Seventeenth Century Lady
Oil On Canvas
WallArt
American Impressionism
1895
93.0 x 60.0 cm
Metropolitan Museum of Art
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Seventeenth Century Lady
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Study in Light and Absence: William Merritt Chase’s “Seventeenth Century Lady”
William Merritt Chase's "Seventeenth Century Lady," painted in 1895, isn’t merely a portrait; it’s an exquisitely crafted meditation on perception, tradition, and the elusive nature of identity. This captivating work, currently residing within the Metropolitan Museum of Art, immediately draws the viewer into a world of subtle contrasts – a dark, ambiguous space punctuated by a single, hopeful ray of light that illuminates a woman standing poised yet turned away from direct engagement. The painting’s power lies not in explicit representation but in its carefully constructed atmosphere and the deliberate ambiguity surrounding the subject's presence.
Chase, a pivotal figure in American Impressionism, was known for his ability to synthesize diverse influences. He freely borrowed techniques and motifs from masters like Frans Hals, Rembrandt, and Velázquez, while simultaneously engaging with the burgeoning modern art movements of his time, including those championed by Manet and Whistler. Yet, “Seventeenth Century Lady” transcends simple imitation; it’s a distinctly Chase piece, characterized by his signature loose brushwork and an almost tactile approach to color. The white of the gown isn't rendered as a flat, pristine surface but rather built up through layers of delicate strokes, creating a luminous quality that seems to emanate from within.
The Language of Dress and the Shadowed Setting
The dress itself is a crucial element of the painting’s narrative. It’s a garment of considerable elegance – long, flowing, and undeniably modern for its time – yet it's presented with an almost detached observation. Chase focuses intently on its texture and form, employing expressive brushwork to capture the subtle folds and sheen of the satin. The green ribbon around her neck adds a touch of vibrant color against the predominantly dark backdrop, acting as a small beacon of visual interest. This deliberate focus on material detail speaks to Chase’s broader fascination with surface and representation – he wasn't interested in simply depicting a woman; he was exploring the very act of seeing.
The background is equally significant. The doorway, barely visible against the gloom, suggests an unseen space, a transition between worlds. It creates a sense of mystery and invites speculation about where the woman might be looking or what she might be contemplating. This deliberate obscurity mirrors the painting’s central theme: the subject's detachment from the viewer. She is presented as an enigma, her identity deliberately obscured, prompting us to project our own interpretations onto her figure.
Symbolism and Emotional Resonance
The title itself – “Seventeenth Century Lady” – adds another layer of complexity. It’s a playful nod to tradition, referencing the formal portraiture conventions of earlier eras, while simultaneously juxtaposing them with the contemporary attire of the subject. This deliberate contradiction highlights Chase's interest in exploring the relationship between past and present, between established norms and evolving aesthetics. The fact that her face is turned away from the viewer reinforces this sense of detachment, suggesting a woman lost in thought or preoccupied with something beyond our immediate perception.
Ultimately, “Seventeenth Century Lady” isn’t about capturing a specific likeness; it's about evoking an atmosphere and prompting reflection. The painting’s emotional impact is subtle yet profound – a quiet sense of melancholy, curiosity, and the inherent beauty found in moments of solitude. It’s a testament to Chase’s mastery of light, color, and composition, and a poignant reminder that art can often speak volumes through what it deliberately *doesn't* show.
A Reproduction for Your Collection
ArtsDot offers meticulously crafted hand-painted reproductions of William Merritt Chase’s “Seventeenth Century Lady,” allowing you to bring this captivating work into your home or office. Our skilled artists replicate the painting’s delicate brushwork, nuanced color palette, and atmospheric depth with exceptional accuracy. Available in a range of sizes, from intimate 93 x 60 cm prints to larger formats suitable for prominent display, our reproductions provide an authentic representation of this iconic American Impressionist masterpiece. Invest in a piece of art history – order your “Seventeenth Century Lady” reproduction today and experience the enduring beauty of Chase’s vision.
