period

1. Landscape with Christ Appearing to the Apostles at the Sea of Tiberias — Pieter Bruegel the Elder, 1553
2. Nurture of Bacchus — Nicolas Poussin, 1635
3. Pastoral Concert (Fête champêtre) — Giorgione, 1509

movement

1. Pastoral Concert (Fête champêtre) — Giorgione, 1509
2. Leda and the Swan — antonio allegri, 1532

vibe

1. Venus and Adonis — bartholomeus spranger, 1587
2. Pastoral Concert (Fête champêtre) — Giorgione, 1509

topics

1. Nurture of Bacchus — Nicolas Poussin, 1635
2. Jupiter and Antiope (Pardo Venus) — Titian, 1535
3. Pastoral Concert (Fête champêtre) — Giorgione, 1509
4. Leda and the Swan — antonio allegri, 1532

keywords

tone

1. Venus and Adonis — bartholomeus spranger, 1587

main color

1. Landscape with River and Bridge — Giuseppe Zais, 1740
2. Rocky Landscape with Two Carthusian Monks — da pier francesco mola
3. Landscape With A Castle — francis towne
4. Salmacis and Hermaphroditus — ippolito scarsella (scarsellino)
5. Moorland Landscape — george cartlidge, 1903
6. Diana and Callisto, oil on canvas, Art H — palma il vecchio, 1525
7. Adam and Eve — joachim anthonisz wtewael
8. Landscape with Christ Appearing to the Apostles at the Sea of Tiberias — Pieter Bruegel the Elder, 1553
9. Untitled (landscape with rocks) — Edward Mitchell Bannister, 1898
10. Landscape and Figures — Sir Augustus Wall Callcott, 1829
11. Landscape with Tall Rocks — Herman van Swanevelt, 1643
12. Nurture of Bacchus — Nicolas Poussin, 1635
13. Venus and Adonis — bartholomeus spranger, 1587
14. Landscape with a Lake and a Shepherd — george frederick buchanan, 1855
15. Mountainous Landscape — arnold priestman
16. The Garden of Eden with the Fall of Man — Jan Brueghel the Elder, 1615
17. Leda and the Swan — antonio allegri, 1532
18. Pastoral Concert (fête Champêtre) — Giorgione
19. The Judgement of Paris — paulus moreelse, 1631
20. The Nurture of Bacchus — Nicolas Poussin, 1630
21. (Landscape of Dead Fallen Tree and Pond), (painting) — frank harold hayward, 1895

other

1. Fisherman Boating along a Wooded Landscape — Jean-Baptiste-Camille Corot, 1860