Feast at the House of Simon
Oil On Canvas
WallArt
Baroque
1570
454.0 x 874.0 cm
Musée National du Château
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Feast at the House of Simon
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
Feast at the House of Simon: A Venetian Triumph of Color and Narrative
Paolo Veronese’s “Feast at the House of Simon,” completed in 1570, stands as a monumental achievement of Mannerist painting—a dazzling spectacle that transcends mere visual representation to embody an ambitious artistic vision. Hanging prominently in the Pinacoteca di Brera in Milan, this colossal canvas (measuring 454 x 874 cm) captures a pivotal moment from Luke’s Gospel: Jesus’ invitation to a banquet hosted by Simon the Pharisee, where he announces that one of his disciples will betray him.
- Subject Matter & Narrative Complexity: Veronese deliberately eschewed strict adherence to biblical realism, opting instead for a layered narrative structure. The central scene depicts Christ at the table with Simon and his companions, but surrounding him is an astonishing array of figures—guests from various social strata, musicians, servants, animals – creating a bustling tableau that reflects Venetian society of the time. Crucially, Veronese subtly incorporates references to other biblical stories, weaving together multiple narratives into a single composition.
- Style & Technique: Characteristic of Mannerism, “Feast” is defined by its dramatic use of perspective and spatial illusion—a technique pioneered by Andrea Palladio—to heighten the sense of grandeur and theatricality. Veronese employs meticulous brushwork to achieve an unparalleled level of detail, particularly in rendering fabrics and faces, demonstrating mastery over color palettes that are rich, luminous, and emotionally charged. The artist’s masterful manipulation of light creates a palpable atmosphere of opulent celebration.
- Historical Context: Painted during the reign of Philip II of Spain, “Feast” reflects the anxieties of the Catholic Counter-Reformation. Commissioned for the refectory of Santa Maria dei Servi in Venice—a monastery under papal patronage—the painting served as a powerful symbol of Venetian piety and artistic prestige. The Inquisition scrutinized Veronese’s work closely, questioning his stylistic choices and accusing him of irreverence.
- Symbolism & Artistic Intent: Beyond its narrative content, “Feast” is laden with symbolic significance. The architectural setting—inspired by Palladio—represents divine order and elevates the scene to a transcendent realm. The abundance of figures symbolizes humanity’s participation in God’s grace, while the meticulous depiction of textures and colors underscores Veronese's commitment to conveying emotional intensity.
- Emotional Impact: Viewing “Feast” is an immersive experience—a journey into a world of dazzling color and theatrical grandeur. The painting evokes feelings of awe, wonder, and contemplation, inviting viewers to consider themes of faith, betrayal, and divine providence. Its enduring appeal lies in Veronese’s ability to capture the essence of human emotion within a framework of formal innovation.
The monumental scale of “Feast at the House of Simon” underscores Veronese's ambition as an artist—a desire not merely to depict a biblical scene but to transform it into a vehicle for conveying profound spiritual truths. It remains a testament to the enduring power of Mannerist painting and its capacity to inspire admiration for centuries.
Related Artworks
Artist Biography
A Venetian Visionary: The Life and Art of Paolo Veronese
Paolo Caliari, known to the world as Paolo Veronese, emerged from the vibrant artistic landscape of 16th-century Venice as a master of color, composition, and opulent spectacle. Born in Verona in 1528, the son of a stonecutter, his early life was steeped in the visual richness of his surroundings – the classical architecture, sculpted forms, and burgeoning humanist ideals that characterized the region. His initial training under Antonio Badile and Giovanni Francesco Caroto laid a foundation in traditional techniques, but it was his move to Venice in the 1550s that truly ignited his artistic genius. The city itself became his muse, its bustling marketplaces, grand palazzi, and shimmering waterways informing the scale and drama of his work. He quickly absorbed the influences of established Venetian masters like Titian, whose mastery of color profoundly impacted Veronese’s palette, yet he forged a distinct style characterized by an unparalleled sense of theatricality and grandeur.The Painter of Feasts and Grand Narratives
Veronese's reputation rests upon his monumental paintings, particularly those depicting lavish feasts and biblical scenes transformed into dazzling displays of Venetian life. The Wedding at Cana, completed in 1563 for the Benedictine monastery of San Giorgio Maggiore, stands as a testament to his skill. This colossal canvas isn’t merely an illustration of the miracle; it's a vibrant panorama of 16th-century society, teeming with elegantly dressed figures, musicians, and architectural details rendered with breathtaking precision. The painting is not just about what happened at Cana but *how* it would have looked if it had occurred in Venice during Veronese’s time. Similarly, The Feast in the House of Levi, originally titled The Last Supper, caused controversy with the Inquisition due to its inclusion of contemporary figures and a seemingly irreverent atmosphere. Veronese defended his artistic license, asserting that painters were entitled to the same creative freedom as poets and jesters – a bold statement reflecting his belief in art’s power to interpret and reimagine sacred narratives. These works weren't simply religious depictions; they were celebrations of life, wealth, and the splendor of Venice itself. He wasn’t interested in austere spirituality but rather in capturing the joy and abundance of existence.Influences and Artistic Development
While Titian’s influence on Veronese’s colorism is undeniable, his artistic development was a complex interplay of various influences. The architectural precision he brought to his compositions owes much to the classical tradition prevalent in Verona during his formative years, particularly the work of architects like Michele Sanmicheli. He also absorbed elements from Central Italian masters such as Raphael and Parmigianino, evident in the graceful lines and harmonious arrangements within his paintings. However, Veronese didn’t simply imitate these influences; he synthesized them into a uniquely Venetian style characterized by its dramatic use of light, vibrant color palettes, and meticulous attention to detail. He excelled at creating illusions of space and depth, employing perspective techniques to draw viewers into the heart of his elaborate scenes. His mastery of oil painting allowed him to achieve an unparalleled luminosity and richness of texture. He also ran a large workshop, with contributions from his brother Benedetto and sons Gabriele and Carlo, ensuring that his style continued to flourish even after his death in 1588.Legacy and Historical Significance
Paolo Veronese’s impact extends far beyond the realm of Renaissance art. His work has resonated through centuries, inspiring artists across various disciplines. His dramatic compositions and vibrant color schemes have been cited as influences on everything from Baroque painting to modern cinema – even finding echoes in the visual aesthetics of Spaghetti Westerns. He was part of the “great trio” of Venetian painters—alongside Titian and Tintoretto—each contributing uniquely to the city’s artistic legacy, yet Veronese often stands apart for his sheer exuberance and celebration of earthly pleasures. His paintings continue to captivate audiences with their grandeur and spectacle, offering a glimpse into the opulent world of 16th-century Venice.- He redefined historical painting by imbuing it with contemporary life.
- His use of color remains influential for artists today.
- His work embodies the spirit of Renaissance humanism and celebration of earthly beauty.
Paolo Veronese
1528 - 1588 , Italy
Quick Facts
- Artistic Movement Or Style: Renaissance, Mannerism
- Artists Or Movements Influenced By This Artist:
- Rubens
- Watteau
- Artists Who Influenced This Artist: ['Titian']
- Date Of Birth: 1528
- Date Of Death: 1588
- Full Name: Paolo Veronese
- Nationality: Italian
- Notable Artworks:
- The Wedding at Cana
- Feast in the House of Levi
- Other Names: Paolo Caliari
- Place Of Birth: Verona, Italy

Glass option is only available in size under 110 CM
