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The Night Parade of One Hundred Demons

  • Creation date1892
  • Dimensions29.0 x 760.0 cm

Discover Tachibana Morikuni: Japanese ukiyo-e master of beautiful women & landscapes. Explore his iconic 'Night Parade' & influential art legacy.

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In this handscroll, rendered in lively, almost cartoonish brushwork, a parade of demons makes its way from right to left in this horizontal composition. The monstrous but humorous-looking creatures appear in all shapes and sizes, some taking on rather grotesque human features while others resemble animals, birds, or demonic creatures from Buddhist hell paintings. Others represent household utensils, personal accessories like umbrellas, musical instruments or ritual objects that have come to life. The imagery is based on ancient legends about demons and goblins who parade by night through the streets and even the mansions of the old capital city (Kyoto), until the coming of dawn causes them to return to their otherworldly realm. These beliefs combined with folktales claiming that worn out household utensils could be transformed into demons to plague mankind at night.Scrolls such as this are variations on the Night Parade of One Hundred Demons that can be traced back to sixteenth-century handscroll version of the theme in the collection of the Shinjuan temple of the Daitokuji temple complex in Kyoto. Another, earlier handscroll version of similar imagery by Mochizuki Gyokusen (1692–1755) is also in The Met’s Collection (2018.853.22). This handscroll very well might have been inspired by Kawanabe Kyōsai’s immensely popular illustrated book Kyōsai’s Pictures of One Hundred Demons (Kyōsai Hyakki gadan) published in 1890 (2016.751.1).

Artist Biography

The Meticulous Vision of Tachibana Morikuni

In the vibrant, shifting landscape of Japan’s Edo period, few artists captured the delicate balance between tradition and innovation as exquisitely as Tachibana Morikuni. Known also by his name Tachibana Gadō, this master of the brush emerged from the cultural heart of Ōsaka, leaving behind a legacy defined by an almost supernatural attention to detail. His life, spanning from approximately 1679 to 1748, coincided with a golden age of Japanese visual culture, a time when the boundaries of book illustration and woodblock printing were being pushed toward new heights of sophistication. Morikuni was not merely a recorder of scenes; he was an architect of atmosphere, using his mastery of line and color to breathe life into the historical and legendary narratives that defined the Japanese consciousness.

The foundation of Morikuni’s artistry was laid through a prestigious lineage of mentorship. He studied under Tsuruzawa Tanzan, a pupil of the great Kano Tan’yu, which connected him directly to the venerable Kano school. This training provided him with a rigorous technical vocabulary, emphasizing the importance of idealized beauty and subtle tonal gradations. However, Morikuni was far from a rigid traditionalist. While he upheld the core principles of Kanō painting, he possessed a unique ability to infuse his work with the vitality of the Tosa style and the bold, decorative spirit of the Rinpa tradition. This synthesis allowed him to move seamlessly between the formal elegance required for classical subjects and the expressive energy needed for more dynamic, contemporary compositions.

A Mastery of Detail and Narrative Depth

To gaze upon a work by Morikuni is to enter a world where every texture and nuance has been considered. His technique was characterized by an unparalleled precision that set him apart from his contemporaries. While many artists of the era favored broad, sweeping brushstrokes to convey movement, Morikuni sought perfection in the minute. He possessed a singular talent for rendering the subtle play of light across silk, the intricate patterns of a kimono, and the delicate anatomy of nature. This dedication to realism was never at odds with artistic convention; rather, he used his observational prowess to enhance the idealized beauty inherent in Japanese aesthetics, creating images that felt both tangibly real and dreamily transcendent.

His contributions to the medium of book illustration were particularly profound. Morikuni became one of the most prolific illustrators of his time, utilizing the woodblock medium to disseminate complex stories to a wider audience. His work often breathed life into the epic chronicles of Japanese history, such as The Tale of the Heike and The Tale of Genji. Through these illustrations, he did more than decorate pages; he provided a visual heartbeat to the nation's most cherished literature. One of his most celebrated achievements is found in the series Unpitsu soga (The Moving Brush in Rough or Quick Painting), published shortly after his death. In this work, he demonstrated a remarkable ability to simulate rapid, spontaneous brushwork within the structured medium of woodcut, proving that even within the constraints of print, the artist's hand could remain fluid and alive.

Legacy and Historical Significance

The historical significance of Tachibana Morikuni lies in his role as a bridge between eras. He stood at the intersection of the classical Kano traditions and the burgeoning popularity of more accessible, narrative-driven art forms that would eventually pave the way for the Ukiyo-e movement. His ability to blend the scholarly depth of historical painting with the decorative allure of popular printmaking helped shape the visual language of the Edo period. Even today, his works serve as vital windows into the aesthetic soul of 18th-century Japan, reflecting a society that found profound meaning in the intersection of meticulous craftsmanship and poetic storytelling.

His enduring impact can be summarized through several key artistic pillars:

  • Technical Lineage: His connection to the Kano school ensured the preservation of classical Japanese painting techniques.
  • Narrative Innovation: He elevated book illustration from simple decoration to a sophisticated form of visual storytelling.
  • Stylistic Synthesis: His unique ability to merge the precision of the Kano style with the decorative elegance of Rinpa and Tosa traditions.
  • Cultural Preservation: Through his depictions of historical figures and legends, he helped cement the visual identity of Japan's classical literary heritage.
tachibana morikuni

tachibana morikuni

1716 - 1771 , Japan

Quick Facts

  • Artistic Movement Or Style: Ukiyo-e School
  • Artists Or Movements Influenced By This Artist: ['Kano Einō']
  • Artists Who Influenced This Artist: ['Tsuruzawa Tanzan']
  • Date Of Birth: Tokyo, Japan (1716)
  • Full Name: tachibana morikuni
  • Nationality: Japanese
  • Notable Artworks:
    • The Night Parade of One Hundred Demons
    • Flowers and Birds of the Four Seasons
  • Place Of Birth: Tokyo