Bust of a man 2
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (17 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Bust of a man 2
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Fragment of Cubist Revolution: Examining Picasso’s “Bust of a Man 2”
Pablo Picasso's "Bust of a Man 2" stands as a cornerstone of Cubism, embodying the movement’s radical departure from traditional artistic conventions and cementing Picasso’s position as one of the most influential artists of the 20th century. Painted circa 1915-16 during his formative years in Paris—a city teeming with intellectual ferment—the artwork transcends mere portraiture; it delves into a profound exploration of perception and representation, mirroring the broader philosophical currents of its time. The painting depicts a male figure draped in a striking blue scarf, rendered in Picasso’s signature fractured geometric style. This isn't simply an attempt to depict reality as seen by the eye—rather, it’s a deliberate dismantling of visual illusion, presenting multiple viewpoints simultaneously on a single canvas.Decoding the Cubist Technique: Fragmentation and Perspective
Picasso’s masterful manipulation of technique is central to understanding “Bust of a Man 2.” He employs a method known as Analytical Cubism, characterized by dissecting objects into geometric planes—cubes, cylinders, and cones—and reconstructing them in an overlapping arrangement. This process abandons linear perspective, creating a disconcerting yet intellectually stimulating effect for the viewer. The pink nose and mouth subtly suggest a theatrical makeup application, hinting at Picasso’s fascination with performance and challenging conventional notions of beauty. Notice how the blue scarf isn't depicted as a unified form but rather as fragmented planes that intersect and recede into the background—a deliberate tactic to convey depth without relying on traditional shading techniques.Historical Context: The Rise of Modernism
“Bust of a Man 2” emerged during a period marked by seismic shifts in artistic thought and societal values. The Impressionists had paved the way for experimentation with color and light, but Picasso and Georges Braque pushed further, rejecting representational accuracy altogether. Influenced by Cézanne’s exploration of underlying geometric forms—particularly his insistence on depicting objects as they exist simultaneously from multiple viewpoints—Cubism sought to capture not just what is seen but also how it is perceived. The movement coincided with the burgeoning interest in psychology and psychoanalysis, reflecting a desire to represent inner experience alongside external reality. Picasso himself was deeply engaged in discussions about these ideas, contributing to the intellectual landscape of his era.Symbolic Layers: Beyond Appearance
While seemingly straightforward in its visual composition, “Bust of a Man 2” is laden with symbolic significance. The blue scarf—a recurring motif in Picasso’s oeuvre—can be interpreted as representing mourning or contemplation, reflecting perhaps the artist's own preoccupation with loss and mortality. The fragmented depiction of the face speaks to the complexities of identity and consciousness, mirroring the Cubist project’s ambition to challenge established conventions of representation. Picasso’s deliberate use of color—particularly the vibrant pink—adds another layer of nuance, suggesting an awareness of artistic tradition while simultaneously rejecting its limitations.Emotional Resonance: A Portrait of Uncertainty
Ultimately, “Bust of a Man 2” succeeds in conveying a palpable sense of unease and ambiguity. The fractured planes create a visual tension that mirrors the psychological uncertainties inherent in human experience. It’s not a comforting portrait; it compels the viewer to confront uncomfortable truths about perception and representation. Picasso's masterful execution captures this emotional core, inviting contemplation on themes of fragmentation, perspective, and the elusive nature of reality—a legacy that continues to inspire artists and collectors alike.Related Artworks
Artist Biography
The Enduring Legacy of Pablo Picasso
Pablo Ruiz y Picasso, a name synonymous with artistic revolution, was born in Málaga, Spain, on October 25, 1881. His very existence seemed destined for creative expression; legend has it his first uttered words were “piz, piz,” an attempt to say ‘pencil’. This early inclination was nurtured by his father, José Ruiz y Blasco, a painter and art teacher who provided young Pablo with foundational training. However, the student quickly surpassed the instructor, demonstrating a remarkable aptitude for naturalistic depiction that hinted at the prodigious talent within. The family’s subsequent moves – first to A Coruña, then Barcelona – were punctuated by personal tragedy, notably the loss of Picasso's sister, experiences which would subtly infuse his later work with themes of melancholy and mortality. Even during formal studies at the School of Fine Arts in Barcelona and a brief stint at the Royal Academy of San Fernando in Madrid, Picasso chafed against rigid academic constraints, preferring instead to immerse himself in the works of masters like Velázquez and Goya, forging his own path toward artistic innovation.
