The Open Air Breakfast
Oil On Canvas
WallArt
Impressionism
95.0 x 144.0 cm
Toledo Museum of Art
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (17 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
The Open Air Breakfast
Reproduction Medium
Reproduction Size
-
Total Price
$ 313
Artwork Description
A Moment of Domestic Harmony: William Merritt Chase’s “The Open Air Breakfast”
William Merritt Chase's "The Open Air Breakfast," painted around 1888, isn’t merely a snapshot of a summer afternoon; it’s a carefully constructed tableau brimming with quiet domesticity and subtle artistic ambition. Initially appearing as a casual gathering in a Brooklyn backyard, closer inspection reveals a meticulously orchestrated still life, a deliberate exercise in composition and the exploration of visual harmony. Chase, a pivotal figure in establishing American Impressionism, masterfully blends elements of realism with an atmospheric sensitivity that anticipates the movement’s core tenets – capturing fleeting moments of light and emotion rather than photographic accuracy.
The scene unfolds within the familiar setting of Chase's family home, a space he meticulously curated as a haven for exotic objects and artistic inspiration. The arrangement is deliberately layered, drawing the eye through a series of interconnected vignettes. At the heart of the composition lies a simple table set for tea or refreshments – a commonplace detail elevated by Chase’s astute observation and skillful rendering. Around it gather his wife, Alice (a baby in her high chair), his sister Hattie, and his sister-in-law Virginia, each engaged in their own quiet contemplation. A hammock hangs languidly in the background, suggesting an invitation to relaxation and escape, while a Russian wolfhound rests peacefully by the fence, adding a touch of rustic charm.
A Symphony of Color and Texture
Chase’s technique is characterized by loose, broken brushstrokes – a hallmark of Impressionism. He eschews sharp outlines in favor of blending colors directly on the canvas, creating a shimmering surface that seems to vibrate with light. The palette is rich and warm, dominated by greens, yellows, and browns, evoking the dappled sunlight filtering through the foliage. Notice how he uses color not just to represent reality but also to convey mood – the soft blues and purples of the shadows, the vibrant hues of the flowers, and the warm tones of the fabrics all contribute to a sense of idyllic tranquility.
The artist’s attention to detail is remarkable. He meticulously renders the textures of the various objects – the smooth surface of the table, the rough weave of the hammock, the delicate petals of the flowers. This tactile quality invites the viewer to almost reach out and touch the scene, further enhancing its immersive effect. The use of Japanese screen and Dutch hat are a deliberate nod to Chase’s sophisticated tastes and his fascination with exotic influences.
Symbolism and Personal Narrative
Beyond its aesthetic qualities, “The Open Air Breakfast” is deeply personal in nature. It's often interpreted as an autobiographical portrait of Chase’s family life – a celebration of domestic harmony and the joys of fatherhood. The inclusion of his sister Hattie, wearing a 17th-century Dutch hat (a playful reference to her name), suggests a deliberate artistic conceit, perhaps intended as a subtle commentary on the conventions of portraiture. The presence of the baby, Alice (“Cosy”), reinforces this familial theme, while the relaxed posture of the women hints at a comfortable and loving atmosphere.
Furthermore, the painting reflects Chase’s broader artistic interests – his fascination with light, color, and the depiction of everyday life. It's a testament to his ability to transform a simple scene into a work of art that is both visually stunning and emotionally resonant. The careful placement of objects, from the Japanese screen to the tropical plant, speaks to Chase’s desire to create a harmonious composition, reflecting his own carefully constructed studio environment.
A Legacy of Impressionistic Brilliance
“The Open Air Breakfast” stands as a quintessential example of William Merritt Chase's artistic vision. It exemplifies his mastery of color and light, his meticulous attention to detail, and his ability to infuse ordinary scenes with extraordinary beauty. His work profoundly influenced the development of American Impressionism, paving the way for future generations of artists who sought to capture the fleeting moments of life in a vibrant and expressive manner. Today, this painting continues to captivate viewers with its serene atmosphere, its subtle symbolism, and its enduring appeal.
