Runo Lagomarsino — Following the Light of the Sun, I Only Discovered the Ground

Following the Light of the Sun, I Only Discovered the Ground is Runo Lagomarsino’s ambitious exploration into the legacy of monumental art and its interpretation within contemporary Latin American culture. Released in 2012–2014, this slide loop presentation delves into Zurab Tsereteli's controversial sculpture Birth of the New World—a colossal monument intended to commemorate Columbus’ voyage but repeatedly rejected by US institutions after decades of bureaucratic hurdles. Lagomarsino doesn’t merely document the sculpture’s journey; he dissects it as a symbol of colonial heritage and its problematic projection onto the global South, questioning how history is constructed and subsequently misrepresented. The artist meticulously juxtaposes Russian national anthem recordings with black-and-white images capturing the sculpture's unfinished state—a poignant reminder of Cold War grandeur and the devastating consequences of historical misreading. Lagomarsino’s approach isn’t simply observational; he seeks to provoke reflection on how societal forces shape our understanding of past events, presenting serene actions alongside poetic interruptions that underscore the artwork’s deeper significance. His series of drawings created by sunlight—specifically “4 Date Drawings”—offers a striking visual meditation on time and decay. Four sheets of paper bearing dates bleached away by exposure to sunlight serve as canvases for Lagomarsino's artistic intervention, symbolizing the passage of time and confronting viewers with the ephemeral nature of existence. The resulting images are imbued with a quiet dignity, reflecting the artist’s deliberate consideration of materiality and process. The centerpiece of Lagomarsino’s work is “La Muralla Azul,” an installation featuring five exposed Sunprint papers mounted on a metal trestle—a deliberate reference to Naples' cityscape. These drawings capture the essence of Mediterranean light and landscape, transforming natural elements into symbolic representations of cultural heritage and migration. The artist’s intention is to convey not just visual beauty but also complex narratives about displacement and identity. Finally, “For the Ghosts and the Raving Poets” presents a cable strung across a metal structure illuminated by a single bulb—a conceptual piece that embodies Lagomarsino's fascination with artistic expression and its ability to transcend conventional boundaries. The artwork’s simplicity is deceptive; it invites contemplation on themes of memory, silence, and the artist’s role in shaping our perception of reality.

• Artist: Runo Lagomarsino
• Born Year: 1977
• Death Year: Living
• Birth City: Lund
• Birth Country: Sweden

Biography: Runo Lagomarsino is a Swedish artist born in Lund in 1977. He is known for his installations, sculptures, and text-based works that explore themes of migration, identity, and cultural heritage. Lagomarsino often uses everyday objects and materials to create poetic and thought-provoking works that challenge dominant narratives and invite viewers to reflect on their own position in the world. He has exhibited widely in Europe, the Americas, and Asia, and his work is held in numerous public and private collections. Lagomarsino currently lives and works in Malmö, Sweden.

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• Following the Light of the Ground
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Additional Research: The artwork’s exploration of colonial heritage and its critique of historical narratives resonate with broader discussions about cultural identity and representation. Lagomarsino's meticulous attention to detail—from the choice of materials to the framing of images—contributes to the piece's overall impact, inviting viewers to engage in a thoughtful contemplation of art’s role in shaping our understanding of history and culture.