful influence on the burgeoning Romantic movement centuries later.Early Life and Artistic Training
Rosa’s early life was marked by instability and hardship. He received limited formal training, initially apprenticed to the painter Francesco Napione in Naples. However, it was his encounter with the established Neapolitan artist, Giuseppe Carafa, that proved pivotal. Carafa recognized Rosa's raw talent and encouraged him to embrace a more expressive and less rigidly academic approach. This mentorship fostered a distinctive style characterized by bold brushstrokes, dramatic lighting, and an intense emotionality—a departure from the polished elegance favored by many of his contemporaries. Rosa’s early works often depicted scenes of battle, mythological subjects, and portraits, reflecting the artistic trends of Naples at the time. Yet, even in these initial pieces, a rebellious streak began to emerge, foreshadowing his later rejection of conventional artistic norms.Rome: Scandal and Innovation
In 1639, Rosa moved to Rome, a city teeming with artistic competition and intellectual ferment. It was here that he truly established himself as a controversial figure. His satirical poems and prints, often sharply critical of the Papal court and its artists—particularly the celebrated Gian Lorenzo Bernini—earned him powerful enemies. Rosa’s outspokenness led to periods of exile and forced relocation throughout his career, yet it also fueled his artistic innovation. He sought out obscure and challenging subjects – forgotten biblical tales, esoteric philosophical concepts, and scenes of witchcraft – often rendering them with a visceral intensity that was both unsettling and captivating. His frescoes for the Palazzo Pamphili in Valmontone, depicting scenes from Virgil’s *Aeneid*, are prime examples of this approach: grand historical narratives presented through a lens of rugged wilderness and dramatic emotion.The Landscape as Revelation
Rosa's most enduring contribution to art lies in his revolutionary landscapes. Unlike the idealized, harmonious vistas championed by artists like Claude Lorrain, Rosa’s scenes were imbued with a sense of primal power and untamed beauty. He depicted towering cliffs, gnarled trees, stormy skies, and treacherous rivers—elements that evoked both awe and terror. These weren't picturesque views designed for tranquil contemplation; they were representations of nature in its rawest, most formidable state. Rosa’s landscapes anticipated the Romantic sensibility by prioritizing emotional response over rational observation, capturing a world where humanity was dwarfed by the overwhelming forces of nature. His work challenged the established conventions of landscape painting and paved the way for future generations of artists who sought to capture the sublime in their art.Legacy and Influence
Despite facing periods of obscurity during his lifetime, Salvator Rosa’s influence grew steadily over the centuries. In 18th-century England, his work was embraced by Romantic poets like James Thomson and William Wordsworth, who celebrated his depiction of wild nature as a symbol of freedom and rebellion. Rosa became a cult figure, his life embellished with tales of banditry and wanderlust—a romanticized persona that mirrored the spirit of his art. Today, Rosa is recognized as a pivotal figure in the transition from Baroque to Romanticism, a master of dramatic composition, and an artist who dared to challenge artistic conventions with unwavering conviction. His paintings continue to resonate with viewers today, offering a powerful reminder of the enduring allure of untamed beauty and the transformative power of artistic rebellion.jean nocret
1615 - 1672 , France
Quick Facts
- Artistic Movement Or Style: Baroque, Romanticism
- Artists Or Movements Influenced By This Artist: ['Romanticism']
- Artists Who Influenced This Artist: ['Nicolas Poussin']
- Date Of Birth: June 20, 1615
- Date Of Death: March 15, 1673
- Full Name: Salvator Rosa
- Nationality: Italian
- Notable Artworks:
- Sacrifice of Abraham
- River Landscape with Apollo
- Place Of Birth: Arenella, near Naples

Glass option is only available in size under 110 CM