From Melancholy Blues to Rose-Tinted Hues
The early years of the 20th century witnessed the emergence of two distinct periods in Picasso’s oeuvre: the Blue Period (roughly 1901-1904) and the Rose Period (1904-1906). The Blue Period, born from personal hardship and a keen awareness of social suffering, is characterized by paintings steeped in somber shades of blue and blue-green. These works are populated by marginalized figures – beggars, the blind, prostitutes – rendered with a haunting empathy that speaks to themes of isolation and despair. La Vie (1903) and The Old Guitarist (1903-1904) stand as poignant examples of this emotionally charged phase. A shift in Picasso’s personal life, coupled with a move to Paris, heralded the arrival of the Rose Period. The palette warmed considerably, embracing pinks, oranges, and reds, reflecting a more optimistic outlook. This period saw a fascination with circus performers – harlequins, acrobats, and family troupes – figures who embodied both fragility and resilience. Family of Saltimbanques (1905) beautifully encapsulates this transition, hinting at the stylistic explorations that lay ahead.
The Shattering of Perspective: Cubism and Beyond
The year 1907 marked a pivotal moment in art history with the creation of Les Demoiselles d'Avignon. Influenced by Iberian sculpture and African masks, this groundbreaking painting shattered traditional notions of perspective and representation. It was a radical departure, a deliberate rejection of centuries-old conventions that paved the way for Cubism. Working in close collaboration with Georges Braque, Picasso co-founded this revolutionary movement, fundamentally altering how artists perceived and depicted reality. Analytical Cubism (1909-1912) involved the fragmentation of objects into geometric shapes, rendered in muted colors, as if dissecting form itself. This evolved into Synthetic Cubism (1912-1919), which incorporated collage elements – newspaper clippings, fabric scraps – adding texture and new layers of visual complexity. Picasso wasn’t content to simply represent the world; he sought to deconstruct it and reconstruct it on his own terms.
A Restless Experimenter: Neoclassicism, Surrealism, and War
The 1920s saw Picasso briefly explore Neoclassical styles, creating monumental figures that echoed classical forms while retaining a distinctly modern sensibility. Simultaneously, he engaged with the burgeoning Surrealist movement, though never fully aligning himself with its principles. His work during this period blended earlier stylistic influences with surreal imagery and distorted perspectives, demonstrating his relentless experimentation. The horrors of the Spanish Civil War profoundly impacted Picasso, culminating in the creation of Guernica (1937), a visceral and emotionally devastating response to the bombing of Guernica. This monumental work became an enduring symbol of the atrocities of war, solidifying Picasso’s role as not just an artist but also a powerful voice for peace and social justice. Throughout the 1950s and 60s, he continued to push boundaries, exploring ceramics, sculpture, and printmaking with unwavering curiosity and skill. His marriage to Jacqueline Roque in 1961 brought a new dimension to his personal life and artistic expression.
An Immeasurable Impact
Pablo Picasso died on April 8, 1973, in Mougins, France, leaving behind an astonishing body of work – estimated at over 50,000 pieces – that continues to captivate and inspire. His artistic development was shaped by a diverse range of influences, from Spanish masters like Velázquez and Goya to Iberian sculpture, African art, and the vibrant color palettes of Henri Matisse. His impact on 20th-century art is immeasurable. He co-founded Cubism, pioneered collage and constructed sculpture, and consistently challenged artistic conventions. Picasso’s relentless experimentation redefined modern art, leaving an indelible mark on generations of artists and solidifying his position as one of the most important and influential figures in history. His legacy extends beyond the canvas, resonating in countless aspects of contemporary culture and reminding us of the transformative power of artistic vision.
Pablo Picasso
1881 - 1973 , Spain
Quick Facts
- Artistic Movement Or Style: Cubism, Surrealism
- Artists Or Movements Influenced By This Artist:
- Cubism
- Modern art
- Artists Who Influenced This Artist:
- Velázquez
- Goya
- Matisse
- Date Of Birth: October 25, 1881
- Date Of Death: April 8, 1973
- Full Name: Pablo Diego José Ruiz Picasso
- Nationality: Spanish
- Notable Artworks:
- Les Demoiselles d'Avignon
- Guernica
- The Old Guitarist
- La Vie
- Family of Saltimbanques
- Place Of Birth: Malaga, Spain


Glass option is only available in size under 110 CM
