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Possessão I-VII

Brazilian painter Vicente do Rego Monteiro’s evocative Possession I-VII captures a serene woman reclining on a patterned couch amidst subtle geometric forms—a hallmark of Brazilian Modernism—inviting viewers to explore this captivating piece and bring its timeless beauty into your home.

Explore the vibrant world of Vicente do Rego Monteiro! Brazilian painter & poet blending Cubism with indigenous themes. Discover his unique style & legacy.

Giclée / Art Print

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Total Price

$ 63

reproduction

Possessão I-VII

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Quick Facts

  • Title: Possessão I-VII
  • Year: 2004
  • Influences: Parisian Art
  • Location: Private Collection
  • Medium: Painting
  • Movement: Brazilian Modernism
  • Subject or theme: Female figure

Collectible Description

Vicente do Rego Monteiro’s “Possessão I-VII”: A Portrait of Brazilian Modernism

  • The painting "Possessão I-VII" by Vicente do Rego Monteiro, created in 2004, presents a captivating tableau of stillness and contemplation. It depicts a woman reclining on a yellow couch, her legs extended outwards—a posture conveying both repose and vulnerability.
  • Monteiro’s masterful technique employs oil paint on canvas, resulting in rich textures and luminous colors that capture the essence of Brazilian modernist aesthetics. The artist skillfully utilizes chiaroscuro – dramatic contrasts between light and dark – to sculpt the form of the woman and imbue the scene with an atmosphere of subdued intensity.

Historical Context: Embracing Modernism’s Sensual Explorations

  • Painted during Brazil's Semana de Arte Moderna (Modern Art Week) in São Paulo, 1922, “Possessão I-VII” embodies the spirit of this pivotal movement. Semana de Arte Moderna sought to break away from academic conventions and champion experimentation with new forms and themes.
  • Monteiro’s work aligns perfectly with Modernism's fascination for exploring psychological states and sensual experiences—a departure from traditional portraiture that prioritized idealized beauty. The painting delves into the complexities of human emotion, inviting viewers to consider notions of desire and vulnerability.

Symbolic Layers: Couch, Darkness, and Presence

  • The yellow couch serves as a central visual element, symbolizing comfort and perhaps even indulgence. However, its brightness is juxtaposed with the enveloping darkness surrounding the woman—a deliberate artistic choice that underscores themes of concealment and introspection.
  • The two black objects positioned strategically within the composition contribute to an unsettling yet alluring effect. They represent unseen forces or hidden anxieties, adding depth to the narrative conveyed by the painting. The subtle presence of another figure in the background reinforces the idea of observation and unspoken connection.

Emotional Impact: A Meditation on Quietude and Vulnerability

  • "Possessão I-VII" transcends mere representation; it aspires to evoke a profound emotional response. The painting’s stillness encourages contemplation, prompting viewers to consider themes of solitude, vulnerability, and the elusive nature of consciousness.
  • Monteiro's artistic vision successfully captures the melancholic beauty inherent in moments of quiet repose—a testament to his ability to translate psychological nuance into visual form. It remains a compelling piece for collectors and interior designers seeking artwork that speaks to the human condition.
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Artist Biography

early life and artistic career

vicente do rego monteiro, a renowned brazilian painter, sculptor, and poet, was born on december 19, 1899, in recife, brazil. he was part of a rich pernambuco family and began his artistic journey at a young age. in 1911, he traveled to paris, where he attended the académie julian, as well as the academies colarossi and the grande chaumiére.

artistic achievements

* participation in the semana de arte moderna exhibition, which helped shape the brazilian modernism movement * association with léonce rosenberg's galérie de l'effort moderne from 1922 to 1930, showcasing his works in various solo exhibitions * illustration of two books, legendes, croyances et talismans des indiens de l'amazone (1923) and quelques visages de paris (1925), which showcased modern art centered on brazilian natives and their traditions

notable works and style

* portrayal of legends, talisman, and beliefs of the amazon river indians, a theme that remained in his works throughout his life * cubist effects and tension between universal and vernacular approaches, characteristic of his native and cosmopolitan style

later life and legacy

* participation in care races and promotion of french art in brazil (1930) * establishment of a publishing house, renovacão, which lasted from 1939 to 1942, focusing on proletarian education * publication of pocket poems in 1941, inspiring the concrete poetry movement in the following decade key dates: * december 19, 1899: born in recife, brazil * 1911: traveled to paris for artistic studies * 1922: participated in the semana de arte moderna exhibition * june 5, 1970: passed away
vicente do rêgo monteiro

vicente do rêgo monteiro

1899 - 1970 , Brazil

Quick Facts

  • Artistic Movement Or Style: Cubist & Modernism
  • Artists Or Movements Influenced By This Artist: ['Paris Surrealism']
  • Artists Who Influenced This Artist:
    • José Clemente Rodrigues
    • Leoncio Fernandes
  • Date Of Birth: December 19, 1899
  • Date Of Death: June 5, 1970
  • Full Name: Vicente do Rego Monteiro
  • Nationality: Brazilian
  • Notable Artworks:
    • The Vivian Girls on the Farm
    • Baigneuses
    • Manufacturer of spirits
  • Place Of Birth: Recife, Brazil
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