What is the thematic context of Untitled (contigo….)?

conceptual critique, peruvian identity, media art exploration, time recording, participatory engagement

What topics does Untitled (contigo….) explore?

conceptual art, peru, installation art, time, observation, minimalism, photography, collage

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Oil Painting Reproduction
María Teresa Burga Ruiz
Untitled (contigo….)

Untitled (contigo….) — María Teresa Burga Ruiz

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María Teresa Burga Ruiz

Untitled (contigo….)

Acrylic On Canvas
WallArt
Conceptual Art
2013
la Biennale di Venezia

Pioneering Peruvian artist María Teresa Burga (1935-2021) innovated conceptual & media art. Explore her installations, tech-based works & unique perspective on identity & Peru.

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Engraved bronze plaque displaying artist name and translated painting title. Size: 9x2 cm. + $11

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This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

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The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

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This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Untitled (contigo….)

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Quick Facts

Movement: Conceptual Art
Title: Untitled (contigo….)
Medium: Painting
Influences:
- Advertising
- Flyers
Notable elements or techniques: Latex medium, Participatory art
Artistic style: Pop Art
Year: 2013

Art Quiz

There is only one correct answer for each question.

Question 1:

What is Teresa Burga known for pioneering in Peruvian art?

Traditional oil painting techniques

Conceptualist practices and media art

Sculptural installations using marble

Question 2:

Where was Teresa Burga born?

Lima, Peru

Bogotá, Colombia

Iquitos, Peru

Question 3:

What medium did Burga replace her traditional oil painting with?

Watercolor

Acrylics

Latex

Question 4:

Burga's drawings often featured reproductions of...

Ancient Egyptian hieroglyphs

Advertisements, flyers and posters

Renaissance frescoes

Question 5:

What is a distinctive characteristic of Burga's series of cubes and prisms?

They are exclusively crafted from bronze.

Their appearance changes depending on audience participation.

They utilize exclusively geometric patterns.

Artwork Description

Teresa BurgaBorn in Iquitos, Peru, in 1935.She lives and works in Lima, Peru.In a recent interview, Teresa Burga recalls the revulsion that she has always felt about oil painting: “I have loathed oil paint all my life because it’s sticky, it’s dirty, and it never dries because Lima is very humid. So you needed to take a dryer or a heater to your studio. [...] I did not have any patience to be waiting for that oil paint to dry, so that I could put on the second layer, everything would get dirty.” When she was still quite young, Burga moved from her hometown of Iquitos in the Peruvian rainforest to the capital city of Lima, where she completed her art studies at the Universidad Catolica de Lima in 1964. She began her path toward a more experimental art practice by replacing her traditional medium of oil painting with a modern, fast-drying medium, such as latex. In the mid to late 1960s, she took a more radical step, replacing her own hand in the production of a given work by delegating the actual painting to others. This can be seen in her series of cubes and prisms, for example— works with a strong Pop accent that change depending on audience participation. So if the works “came out nice, it was by pure chance,” as Burga affirms. It is this same spirit of a sustained critique of artistic authorship that made Burga one of the pioneers of conceptualist practices in Latin America. Since the beginning she has produced a series of drawings of “time,” annotating each drawing with a meticulously drawn record of the duration it took her to produce it, including breaks taken during the process. It is worth noting that most of these drawings are faithful copies of original images drawn from various sources—advertisements, flyers, posters, and instruction manuals, for example—and with subjects as different as theater plays, police reports, cartoons, female items, or characters of the day. Burga’s Drawings with Eyes Closed (1974) take her countervisuality strategies, already present in the “duration drawings,” to another extreme. These works create a disjunction between producer and receiver, and question the relationship between the contemplated and the imagined. Burga has consistently structured her work around this countervisual program, which is also reflected in her pioneering feminist works such as Autoretrato. Estructura. Informe. 06/09/72 (1972) and Perfil de la mujer peruana (1980–1981). Other works, such as Estructuras de aire (1970) or Paisaje urbano (1978–1979), should be read not as language labs or institutional critiques in the North American sense, but as sensory experiments with concepts. More recently, Burga has been making a series of drawings that are “direct” copies of drawings made by children. The technique is simple but the time and labor are demanding: From the outlines of a reference image the artist carefully fills in the shapes with dots. The technique alludes to pointillism but more specifically refers to the so-called Benday dots used to create photomechanical prints. She thus ironically performs deskilling (the progressive loss of job skills) and the consequent reversal of hierarchies of labor subordination.