Related Artworks
Artist Biography
A Life Painted in Light: The World of William Merritt Chase
William Merritt Chase, a name synonymous with the blossoming of American Impressionism, was more than just a painter; he was a pivotal force in shaping the nation’s artistic identity at the turn of the 20th century. Born on November 1, 1849, in the humble surroundings of Williamsburg (later Nineveh), Indiana, Chase's journey from rural beginnings to becoming a celebrated artist and influential educator is a testament to his unwavering dedication and innate talent. His early life was marked by a familial relocation to Indianapolis in 1861, where he initially assisted in his father’s business ventures. However, even amidst these practical obligations, the seeds of artistic passion were sown, nurtured by studies with local instructors Barton S. Hays and Jacob Cox. This foundational training ignited a desire for further exploration, leading him briefly into naval service before ultimately gravitating towards the vibrant art scene of New York City in 1869. There, under the tutelage of Joseph Oriel Eaton at the National Academy of Design, and later Lemuell Wilmarth, a student of Jean-Léon Gérôme, Chase began to hone his skills, laying the groundwork for a career that would redefine American painting. A temporary financial setback forced a move to Saint Louis in 1870, but even this challenge proved fruitful, allowing him to establish himself within the local art community and gain recognition for his burgeoning talent.From Academic Roots to Impressionistic Brilliance
Chase’s artistic development was not a sudden leap into Impressionism, but rather a gradual evolution informed by rigorous academic training and extensive travels abroad. A crucial turning point came with his extended sojourn in Munich beginning in 1872, where he studied at the Academy of Fine Arts under Alexander von Wagner and Karl von Piloty. This period instilled in him a mastery of traditional techniques and a penchant for dramatic compositions, yet it was during a subsequent visit to Venice with fellow American artists Frank Duveneck and John Twachtman that Chase began to embrace a more liberated approach to painting. Inspired by the luminous light and vibrant colors of the Italian landscape, he started experimenting with looser brushwork and a heightened sensitivity to atmospheric effects. Upon his return to New York in 1878, Chase fully embraced Impressionistic principles, capturing fleeting moments of modern life with an energetic and captivating style. Works like Keying Up – The Court Jester (1876), exhibited to critical acclaim at the Boston Art Club and Philadelphia Centennial Exposition, showcased his ability to convey movement and personality through bold brushstrokes and a dynamic composition. He continued to explore diverse subjects—striking portraits such as Portrait of Virginia Gerson, evocative landscapes like Gowanus Bay (aka Misty Day, Gowanus Bay), and scenes depicting the vibrancy of urban life, including Alice Fernandez. Other notable works include “A Friendly Call,” “A Study in Curves,” and “Terrace at the Mall, Central Park.”The Educator: Shaping a Generation of Artists
Beyond his accomplishments as a painter, William Merritt Chase left an indelible mark on American art through his dedication to teaching. Recognizing the need for innovative art education, he founded the Chase School in New York City in 1896, which later evolved into Parsons The New School for Design. This institution became a breeding ground for artistic talent, emphasizing direct observation, technical proficiency, and creative experimentation. Unlike many of his contemporaries who favored rigid academic instruction, Chase encouraged his students to develop their individual voices and explore diverse styles. He held teaching positions at the Pennsylvania Academy of the Fine Arts, the Art Students League, and the Brooklyn Art Association, disseminating his artistic philosophy far and wide. His influence extended to numerous artists, including Wayman Elbridge Adams, who openly acknowledged Chase as a mentor. The emphasis on plein air painting—painting outdoors directly from nature—became a cornerstone of his pedagogical approach, fostering a deeper connection between students and their subjects.Legacy and Historical Significance
William Merritt Chase’s place in American art history is secure. He bridged the gap between established academic traditions and the burgeoning Impressionist movement, contributing significantly to the development of a distinctly American artistic identity. His commitment to capturing the essence of modern life—the bustling cityscapes, intimate domestic interiors, and leisurely pursuits of his time—resonated with audiences eager for a new visual language. While his later years saw a temporary eclipse in critical recognition, his work has experienced a resurgence in recent decades, solidifying his reputation as one of America’s most important and influential artists. He wasn't merely documenting scenes; he was interpreting the spirit of an evolving nation through the vibrant lens of Impressionism. His legacy extends beyond his canvases to the countless artists he inspired, ensuring that his innovative approach to painting continues to shape the landscape of American art for generations to come.William Merritt Chase
1849 - 1916 , United States of America
Quick Facts
- Artistic Movement Or Style: Impressionism
- Artists Or Movements Influenced By This Artist: ['Wayman Elbridge Adams']
- Artists Who Influenced This Artist: ['Jean-Léon Gérôme']
- Date Of Birth: November 1, 1849
- Date Of Death: October 25, 1916
- Full Name: William Merritt Chase
- Nationality: American
- Notable Artworks:
- Keying Up – The Court Jester
- Idle Hours
- A Study in Curves
- A Friendly Call
- Alice Fernandez
- Place Of Birth: Nineveh, USA

Glass option is only available in size under 110 CM
