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Scene in Aizu

Discover "Scene in Aizu" by Morita Tsunetomo – a captivating C_zanne-inspired Yōga painting of rural Japan. Explore its unique style & poetic beauty.

Explore the landscapes of Morita Tsunetomo, a Japanese Yōga painter (1881-1933). Influenced by Impressionism, his bold works showcase Western & Japanese art fusion.

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Total Price

$ 263

reproduction

Scene in Aizu

Reproduction Medium

Reproduction Size

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Total Price

$ 263

Artwork Description

After attending Fudosha, Tsunetomo graduated from Tokyo School of Fine Arts. He started the magazine Hosun together with Hakutei Ishii and others. In 1914, he went to Europe and sympathized with C_zanne’s style. He returned to Japan the following year. In 1922, he took part in the foundation of Shunyokai. Although he started out as a yoga artist, after returning from Europe, he portrayed the nature in Musashino and lakeside districts in poetic brushstrokes of ink and wash and was praised as “the poet of the plains.” Following the outbreak of the First World War, Tsunetomo returned to Japan in a year and a half or so and began working on Japanese landscapes in the style of C_zanne, which he had studied while in Europe. This painting was done on a trip to the Tohoku area beginning from Kitakata via Lake Hibara and Urabandai to Aizu. From between a thicket which has shed its leaves, a village can be seen below and gently rolling hills extend in the rear. The simplified forms captured in three dimensions and depicted in rhythmically directed brushwork on a steady composition cleverly combining verticality and horizontality are indeed a C_zanne-like work. However, while the formative structure and style are C_zanne-like, the point that a subdued, limpid poetic emotion, which was Tsunetomo’s innate disposition, is markedly afloat should not be overlooked. In due course, Tsunetomo began to feel that oil painting did not fit the humid climate in Japan and the disposition of the Japanese people. Just two or three years after returning to Japan, he shifted to the world of ink painting.

Artist Biography

Pablo Picasso: A Revolutionary Soul

Pablo Picasso, a name synonymous with artistic innovation and boundless creativity, remains one of the most recognizable and influential figures in the history of art. Born in Málaga, Spain, on October 25, 1881, into a family steeped in artistic tradition – his father, José Ruiz y Blasco, was a respected art teacher and curator – Picasso’s journey was marked by both prodigious talent and turbulent personal experiences. His life wasn't simply about painting; it was a relentless exploration of form, color, and the very nature of perception, ultimately reshaping the landscape of 20th-century art.

Picasso’s early years were shaped by a dual influence: his father’s rigorous instruction in classical drawing and his own innate artistic drive. From a young age, he displayed an extraordinary ability to capture detail and form, evident in works like “The Little Yellow Picador” (1895), a vibrant depiction of a bullfight scene that showcased his burgeoning talent for perspective and composition. However, Picasso’s formal training was cut short by the tragic death of his sister, Conchita, from diphtheria at the age of seven – an event that profoundly impacted him and became a recurring motif in his later work, often expressed through themes of loss and mourning.

The Blue and Rose Periods: Early Artistic Explorations

Following his relocation to La Coruña in 1891, Picasso’s artistic development took on new dimensions. While attending the Instituto de la Guarda, he continued to hone his skills, experimenting with various media such as pastels and pencils. This period was marked by a shift towards introspection and emotional depth, culminating in what is known as the “Blue Period” (1901-1904). Characterized by somber tones of blue and gray, this phase reflected Picasso’s personal struggles and his empathy for the marginalized members of society – beggars, prostitutes, and the impoverished. Paintings like "The Old Guitarist" (1903) exemplify this era, conveying a profound sense of loneliness and despair through their muted palette and haunting imagery.

Shortly after, Picasso entered a “Rose Period” (1904-1906), marked by warmer colors – pinks, oranges, and reds – and a shift in subject matter. He began to depict circus performers, harlequins, and acrobats, capturing their vibrant energy and theatricality. This period offered a respite from the darkness of the Blue Period, reflecting a newfound optimism and engagement with the world around him. The influence of Henri Matisse’s use of color during this time is evident.

Cubism: A Revolutionary Shift in Perspective

The early 20th century witnessed a seismic shift in Picasso's artistic approach – the birth of Cubism. Collaborating with Georges Braque, Picasso pioneered a revolutionary style that shattered traditional notions of representation. Cubism abandoned single-point perspective and instead presented objects from multiple viewpoints simultaneously, fracturing them into geometric shapes and reassembling them on the canvas. This radical departure challenged viewers to actively engage with the artwork and reconstruct its meaning.

Initially explored in the “Analytical Cubist” phase (1908-1912), where forms were broken down into their most basic components – often monochromatic browns and grays – Picasso later developed the "Synthetic Cubist" style (1913-1914). This involved incorporating collage elements, such as newspaper clippings and fabric scraps, directly onto the canvas, blurring the boundaries between painting and reality. Works like “Les Demoiselles d’Avignon” (1907), with its distorted figures and fragmented planes, are considered seminal examples of this groundbreaking movement.

Beyond Cubism: A Lifetime of Innovation

Picasso's artistic output extended far beyond the confines of Cubism. He continued to experiment with a wide range of styles and techniques throughout his long career, embracing Surrealism, Neoclassicism, and Expressionism. His work during World War II reflected his political convictions, most notably in "Guernica" (1937), a monumental mural depicting the horrors of the bombing of the Basque town of Guernica by Nazi German forces. This powerful anti-war statement remains one of Picasso’s most enduring and universally recognized works.

Throughout his life, Picasso maintained an intense personal and professional relationship with numerous women – Fernande Olivier, Dora Maar, Marie-Thérèse Walter, and Françoise Gilot – each leaving their mark on his art. His later years were marked by a prolific output, characterized by a playful exploration of themes such as mythology, portraiture, and still life. He continued to push the boundaries of artistic expression until his death in Mougins, France, on April 8, 1973, leaving behind an unparalleled legacy that continues to inspire artists and captivate audiences worldwide.

Picasso’s Lasting Legacy

Pablo Picasso's influence on the art world is immeasurable. He not only revolutionized painting but also profoundly impacted sculpture, printmaking, ceramics, and stage design. His relentless experimentation, his willingness to challenge conventions, and his profound empathy for the human condition have cemented his place as one of the most important artists of the 20th century. His work continues to be studied, analyzed, and celebrated, ensuring that his revolutionary vision will endure for generations to come.

morita tsunetomo

morita tsunetomo

1881 - 1933 , Japan

Quick Facts

  • Artistic Movement Or Style: Cubism, Surrealism
  • Artists Or Movements Influenced By This Artist: ['Fernande Olivier']
  • Artists Who Influenced This Artist: ['Georges Braque']
  • Date Of Birth: October 25, 1881
  • Date Of Death: April 8, 1973
  • Full Name: Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso
  • Nationality: Spanish
  • Notable Artworks:
    • Guernica
    • Les Demoiselles d’Avignon
    • The Weeping Woman
    • Girl Before a Mirror
  • Place Of Birth: Málaga, Spain
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