Having lingered in Gaza house of courtesan, and watched by the people who wanted to kill him, Samson takes the gates of the city, the load them on his back and will place them on top of a mountain (Judges XVI, 1 - 3)
Etching
Naive Art (Primitivism)
1956
29.0 x 23.0 cm
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Having lingered in Gaza house of courtesan, and watched by the people who wanted to kill him, Samson takes the gates of the city, the load them on his back and will place them on top of a mountain (Judges XVI, 1 - 3)
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
Having lingered in Gaza house of courtesan, and watched by the people who wanted to kill him, Samson takes the gates of the city, the load them on his back and will place them on top of a mountain (Judges XVI, 1 - 3)
Marc Chagall’s “Having lingered in Gaza house of courtesan, and watched by the people who wanted to kill him, Samson takes the gates of the city, the load them on his back and will place them on top of a mountain” is more than just an etching; it's a distillation of biblical narrative into a powerfully expressive visual idiom. Created in 1956 during Chagall’s prolific period exploring themes of faith and folklore—specifically within his “Etchings for the Bible” series—this artwork embodies the artist’s signature blend of Surrealism, Symbolism, and Naïve Art sensibilities. Measuring 29.4 x 23.1 cm, it captures a pivotal moment from Judges XVI: Samson's defiance against Philistine oppression as he wrestles with the monumental task of transporting the city gates onto a hilltop – an act signifying both physical strength and spiritual triumph. The etching’s stark monochrome palette—primarily shades of grey—amplifies the dramatic tension inherent in the biblical scene. Chagall eschews meticulous realism, opting instead for stylized forms and flattened perspectives characteristic of his movement. The woman carrying the heavy load is rendered with a deliberate simplicity, her nude form subtly suggestive of vulnerability juxtaposed against the immense burden she bears. This visual choice isn’t merely aesthetic; it serves as a potent metaphor for resilience and perseverance in the face of adversity—a core theme resonating throughout Chagall's oeuvre. The woman’s upward gaze embodies hope and determination, mirroring Samson’s unwavering resolve to overcome his enemies. Furthermore, the inclusion of several figures surrounding Samson underscores the narrative’s broader context. These shadowy figures represent the Philistines who seek to destroy him, highlighting the perilous situation faced by Israel during this period. Their presence reinforces the idea that Samson's victory is not simply a matter of brute force but also of spiritual fortitude—a battle waged against overwhelming odds. The placement of these figures adds depth and complexity to the composition, prompting contemplation on themes of power dynamics and divine intervention. The etching’s technique itself contributes significantly to its emotional impact. Chagall skillfully utilizes hatching and cross-hatching to create texture and convey movement, effectively conveying the arduous effort required to move the gates. These marks imbue the image with a palpable sense of physicality—a visual representation of Samson's struggle against gravity and his unwavering commitment to his mission. The artist’s masterful control over tonal variation enhances the dramatic atmosphere, drawing the viewer into the heart of the biblical drama. Ultimately, “Having lingered in Gaza house of courtesan, and watched by the people who wanted to kill him, Samson takes the gates of the city, the load them on his back and will place them on top of a mountain” transcends its biblical subject matter to become an enduring symbol of courage, defiance, and spiritual triumph. Chagall’s evocative style—characterized by dreamlike imagery and symbolic representation—continues to inspire admiration and captivate audiences today, cementing its place as a cornerstone of 20th-century art history.Related Artworks
Artist Biography
A Life Painted in Dreams: The World of Marc Chagall
Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.Forging a Unique Visual Language
Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.A Life Between Worlds: Paris, New York, and Beyond
Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.Legacy and Enduring Influence
In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.A Lasting Impression
Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.Marc Chagall
1887 - 1985 , Belarus
Quick Facts
- Artistic Movement Or Style: Modernism, Cubism
- Artists Or Movements Influenced By This Artist:
- Surrealism
- Modern artists
- Artists Who Influenced This Artist:
- Bakst
- Delaunay
- Borovikovsky
- Date Of Birth: July 6, 1887
- Date Of Death: March 28, 1985
- Full Name: Marc Chagall
- Nationality: Russian-French
- Notable Artworks:
- I and the Village
- Over Vitebsk
- White Crucifixion
- Place Of Birth: Liozna, Belarus

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