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Portrait of Jan Brown

Romola Clifton (b. 1935) is an acclaimed Australian artist known for her watercolor landscapes, portraits & atmospheric studies. Winner of the Claude Hotchin & Helena Rubinstein Prizes, she studied at Slade School of Art and painted Paul Hasluck's of

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Total Price

$ 63

reproduction

Portrait of Jan Brown

Giclée / Art Print

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Total Price

$ 63

Romola Templeman was born in Perth in 1935 and studied art at the highly regarded Slade School of Fine Art in London in the early 1950s. She had her first solo exhibition at Skinner Gallery in Perth in 1959, and her work has subsequently been included in over thirty exhibitions in Western Australia, Tasmania, Albury, Sydney and Canberra.Romola Templeman’s Portrait of Jan Brown is a warm and charming painting, a portrait of the artist in her studio, where her materials and tools and sculptures are a substantial part of the work’s subject – appropriately, as Jan Brown’s art-making is intrinsic to her sense of self. Brown is a very significant figure in Canberra’s art history and versions of some of the bird sculptures depicted in Templeman’s portrait of Brown are in the CMAG collection. The detail in this portrait is incredibly engaging, of more than passing interest to artists and art historians, and includes items such as a wooden box Brown used when she was studying sculpture under Henry Moore at Chelsea Polytechnic School of Art (London) in the late 1940s.Romola Templeman has been a friend of Jan Brown since her arrival in Canberra from Perth, and they have worked together as artists and teachers; both women have a shared passion for drawing, and had similar experiences of studying and living in London in the decade after WWII. It is also noteworthy that Romola Templeman is married to the poet and editor Ian Templeman, with whom Jan Brown collaborated on two artist books: A Particular Raven, 2000 and Icarus 2003, with Brown’s etchings illustrating Templeman’s poems. This painting is clearly an affectionate record of a person and a friendship, and has a degree of intimacy not found in official portraits.

Artist Biography

The Luminous Vision of Romola Clifton

Born in the vibrant coastal city of Perth in 1935, Romola Clifton emerged as a profound voice in the realm of Australian watercolor painting. Her artistic journey was shaped by an early immersion in the nuances of form and space, deeply influenced by her father, Marshall Waller Gervase Clifton, a distinguished architect whose eye for structural elegance left an indelible mark on her developing aesthetic. This foundational appreciation for spatial relationships would later manifest in her ability to balance the delicate transparency of watercolor with the commanding presence of landscape and portraiture. Her early years in Western Australia provided a rich tapestry of light and scenery that would serve as the primary vocabulary for much of her lifelong exploration.

The trajectory of Clifton’s career was marked by an extraordinary period of international refinement during the 1950s. Seeking to expand her technical horizons, she traveled to London to study at the prestigious Slade School of Fine Art. It was within these hallowed halls that her raw talent was tempered by rigorous classical training, allowing her to master the subtle complexities of light, shadow, and atmospheric depth. This period of academic excellence in London, followed by further studies at the University of Western Australia, equipped her with a sophisticated command over the watercolor medium—a medium that requires both immense technical precision and the courage to embrace the unpredictable flow of pigment and water.

A Legacy of Recognition and Connection

Clifton’s ascent within the Australian art community was swift and decorated with significant accolades. Her ability to capture the ephemeral qualities of the natural world earned her the Claude Hotchin Art Prize for watercolor in 1956, a milestone that signaled her arrival as a major talent. This momentum continued into the following decade when she secured the Helena Rubinstein Portrait Prize in 1960, demonstrating a versatility that allowed her to transition seamlessly from the expansive vistas of the Australian landscape to the intimate, psychological depths of human portraiture. Her work became a bridge between the external world and the internal spirit, often capturing subjects with a warmth and intimacy that transcended mere likeness.

Beyond her individual triumphs, Clifton’s life was woven into the very fabric of the Australian cultural landscape through her personal and professional relationships. Her marriage to fellow artist Ross Morrow fostered a period of shared creative inquiry, while her later union with the poet and arts administrator Ian Templeman placed her at the heart of a rich intellectual circle. These connections often resulted in beautiful intersections of medium and meaning; for instance, her friendship with the sculptor Jan Brown led to evocative portraiture that celebrated the shared passion for art-making. Through her exhibitions across Western Australia, Tasmania, Sydney, and Canberra, Clifton did more than just display paintings; she documented the soul of a nation through a lens of exquisite, watercolor-washed light.

romola templeman

romola templeman

1935 - , Australia

Quick Facts

  • Artistic Movement Or Style: Watercolor painting
  • Artists Or Movements Influenced By This Artist: ['Slade School of Art']
  • Artists Who Influenced This Artist: ['Claude Hotchin']
  • Date Of Birth: 1935
  • Full Name: Romola Clifton Templeman
  • Nationality: Australian
  • Notable Artworks: ['Portrait of Jan Brown']
  • Place Of Birth: Perth, Australia
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