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Untitled (triptych) — Marcel Broodthaers, Conceptual Art

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Let Us Now Praise Famous Men — Walker Evans, Contemporary Realism

Walker Evans Let Us Now Praise Famous Men

Super Star Fucker, Andy Warhol Text Painting — Peter Maxwell Davies, Pop Art

Peter Maxwell Davies Super Star Fucker, Andy Warhol Text Painting

Untitled, — León David Ferrari, Conceptual Art

león david ferrari Untitled,

Let Us Now Praise Famous Men — Walker Evans, Documentary Photography

Walker Evans Let Us Now Praise Famous Men

Objectivity — Solomon Lewitt, Pop Art/conceptual Art

solomon lewitt Objectivity

Artist Biography

María Teresa Burga Ruiz (1935-2021): A Pioneer of Peruvian Conceptual and Media Art

Born: Iquitos, Peru, 1935
Died: Lima, Peru, 2021

María Teresa Burga Ruiz, also known as Teresa Burga, was a groundbreaking Peruvian artist whose work spanned multimedia and conceptual art forms. Born in the Amazonian city of Iquitos, her artistic journey led her to become a pivotal figure in Peruvian art history, recognized for her pioneering contributions to media art, technology-based art, and installation art – fields that were nascent in Peru during her active years.

Early Life and Artistic Development

Burga's early life in Iquitos likely influenced her later exploration of identity and social structures within Peruvian society.
She began experimenting with various media, moving beyond traditional artistic boundaries to incorporate technology and conceptual frameworks into her practice.
The late 1960s and 1970s marked a crucial period in Burga's development as an artist. It was during this time that she produced some of her most significant works, establishing her reputation as a visionary innovator.

Key Works and Artistic Style

Untitled, 14, 15.04.1974: Perhaps Burga's most celebrated work, this series of monochrome drawings exemplifies her minimalist aesthetic and conceptual approach. The stark imagery invites contemplation on time, process, and the nature of representation. View Artwork
Peru 73: This abstract ink drawing showcases Burga's exploration of geometric forms and layered structures, reflecting a broader engagement with the social and political landscape of Peru in 1973. View Artwork
Untitled (contigo….): Demonstrates her versatility across different mediums. View Artwork
Her artistic style is characterized by a reduction to essential forms, often employing monochrome palettes and repetitive patterns. This minimalist approach serves as a vehicle for exploring complex conceptual ideas.

Influences and Historical Significance

Burga's work was influenced by the broader international trends in Conceptual Art and Minimalism that emerged in the 1960s and 70s.
She is considered a precursor to media art and installation art in Peru, paving the way for subsequent generations of artists who embraced new technologies and expanded the boundaries of artistic expression.
Her exploration of identity, feminism, and social structures within Peruvian society positions her as a significant contributor to Latin American feminist art.
Burga's legacy lies in her ability to synthesize conceptual rigor with innovative use of media, creating works that are both aesthetically compelling and intellectually stimulating.

Legacy and Recognition

María Teresa Burga’s work has gained increasing recognition posthumously, solidifying her place as a pivotal figure in Peruvian art history.
She is now celebrated for her pioneering spirit and her contribution to the development of contemporary art practices in Peru.
Her influence can be seen in the work of younger Peruvian artists who continue to explore themes of identity, technology, and social change.

María Teresa Burga Ruiz

1935 - 2021 , Peru

Quick Facts

Artistic Movement Or Style: Conceptual Art, Media Art
Date Of Birth: 1935
Date Of Death: 2021
Full Name: María Teresa Burga Ruiz
Nationality: Peruvian
Notable Artworks:
- Untitled, 14, 15.04.1974
- Peru 73
- Untitled (contigo….)
Place Of Birth (City And Country): Iquitos, Peru

Grant Wood & American Regionalism: Identity, Myth & the Rural Landscape

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White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $30

H24-SILVER $30

H36-GOLD $45

H36-SILVER $45

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Nameplate

Engraved Bronze Plaque Details

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Full Shipping Insurance

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Total Price

$ 263

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Reproduction Medium

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Nameplate

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Customize My Artwork

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$ 263

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