Omnes gentes in valle Iosaphat (Joel 3:2)
Salvador Dalí (1904 – 1989)
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Omnes gentes in valle Iosaphat (Joel 3:2): A Surrealist Vision of Judgment
Salvador Dalí’s “Omnes gentes in valle Iosaphat” (Joel 3:2) stands as a cornerstone of his Biblia Sacra series, embodying the artist's distinctive blend of Expressionism and Symbolism. Executed in gouache on canvas between 1964 and 1967, this artwork transcends mere depiction; it plunges viewers into a dreamlike landscape populated by enigmatic figures grappling with profound themes of divine retribution and human responsibility. The piece’s unsettling beauty resides precisely in its refusal to offer easy answers, inviting contemplation about faith, morality, and the inescapable confrontation with mortality.- Composition & Technique: Dalí employed gouache—a medium known for its opacity and luminous qualities—to achieve a textured surface that captures both ethereal light and palpable tension. The artist’s meticulous draftsmanship is evident in the precise rendering of forms, juxtaposed against spontaneous splashes and streaks that disrupt any semblance of conventional perspective. This deliberate contrast underscores Dalí's intention to convey not visual realism but rather an emotional truth—a visceral response to the biblical narrative.
- Symbolism & Imagery: Dominating the lower portion of the canvas is a colossal bull, rendered in earthy tones and positioned centrally. Traditionally associated with strength, fertility, and primal instincts, the bull here represents both earthly power and impending doom. Above it swirls an amorphous expanse of browns and tans—likely symbolizing a celestial realm or perhaps representing the turbulent forces of judgment. Delicate lines intersect with heavier spots, creating a dynamic interplay that mirrors the biblical verse’s depiction of cosmic upheaval.
- Biblical Context & Interpretation: “Omnes gentes in valle Iosaphat” directly references Joel 3:2 – “And it shall come to pass that every people shall come up against his neighbor; and every nation shall contend with every nation.” This verse speaks of a final reckoning, where God judges humanity for its wickedness. Dalí’s artwork captures this apocalyptic vision through abstracted forms and unsettling imagery, prompting viewers to confront the anxieties inherent in existential faith.
- The Artist's Vision: Dalí’s signature at the bottom right serves as an anchor to his artistic lineage, reaffirming his commitment to exploring the subconscious mind and transforming psychological concepts into visual masterpieces. Like all of Dalí’s Biblia Sacra works, “Omnes gentes in valle Iosaphat” exemplifies his mastery of Surrealist technique—a method rooted in automatism and inspired by Freudian psychoanalysis—to communicate profound spiritual ideas with arresting immediacy.
- Emotional Impact: Viewing “Omnes gentes in valle Iosaphat” evokes a feeling of unease mingled with fascination. The artwork’s unsettling beauty compels contemplation about the human condition, confronting viewers with questions of morality and responsibility. Dalí's masterful use of color and texture contributes to this emotional resonance, transporting the viewer into a realm where logic yields to intuition—a space where symbols speak louder than words.
This reproduction aims to faithfully capture the essence of Dalí’s original vision, allowing admirers to experience the artwork's captivating symbolism and textural richness within their own homes.
About this artwork
- Title: Omnes gentes in valle Iosaphat (Joel 3:2)
- Artist: Salvador Dalí
- Year: 1967
- Format: Portrait
- Copyright status: Under copyright
- Movement: Surrealist Expressionism
- Medium: Acrylic On Canvas
- Medium type: WallArt
- Creative period: Mature Surrealism
- Main color: White
Quick Facts
- Medium: Gouache
- Artistic style: Expressionism
- Artist: Salvador Dalí
- Movement: Surrealism
- Notable elements or techniques: Symbolic imagery, Precise draftsmanship
- Year: 1967

