Mrs. Meigs at the Piano Organ
Oil On Canvas
WallArt
Impressionist Painting
1883
19th Century
65.0 x 47.0 cm
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Mrs. Meigs at the Piano Organ
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
William Merritt Chase’s ‘Mrs. Meigs at the Piano Organ’: A Window into Impressionist Domesticity
William Merritt Chase's “Mrs. Meigs at the Piano Organ,” painted in 1883, is more than just a charming portrait; it’s a meticulously crafted snapshot of late 19th-century American life, rendered with the hallmarks of the burgeoning Impressionist movement. Measuring 65 x 47 cm, this oil on canvas invites viewers into a warmly lit parlor, capturing a moment of quiet domesticity that speaks volumes about leisure and social refinement. Chase’s masterful use of light and color immediately draws the eye, creating an atmosphere of serene contemplation – a key characteristic of Impressionist art focused on fleeting moments and sensory experience.
- Subject Matter: The painting depicts Mrs. Meigs, seated at a piano organ, engaged in a private musical moment within her home. This wasn’t simply a depiction of a woman playing an instrument; it was a carefully constructed scene designed to evoke feelings of comfort, elegance, and the idealized domestic sphere.
- Impressionist Technique: Chase employs loose brushstrokes and broken color – essential elements of Impressionism – to capture the play of light on surfaces. Notice how he doesn’t meticulously render every detail but instead uses dabs and strokes of paint to suggest form and texture, particularly in the fabrics of Mrs. Meigs' dress and the piano itself.
- Color Palette: The dominant colors—muted browns, creams, and subtle greens—create a harmonious and restful palette, reflecting the subdued lighting of the interior space. These tones contribute significantly to the painting’s overall sense of tranquility and warmth.
Contextualizing ‘Mrs. Meigs’: Impressionism and American Art
Created during a period of significant artistic innovation, “Mrs. Meigs” firmly places Chase within the broader context of Impressionism, a movement that challenged traditional academic painting styles. Impressionist artists like Chase were deeply influenced by developments in Europe, particularly the work of Claude Monet and Edgar Degas, but they adapted these techniques to create distinctly American scenes. The Snite Museum of Art’s collection, including works by Chase, demonstrates this evolution within American art.
Chase's focus on domestic subjects – a departure from the grand historical or mythological paintings favored by many artists of his time – reflected a growing interest in portraying everyday life and the lives of ordinary people. This shift was partly driven by the rise of leisure culture and the increasing importance of the home as a space for social interaction and personal expression.
Symbolism and Emotional Impact
Beyond its technical brilliance, “Mrs. Meigs” is rich in subtle symbolism. The piano organ itself represents refinement, education, and cultural pursuits – qualities highly valued within Victorian society. The surrounding objects—books, a clock, and the carefully arranged furniture—further reinforce this sense of order and sophistication. The painting’s emotional impact lies in its ability to evoke feelings of nostalgia, tranquility, and a longing for simpler times. Chase skillfully captures a moment of quiet intimacy, inviting viewers to step into Mrs. Meigs' world and share in her peaceful contemplation.
A Legacy of Impressionist Beauty
"Mrs. Meigs at the Piano Organ" stands as a testament to William Merritt Chase’s artistic vision and his pivotal role in establishing American Impressionism. Its enduring appeal lies not only in its technical mastery but also in its ability to transport us to another time and place, offering a glimpse into the beauty of everyday life. ArtsDot.com offers meticulously crafted hand-painted reproductions that faithfully capture the essence of this iconic work, allowing you to experience its charm and elegance firsthand.