Related Artworks
Artist Biography
A Life Painted in Light: The World of William Merritt Chase
William Merritt Chase, a name synonymous with the blossoming of American Impressionism, was more than just a painter; he was a pivotal force in shaping the nation’s artistic identity at the turn of the 20th century. Born on November 1, 1849, in the humble surroundings of Williamsburg (later Nineveh), Indiana, Chase's journey from rural beginnings to becoming a celebrated artist and influential educator is a testament to his unwavering dedication and innate talent. His early life was marked by a familial relocation to Indianapolis in 1861, where he initially assisted in his father’s business ventures. However, even amidst these practical obligations, the seeds of artistic passion were sown, nurtured by studies with local instructors Barton S. Hays and Jacob Cox. This foundational training ignited a desire for further exploration, leading him briefly into naval service before ultimately gravitating towards the vibrant art scene of New York City in 1869. There, under the tutelage of Joseph Oriel Eaton at the National Academy of Design, and later Lemuell Wilmarth, a student of Jean-Léon Gérôme, Chase began to hone his skills, laying the groundwork for a career that would redefine American painting. A temporary financial setback forced a move to Saint Louis in 1870, but even this challenge proved fruitful, allowing him to establish himself within the local art community and gain recognition for his burgeoning talent.From Academic Roots to Impressionistic Brilliance
Chase’s artistic development was not a sudden leap into Impressionism, but rather a gradual evolution informed by rigorous academic training and extensive travels abroad. A crucial turning point came with his extended sojourn in Munich beginning in 1872, where he studied at the Academy of Fine Arts under Alexander von Wagner and Karl von Piloty. This period instilled in him a mastery of traditional techniques and a penchant for dramatic compositions, yet it was during a subsequent visit to Venice with fellow American artists Frank Duveneck and John Twachtman that Chase began to embrace a more liberated approach to painting. Inspired by the luminous light and vibrant colors of the Italian landscape, he started experimenting with looser brushwork and a heightened sensitivity to atmospheric effects. Upon his return to New York in 1878, Chase fully embraced Impressionistic principles, capturing fleeting moments of modern life with an energetic and captivating style. Works like Keying Up – The Court Jester (1876), exhibited to critical acclaim at the Boston Art Club and Philadelphia Centennial Exposition, showcased his ability to convey movement and personality through bold brushstrokes and a dynamic composition. He continued to explore diverse subjects—striking portraits such as Portrait of Virginia Gerson, evocative landscapes like Gowanus Bay (aka Misty Day, Gowanus Bay), and scenes depicting the vibrancy of urban life, including Alice Fernandez. Other notable works include “A Friendly Call,” “A Study in Curves,” and “Terrace at the Mall, Central Park.”The Educator: Shaping a Generation of Artists
Beyond his accomplishments as a painter, William Merritt Chase left an indelible mark on American art through his dedication to teaching. Recognizing the need for innovative art education, he founded the Chase School in New York City in 1896, which later evolved into Parsons The New School for Design. This institution became a breeding ground for artistic talent, emphasizing direct observation, technical proficiency, and creative experimentation. Unlike many of his contemporaries who favored rigid academic instruction, Chase encouraged his students to develop their individual voices and explore diverse styles. He held teaching positions at the Pennsylvania Academy of the Fine Arts, the Art Students League, and the Brooklyn Art Association, disseminating his artistic philosophy far and wide. His influence extended to numerous artists, including Wayman Elbridge Adams, who openly acknowledged Chase as a mentor. The emphasis on plein air painting—painting outdoors directly from nature—became a cornerstone of his pedagogical approach, fostering a deeper connection between students and their subjects.Legacy and Historical Significance
William Merritt Chase’s place in American art history is secure. He bridged the gap between established academic traditions and the burgeoning Impressionist movement, contributing significantly to the development of a distinctly American artistic identity. His commitment to capturing the essence of modern life—the bustling cityscapes, intimate domestic interiors, and leisurely pursuits of his time—resonated with audiences eager for a new visual language. While his later years saw a temporary eclipse in critical recognition, his work has experienced a resurgence in recent decades, solidifying his reputation as one of America’s most important and influential artists. He wasn't merely documenting scenes; he was interpreting the spirit of an evolving nation through the vibrant lens of Impressionism. His legacy extends beyond his canvases to the countless artists he inspired, ensuring that his innovative approach to painting continues to shape the landscape of American art for generations to come.William Merritt Chase
1849 - 1916 , United States of America
Quick Facts
- Artistic Movement Or Style: Impressionism
- Artists Or Movements Influenced By This Artist: ['Wayman Elbridge Adams']
- Artists Who Influenced This Artist: ['Jean-Léon Gérôme']
- Date Of Birth: November 1, 1849
- Date Of Death: October 25, 1916
- Full Name: William Merritt Chase
- Nationality: American
- Notable Artworks:
- Keying Up – The Court Jester
- Idle Hours
- A Study in Curves
- A Friendly Call
- Alice Fernandez
- Place Of Birth: Nineveh, USA

Glass option is only available in size under 110 CM
