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SAINT ANTOINE DE PADOUE GUERISSANT UN JEUNE HOMME QUI S'ETAIT AMPUTE LE PIED POUR SE PUNIR D'AVOIR FRAPPE SA MERE

This painting by Sebastiano Ricci portrays Saint Anthony of Padua tending to a young man undergoing amputation, symbolizing penitence and divine mercy. Executed in the grand manner style, it exemplifies Ricci’s artistic prowess and captures a moment of profound human emotion within a richly detailed Venetian interior.

Sebastiano Ricci (1659-1734) was a leading Venetian Baroque painter known for his luminous frescoes, grand manner style & vigorous compositions. Explore works like 'Bacchus and Ariadne' and discover the legacy of this influential Italian artist.

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Quick Facts

  • Title: Saint Antoine de Padoue guérissant un jeune homme qui s'était amputé le pied pour se punir d'avoir frappé sa mère
  • Dimensions: RF 1986 73
  • Influences: Giovanni Gioseffo dal Sole
  • Artist: Sebastiano Ricci
  • Medium: Huile sur toile
  • Notable elements or techniques: Grand manner
  • Movement: Baroque

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary subject matter depicted in Sebastiano Ricci’s painting, ‘Saint Antoine de Padoue guérissant un jeune homme qui s’était amputé le pied pour se punir d’avoir frappé sa mère’?
Question 2:
The painting showcases Ricci's signature style – what is it primarily characterized by?
Question 3:
Where was this artwork originally housed?
Question 4:
Approximately when was the painting acquired by the Louvre?
Question 5:
What artistic movement does Sebastiano Ricci’s style belong to?

The Devotion of Saint Anthony

To gaze upon this depiction of Saint Anthony de Padua is to be drawn into a moment suspended between profound suffering and divine grace. The scene captures the dramatic narrative of a young man, in an act of extreme self-mortification—having amputated his own leg as penance—being tended to by the saint himself. Sebastiano Ricci, master of the late Baroque flourish, has rendered this episode not merely as historical documentation, but as a deeply emotional tableau vivant. The air itself seems thick with piety and palpable tension, inviting the viewer to contemplate the depths of human repentance and the boundless mercy of faith.

Baroque Drama and Luminous Technique

Ricci’s command over the Baroque style is immediately apparent in the dynamism of the composition. His brushwork, characteristic of his luminous Venetian school training, imbues every fold of drapery and every gesture with dramatic energy. Observe how the light seems to emanate from an unseen source, catching the pallor of the young man's skin against the rich, deep tones of the surrounding room. This masterful handling of chiaroscuro—the interplay between light and shadow—is what gives the painting its breathtaking immediacy. It is a technique that doesn't just depict a scene; it makes you feel the cool stone floor beneath your feet and hear the hushed murmurs of the onlookers.

Symbolism of Penance and Redemption

The core symbolism here revolves around the arduous path from sin to salvation. The self-amputation is not simply gore; it is a potent visual metaphor for radical sacrifice, a physical manifestation of spiritual reckoning. Saint Anthony, ever the compassionate guide, embodies the Church's role in receiving such penitents—a figure of gentle authority guiding the soul through its darkest moments toward healing. The presence of the observing figures anchors the narrative within a community of faith, suggesting that redemption is rarely a solitary journey but one witnessed and supported by others.

A Focal Point for Contemplative Spaces

For the discerning collector or designer seeking an artwork with profound resonance, this piece offers more than mere decoration; it offers contemplation. Reproducing such a work allows one to bring the dramatic spiritual weight of the Baroque era into a modern interior. Imagine this scene rendered in exquisite detail within a library, a chapel-inspired drawing-room, or a study dedicated to reflection. The grandeur and narrative power of Ricci’s hand ensure that the piece will serve as an immediate focal point, sparking conversation and deep thought among all who pass by.


Artist Biography

biography of a vigorous and luminous painter

sebastiano ricci, an italian painter from belluno, was born on august 1, 1659, and passed away on may 15, 1734. he was a prominent figure in the late baroque school of venice, known for his grand manner fresco painting style.

early life and training

ricci's artistic journey began at a young age. in 1671, he was apprenticed to federico cervelli of venice. however, some sources claim that his first master was sebastiano mazzoni.

notable works and commissions

* bacchus and ariadne (national gallery, london, united kingdom), a painting showcasing ricci's mastery of the baroque style. * memorial to admiral sir clowdisley shovell (oil on canvas), a testament to his ability to capture the essence of a moment. * the decoration of the oratory of the madonna of the seraglio (1685-1687) in collaboration with ferdinando galli-bibiena, receiving a payment of 4,482 lira.

artistic style and influences

ricci's work was influenced by giovanni gioseffo dal sole's style during his time in bologna. his paintings often featured grand, luminous, and vigorous themes, making him a representative of the late baroque school of venice.

legacy and later life

ricci's artistic career was marked by periods of turmoil, including imprisonment and scandals. however, he continued to produce notable works, such as venus takes leave from adonis, which showcased his skill in capturing heavenly depictions. he ultimately accepted foreign patronage in london, working on a commission for lord burlington.

important: this article is based on the available information from ArtsDot.com and may be subject to change as more data becomes available.

Sebastiano Ricci

Sebastiano Ricci

1659 - 1734 , Italy

Quick Facts

  • Artistic Movement Or Style: Late Baroque
  • Artists Or Movements Influenced By This Artist: ['Marco Ricci']
  • Artists Who Influenced This Artist: ['Giovanni Gioseffo dal Sole']
  • Date Of Birth: August 1, 1659
  • Date Of Death: May 15, 1734
  • Full Name: Sebastiano Ricci
  • Nationality: Italian
  • Notable Artworks:
    • Bacchus and Ariadne
    • Venus takes leave
    • Dream of Aesculapius
  • Place Of Birth: Belluno, Italy