Related Artworks
Artist Biography
A Life Painted in Light: The World of William Merritt Chase
William Merritt Chase, a name synonymous with the blossoming of American Impressionism, was more than just a painter; he was a pivotal force in shaping the nation’s artistic identity at the turn of the 20th century. Born on November 1, 1849, in the humble surroundings of Williamsburg (later Nineveh), Indiana, Chase's journey from rural beginnings to becoming a celebrated artist and influential educator is a testament to his unwavering dedication and innate talent. His early life was marked by a familial relocation to Indianapolis in 1861, where he initially assisted in his father’s business ventures. However, even amidst these practical obligations, the seeds of artistic passion were sown, nurtured by studies with local instructors Barton S. Hays and Jacob Cox. This foundational training ignited a desire for further exploration, leading him briefly into naval service before ultimately gravitating towards the vibrant art scene of New York City in 1869. There, under the tutelage of Joseph Oriel Eaton at the National Academy of Design, and later Lemuell Wilmarth, a student of Jean-Léon Gérôme, Chase began to hone his skills, laying the groundwork for a career that would redefine American painting. A temporary financial setback forced a move to Saint Louis in 1870, but even this challenge proved fruitful, allowing him to establish himself within the local art community and gain recognition for his burgeoning talent.From Academic Roots to Impressionistic Brilliance
Chase’s artistic development was not a sudden leap into Impressionism, but rather a gradual evolution informed by rigorous academic training and extensive travels abroad. A crucial turning point came with his extended sojourn in Munich beginning in 1872, where he studied at the Academy of Fine Arts under Alexander von Wagner and Karl von Piloty. This period instilled in him a mastery of traditional techniques and a penchant for dramatic compositions, yet it was during a subsequent visit to Venice with fellow American artists Frank Duveneck and John Twachtman that Chase began to embrace a more liberated approach to painting. Inspired by the luminous light and vibrant colors of the Italian landscape, he started experimenting with looser brushwork and a heightened sensitivity to atmospheric effects. Upon his return to New York in 1878, Chase fully embraced Impressionistic principles, capturing fleeting moments of modern life with an energetic and captivating style. Works like Keying Up – The Court Jester (1876), exhibited to critical acclaim at the Boston Art Club and Philadelphia Centennial Exposition, showcased his ability to convey movement and personality through bold brushstrokes and a dynamic composition. He continued to explore diverse subjects—striking portraits such as Portrait of Virginia Gerson, evocative landscapes like Gowanus Bay (aka Misty Day, Gowanus Bay), and scenes depicting the vibrancy of urban life, including Alice Fernandez. Other notable works include “A Friendly Call,” “A Study in Curves,” and “Terrace at the Mall, Central Park.”The Educator: Shaping a Generation of Artists
Beyond his accomplishments as a painter, William Merritt Chase left an indelible mark on American art through his dedication to teaching. Recognizing the need for innovative art education, he founded the Chase School in New York City in 1896, which later evolved into Parsons The New School for Design. This institution became a breeding ground for artistic talent, emphasizing direct observation, technical proficiency, and creative experimentation. Unlike many of his contemporaries who favored rigid academic instruction, Chase encouraged his students to develop their individual voices and explore diverse styles. He held teaching positions at the Pennsylvania Academy of the Fine Arts, the Art Students League, and the Brooklyn Art Association, disseminating his artistic philosophy far and wide. His influence extended to numerous artists, including Wayman Elbridge Adams, who openly acknowledged Chase as a mentor. The emphasis on plein air painting—painting outdoors directly from nature—became a cornerstone of his pedagogical approach, fostering a deeper connection between students and their subjects.Legacy and Historical Significance
William Merritt Chase’s place in American art history is secure. He bridged the gap between established academic traditions and the burgeoning Impressionist movement, contributing significantly to the development of a distinctly American artistic identity. His commitment to capturing the essence of modern life—the bustling cityscapes, intimate domestic interiors, and leisurely pursuits of his time—resonated with audiences eager for a new visual language. While his later years saw a temporary eclipse in critical recognition, his work has experienced a resurgence in recent decades, solidifying his reputation as one of America’s most important and influential artists. He wasn't merely documenting scenes; he was interpreting the spirit of an evolving nation through the vibrant lens of Impressionism. His legacy extends beyond his canvases to the countless artists he inspired, ensuring that his innovative approach to painting continues to shape the landscape of American art for generations to come.William Merritt Chase
1849 - 1916 , United States of America
Quick Facts
- Artistic Movement Or Style: Impressionism
- Artists Or Movements Influenced By This Artist: ['Wayman Elbridge Adams']
- Artists Who Influenced This Artist: ['Jean-Léon Gérôme']
- Date Of Birth: November 1, 1849
- Date Of Death: October 25, 1916
- Full Name: William Merritt Chase
- Nationality: American
- Notable Artworks:
- Keying Up – The Court Jester
- Idle Hours
- A Study in Curves
- A Friendly Call
- Alice Fernandez
- Place Of Birth: Nineveh, USA

Glass option is only available in size under 110 CM
