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  1. Estudi d'estiu o Primero pasarás sobre mi cadáver — Ramon Casas i Carbó, 1893
  2. The XIXth Century advances — Ramon Casas i Carbó, 1902
  3. Portrait of Wenceslao Retana Gamboa — Ramon Casas i Carbó, 1908

tone

  1. Frontal Sitting Male Nude with Ball and Two Sketches of a Leg — Paula Modersohn-Becker, 1896
  2. Portrait of Charles Deering — Ramon Casas i Carbó, 1914
  3. Portrait of Santiago Rusiñol — Ramon Casas i Carbó, 1926
  4. Portrait of Wenceslao Retana Gamboa — Ramon Casas i Carbó, 1908
  5. White Lady — Ramon Casas i Carbó, 1891
  6. Estudi d'estiu o Primero pasarás sobre mi cadáver — Ramon Casas i Carbó, 1893
  7. Study of Susanna Hobson reading a book — John Constable

main color

  1. Puritan Girl — otto j schneider
  2. Ramon Casas and Pere Romeu on a Tandem — Ramon Casas i Carbó, 1897
  3. Lady Artist — Peggy Bacon, 1925
  4. Nude with a guitar — Ramon Casas i Carbó, 1894
  5. Dance at the Moulin de la Galette — Ramon Casas i Carbó, 1890
  6. Julia — Ramon Casas i Carbó
  7. White Lady — Ramon Casas i Carbó, 1891
  8. Frontal Sitting Male Nude with Ball and Two Sketches of a Leg — Paula Modersohn-Becker, 1896
  9. Portrait of Wenceslao Retana Gamboa — Ramon Casas i Carbó, 1908
  10. Study of Susanna Hobson reading a book — John Constable
  11. Portrait of Charles Deering — Ramon Casas i Carbó, 1914
  12. The Eternal Rest 3 — Julian Alden Weir
  13. Estudi d'estiu o Primero pasarás sobre mi cadáver — Ramon Casas i Carbó, 1893
  14. Reclining Girl, with Round Head — Egon Schiele
  15. Gattin des kunstlers, martha — Max Liebermann
  16. Foreshortened female nude — Ramon Casas i Carbó, 1894
  17. Anna Weir By The Windows — Julian Alden Weir
  18. Woman (Possibly Madame Alice Hellu) Looking at a Drawing — Paul César Helleu
  19. Portrait of Santiago Rusiñol — Ramon Casas i Carbó, 1926
  20. Back of a Young Woman — ernest hébert (antoine auguste ernest hebert)

other

  1. Out of Doors — Ramon Casas i Carbó, 1891
  2. A Saint Lazare, Song Title — henri de toulouse-lautrec, 1887
  3. Seated Woman — Georges Seurat, 1881