Woman in Black and Green Bonnet, Sewing
Oil On Canvas
WallArt
Impressionist Movement
1880
61.0 x 50.0 cm
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Woman in Black and Green Bonnet, Sewing
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Moment of Quiet Industry: Mary Cassatt's "Woman in Black and Green Bonnet, Sewing"
Mary Stevenson Cassatt’s “Woman in Black and Green Bonnet, Sewing,” painted in 1880, is more than just a depiction of domesticity; it’s a poignant meditation on the quiet dignity of everyday life. Measuring 61 x 50 cm, this oil-on-canvas work captures a fleeting moment – a woman absorbed in her craft, bathed in soft light, radiating an aura of serene concentration. The painting immediately draws the eye to the subject's attire: a striking black hat adorned with a vibrant green ribbon, a bold statement against the muted tones of her brown jacket and the surrounding space. This deliberate color choice isn’t merely decorative; it speaks to Cassatt’s keen observation of fashion and her ability to imbue even the simplest scene with visual interest.
- Subject Matter: The painting focuses on a woman engaged in sewing, a common activity for women during this era.
- Style: Characteristic of Cassatt’s Impressionist style, it showcases bold colors and delicate brushstrokes.
- Technique: Executed with oil paint on canvas, the technique emphasizes texture and light.
Impressionism and the Domestic Sphere
Cassatt was a pivotal figure in American art, one of the few artists to gain recognition within the Parisian Impressionist circle alongside masters like Degas and Gauguin. Her work reflects her deep engagement with this movement while simultaneously offering a uniquely American perspective. Unlike some of her contemporaries who focused on grand landscapes or historical scenes, Cassatt chose to depict intimate moments – often involving women and children – revealing a profound empathy for the lives of ordinary people. “Woman in Black and Green Bonnet, Sewing” exemplifies this approach, presenting a scene that feels both familiar and deeply personal.
The influence of Paul Gauguin is subtly present, particularly in Cassatt’s attention to color and form, yet she maintains her own distinct voice, prioritizing emotional resonance over purely formal concerns. The painting's composition – the woman centered within the frame, with only glimpses of other figures – creates a sense of intimacy and invites the viewer to share in her quiet contemplation.
Symbolism and Emotional Impact
Beyond its aesthetic qualities, the painting carries a subtle symbolic weight. The act of sewing itself represents not just practical labor but also creativity, skill, and perhaps even a form of self-expression. The woman’s focused gaze suggests a state of absorption, a retreat from the demands of the outside world into the sanctuary of her own thoughts and actions. The green ribbon, a splash of vibrant color, adds a touch of optimism and vitality to the scene, hinting at the potential for beauty and joy even within the most mundane tasks.
The inclusion of partially visible figures in the background – a man and another woman – subtly suggests the complexities of family life and the interwoven roles of men and women. This layering of narrative adds depth to the image, inviting viewers to contemplate the relationships and dynamics at play.
A Timeless Masterpiece
"Woman in Black and Green Bonnet, Sewing" is a testament to Mary Cassatt’s artistic vision and her ability to capture the essence of human experience. This meticulously crafted oil painting reproduction offers a window into a bygone era, inviting us to pause and appreciate the beauty and significance of everyday moments. Its rich colors, delicate brushwork, and evocative subject matter make it a truly timeless masterpiece – a perfect addition to any art collection or interior space.
Related Artworks
Artist Biography
A Life Dedicated to Impressionism and Domesticity
Mary Stevenson Cassatt, a name forever linked with intimate portrayals of women and children within the radiant world of late 19th-century Impressionism, forged an exceptional path as an American artist who discovered her artistic sanctuary in France. Born on May 22, 1844, in Allegheny City, Pennsylvania – now part of Pittsburgh – Cassatt’s upbringing was steeped in privilege and a cultivated awareness of culture. Her family, with roots tracing back to French Huguenots, placed high value on education and travel, instilling within young Mary a cosmopolitan perspective that would profoundly shape her artistic vision. While societal norms often confined women to domestic spheres, Cassatt's mother, Katherine Kelso Johnston, actively encouraged her daughter’s burgeoning interest in art, recognizing and nurturing a talent that defied convention. This early support proved invaluable as Cassatt navigated the challenges of pursuing a professional career within a male-dominated field.
