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Bawu

Experience 'Bawu' by Bakulaay Marawili, a significant work from the Madarrpa clan reflecting Makassan sail technology. Hand-painted reproduction of this Australian Aboriginal masterpiece.

Explore the unique art of bakulaay marawili, an Australian Aboriginal artist known for innovative bark paintings & reflecting Yolngu culture & Makassan contact.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. (Buy Hand Made Painting Buy Hand Made PaintingBuy Image Buy Image)

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

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While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.

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Total Price

$ 63

reproduction

Bawu

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Collectible Description

The significance of this work resides at two levels. Firstly, the artist is an important clan leader for the Madarrpa whose homeland is centred at Baniyala. He is the son of Mundukul and brother to Watjinbuy and Ngulwurr. Although not as well known as some of his peers, he has been represented in exhibitions since the 1970s and is represented in the major exhibition Saltwater acquired by the Australian National Maritime Museum in Sydney. The painting itself is important as it references the early contact with Makassan fishers through the shaping of the bark as a sail. This is highly unusual but typical of Bakulangay

Artist Biography

Bakulangay Marawili: Echoes of Yolngu Tradition

Bakulangay Marawili (also known as Bakulangay), born in Australia around 1944, stands as a pivotal figure in contemporary Aboriginal Australian art. He emerged from the Yirritja moiety and belonged to the Madarrpa clan, hailing from Baniyala country – a region steeped in ancient lore and inextricably linked to the rhythms of the sea.

Marawili’s artistic vision was characterized by an uncompromising dedication to preserving Yolngu culture while simultaneously embracing innovative techniques. Unlike many artists of his time who adhered to established stylistic conventions, Marawili consistently pushed boundaries, experimenting with unconventional materials and methods that reflected a profound understanding of the natural world.

Perhaps his most celebrated artwork is ‘Bauw,’ a striking depiction of the early contact between Yolngu people and Makassan fishers. The painting’s central motif – the shaping of bark as a sail – encapsulates the essence of Yolngu seafaring traditions, meticulously documented by anthropologists like Bruce Pascoe. This piece isn't merely aesthetically pleasing; it serves as a powerful reminder of Yolngu resilience and adaptability in confronting colonial expansion.

Marawili’s influence extends far beyond his own oeuvre. His pioneering use of bark painting – a technique dating back millennia – revitalized interest in Indigenous Australian art forms and inspired subsequent generations of artists to explore similar approaches. Exhibitions showcasing Marawili's work, notably the major exhibition ‘Saltwater’ acquired by the Australian National Maritime Museum in Sydney, cemented his reputation as a visionary artist who bridged the gap between tradition and innovation.

His legacy continues to resonate within Aboriginal communities across Australia, where Marawili’s artwork serves as a conduit for storytelling and cultural transmission. He remains an enduring symbol of Yolngu artistic identity – a testament to the power of art to safeguard heritage and communicate profound truths about human experience.

Quick Facts

  • Artistic Movement Or Style: Bark Painting
  • Date Of Death: 2002
  • Full Name: Bakulangay Marawili
  • Nationality: Australian Aboriginal
  • Notable Artworks: ['bawu']
  • Place Of Birth: Australia (Baniyala)
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