Menu
FREE ART CONSULTATION
PreviewPreview AR previewAR preview Buy Hand Made Painting Buy Hand Made PaintingBuy Image Buy Image SendSend
DetailsDetails Add to favorites Add to favorites DownloadDownload SimilarsSimilars X-RayX-Ray DiaporamaDiaporama

Still Life with Silver-Gilt Glass Holder, Abraham van Beyeren, c. 1654 - c. 1660

  • Creation date1660
  • Dimensions50.0 x 37.0 cm

Discover Abraham Hendricksz. van Beyeren, a Dutch still life painter (1620-1690). Admire his masterful flower & fruit compositions in Leiden, Delft & Amsterdam. See works at Mauritshuis!

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. (Buy Hand Made Painting Buy Hand Made PaintingBuy Image Buy Image)

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the image with a mirrored or solid-fill edge. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.

Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (26 August)

why_choose_icon
Free Worldwide Express Shipping
why_choose_icon
High-Quality Linen Canvas
why_choose_icon
Full Shipping Insurance
why_choose_icon
Customs Tax Refund Guarantee
why_choose_icon
True Color Matching Guarantee
why_choose_icon
60-Day Return Policy (Defects Only)
why_choose_icon
100% Money-Back Guarantee
why_choose_icon
Bulk Discount Offer

Total Price

$ 63

reproduction

Still Life with Silver-Gilt Glass Holder, Abraham van Beyeren, c. 1654 - c. 1660

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Collectible Description

This intimate little banquet piece, which has never before been published, is executed in Abraham van Beyeren’s typical manner with rapid brushstrokes and thickly applied highlights. The composition is dominated by the winged wine glass on the right and the silver-gilt glass holder with the figure of Bacchus in the middle, which is very probably a variation of the salt cellar created in 1639 by the Amsterdam silversmith Johannes Lutma.8 The eight-pointed salver in the foreground is terribly misshapen, however, and the peaches lack definition and texture. The overall theme of the painting seems to be a celebration of times of plenty, as every object exudes luxury and wealth. If the closed pocket watch is supposed to be a reminder of the transitory nature of these material goods, it does so very unobtrusively. According to the dealer’s label on the reverse of the panel there should be remnants of Van Beyeren’s monogram, but recent examination failed to reveal any. His authorship is not doubted, however. Although the thickly applied paint and erratic highlights seem to point towards the later stages of the artist’s career, after 1660, his only dated works with the same eight-pointed salver are from 1654-55. In fact, all of Van Beyeren’s pictures dated in that period show this particular object.9 The pocket watch, on the other hand, does not correspond to those occurring in his still lifes from these years. The remarkable glass holder seems to be unique in Van Beyeren’s oeuvre, but it is found in paintings by his Amsterdam rivals Willem Kalf and Willem van Aelst from around 1655 and 1659 respectively.10 Erlend de Groot, 2022 See Key to abbreviations, Rijksmuseum painting catalogues and Acknowledgements

Artist Biography

The Master of the Dutch Golden Age Still Life

In the vibrant, prosperous landscape of the seventeenth-century Netherlands, few artists captured the sensory richness of existence as profoundly as Abraham Hendricksz. van Beyeren. Born in The Hague around 1620, van Beyeren emerged during a period of unparalleled artistic flourishing known as the Dutch Golden Age. His life and work were deeply intertwined with the intellectual and commercial pulse of cities like Leiden, Delft, and Amsterdam, where he established himself as a premier chronicler of the material world. While much of his early biography remains shrouded in the soft shadows of history, his artistic lineage suggests a connection to the masters of his era, with some accounts even attributing his foundational training to the legendary Johannes Vermeer. This influence is evident in his sophisticated command of light, a quality that allowed him to transform simple objects into luminous protagonists within his compositions.

The evolution of van Beyron's style serves as a visual chronicle of the shifting aesthetic tides in Dutch art. His early period was characterized by a dramatic, almost theatrical intensity, heavily influenced by the chiaroscuro techniques popularized by Caravaggio. During these formative years, his canvases were defined by deep, moody shadows and sharp, piercing highlights that lent a sense of gravity and emotional weight to his subjects. However, as his career matured, van Beyeren underwent a remarkable stylistic metamorphosis. He gradually moved away from the heavy Baroque tension toward a more serene and luminous palette. His later works embraced softer hues and delicate, precise brushstrokes, reflecting a broader cultural transition from the dramatic grandeur of the early century toward a more contemplative, tranquil aesthetic that celebrated the quiet beauty of the natural world.

Symbolism and the Art of the Banquet

Van Beyeren’s oeuvre is most celebrated for its mastery of the still life, particularly his ability to render textures that seem almost tactile to the viewer. He was a virtuoso of the "banquet" tradition, creating opulent scenes that were far more than mere displays of wealth. Through his meticulous depiction of overflowing platters of fruit, glistening lobsters, and fine glassware, he engaged in a complex dialogue with symbolism. A single piece of ripening fruit or a beautifully crafted timepiece could serve as a memento mori—a poignant reminder of the fleeting nature of life and the inevitability of decay. This tension between the exuberant abundance of the feast and the underlying theme of transience gave his work a profound intellectual depth that resonated with the humanist values of his time.

His technical achievements are perhaps best exemplified in his diverse range of subjects, which included:

  • Floral Compositions: Exquisite arrangements where each petal and leaf was rendered with scientific precision, capturing the ephemeral beauty of blooms.
  • Maritime and Aquatic Life: Masterful depictions of fish and crustaceans, such as his famous Large Still life with Lobster, which showcased his ability to capture moisture and light reflecting off organic surfaces.
  • Luxury Goods: The inclusion of precious metals, fine ceramics, and intricate glassware, demonstrating a profound understanding of how different materials interact with light.

Legacy and Historical Significance

The historical significance of Abraham Hendricksz. van Beyeren lies in his ability to elevate the still life genre from mere decorative craft to a high art form capable of expressing complex philosophical truths. His works continue to reside in some of the world's most prestigious institutions, including the Mauritshuis in The Hague, the Louvre in Paris, and the Metropolitan Museum of Art in New York. By bridging the gap between the dramatic intensity of the early Baroque and the refined elegance of later Dutch traditions, he left an indelible mark on the trajectory of European painting. Today, his canvases remain much more than historical artifacts; they are enduring windows into a lost era of splendor, inviting every generation to pause and admire the quiet, magnificent details of the world around them.

abraham hendricksz. van beyeren

abraham hendricksz. van beyeren

1620 - 1690 , Netherlands

Quick Facts

  • Artistic Movement Or Style: Still Life
  • Artists Or Movements Influenced By This Artist: ['Dutch Golden Age']
  • Date Of Birth: 1620
  • Full Name: Abraham Hendricksz. van Beyeren
  • Nationality: Dutch
  • Notable Artworks:
    • Still Life with a Lobster, Fruit, Silver and China Ware
    • A blue and white porcelain bowl with fruit
    • A chinese porcelain jug, grapes and a peach on a pewter plate with a fobwatch on a draped ledge
  • Place Of Birth: The Hague, Netherlands
Explore artworks organized by themes, styles, and characteristics.