From Philadelphia to Parisian Immersion
Cassatt's formal artistic training commenced at the Pennsylvania Academy of the Fine Arts in Philadelphia at the age of fifteen, a bold step for a young woman during the Civil War era. Despite encountering skepticism and subtle discouragement from some instructors and fellow students, she persevered through years of diligent study. However, feeling constrained by the academy’s deliberate pace and traditional methods, Cassatt sought broader horizons. A pivotal moment arrived in 1866 when she relocated to Paris, accompanied by her mother and family friends as chaperones. This move marked a turning point in her artistic development. She studied privately with established artists affiliated with the École des Beaux-Arts, including Jean-Léon Gérôme, absorbing technical skills while simultaneously immersing herself in the burgeoning Parisian art scene. It was during this period that Cassatt began to gravitate towards the innovative ideas of the Impressionists, a group challenging academic conventions and striving to capture the fleeting moments of modern life. A particularly significant relationship blossomed with Edgar Degas, who recognized her exceptional talent and invited her to exhibit alongside the Impressionist circle. Their connection extended beyond exhibition; Degas became a mentor, encouraging Cassatt’s exploration of printmaking techniques, especially color aquatint, which would become an integral part of her artistic repertoire. He profoundly influenced her compositional choices, particularly in his emphasis on asymmetrical arrangements and cropped figures – elements that would come to define her unique style.
Capturing Modern Womanhood: Style and Themes
Cassatt’s artistic style evolved to embrace the hallmarks of Impressionism – visible brushstrokes, a focus on light and color, and a commitment to depicting contemporary life. Yet, she infused her work with a distinct clarity and precision that set it apart from some of her contemporaries. Unlike many male Impressionists who favored landscapes or Parisian nightlife, Cassatt centered her art around the social and private worlds of women, particularly mothers and children. She portrayed scenes of domesticity – bathing rituals, tea parties, quiet moments of connection – with remarkable intimacy and psychological depth. Her paintings are not merely depictions of everyday life; they are sensitive explorations of maternal bonds, female relationships, and the complexities of modern womanhood. Key works like The Boating Party (1894), The Child’s Bath (in various versions), and Little Girl in a Blue Armchair exemplify her ability to capture fleeting moments with both technical skill and emotional resonance. Furthermore, Cassatt was deeply influenced by Japanese *ukiyo-e* woodblock prints, evident in her compositions' flattened perspective, bold color choices, and elegant simplicity. This Japonisme influence added another layer of sophistication to her already distinctive style, influencing her use of pattern and the arrangement of forms within a space. She admired the way these prints captured everyday life with such directness and grace, qualities she sought to emulate in her own work.
Legacy and Historical Significance
Mary Cassatt’s contributions to the art world extend far beyond her captivating paintings and masterful prints. Often recognized as one of the “three great ladies” of Impressionism, alongside Berthe Morisot and Marie Bracquemond, she shattered barriers for women artists and paved the way for future generations. She played a vital role in bridging American and European art, introducing Impressionist ideas to an American audience and significantly contributing to the development of American Impressionism. Her work offered a nuanced and sympathetic portrayal of women’s lives during a period when they were often marginalized or stereotyped in art. Her depictions of motherhood are particularly celebrated for their honesty and emotional depth, challenging conventional representations and celebrating the strength and tenderness of maternal love. Today, her works are held in prestigious museums worldwide, including the Art Institute of Chicago (The Child’s Bath), the National Portrait Gallery in London (a portrait by Degas), and countless other institutions, ensuring that her legacy continues to inspire and resonate with audiences around the globe. She remains a powerful symbol of artistic independence and a testament to the enduring power of art to illuminate the human experience.
Further Exploration
- Online Resources: Explore Mary Cassatt’s life and work further through resources like Wikipedia (https://en.wikipedia.org/wiki/Mary_Cassatt) and ArtsDot.
- Museum Collections: Discover her masterpieces in renowned museums worldwide, including the Art Institute of Chicago and the National Portrait Gallery in London.
- Related Artists: Delve into the works of Edgar Degas, Berthe Morisot, and Marie Bracquemond to understand the broader context of Impressionism and the contributions of women artists during this period.
Mary Stevenson Cassatt
1843 - 1926 , United States of America
Quick Facts
- Artistic Movement Or Style: Impressionism
- Artists Or Movements Influenced By This Artist: ['American Impressionism']
- Artists Who Influenced This Artist:
- Edgar Degas
- Jean-Léon Gérôme
- Date Of Birth: May 22, 1844
- Date Of Death: 1926
- Full Name: Mary Stevenson Cassatt
- Nationality: American
- Notable Artworks:
- The Boating Party
- Child's Bath
- Little Girl in Blue Armchair
- Place Of Birth: Pittsburgh, USA

Glass option is only available in size under 110 CM
