Madonna and Child St Francis of Assisi
Painting
Late Gothic
1471
Renaissance
183.0 x 59.0 cm
Musées Royaux des Beaux-Arts
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Madonna and Child St Francis of Assisi
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Divine Encounter in Renaissance Splendor
To stand before this depiction of Madonna and Child alongside St. Francis of Assisi is to step directly into the luminous heart of the Italian Renaissance. The composition itself speaks volumes, capturing a moment of profound spiritual connection rendered with exquisite detail. Carlo Crivelli, master painter from Venice, has gifted us not merely an image, but a narrative tableau vivant. The grouping—the serene Virgin Mary cradling the divine infant Jesus, flanked by the humble yet saintly St. Francis—creates an immediate focal point for contemplation. One senses the weight of history and devotion emanating from the canvas, enhanced further by the grandeur suggested by its ornate, gold-leaf frame.
The Allure of Crivelli's Technique
Crivelli’s artistic signature is unmistakable, a delicate marriage of late Gothic decorative sensibility with burgeoning Renaissance naturalism. His technique is characterized by an almost obsessive attention to detail; every fold in Mary’s drapery, every gesture of St. Francis, seems meticulously considered. He possessed a remarkable ability to employ what art historians term trompe l'oeil—the illusion of reality so convincing that the painted surface seems to dissolve into tangible space. This linear quality gives the figures an ethereal grace, making them appear both timeless and intimately present within the viewer’s own sacred space. The richness suggested by the materials, even in a reproduction, speaks to the painstaking handwork of the original master.
Symbolism and Spiritual Resonance
The symbolism woven into this piece is deeply resonant for any admirer of religious art. Mary represents divine motherhood and grace; the Christ Child embodies salvation itself. St. Francis, ever the embodiment of piety and connection to nature, acts as a spiritual bridge between the celestial figures and the earthly realm. The gathering suggests an acknowledgment of sanctity across different spheres of devotion. For the modern collector or designer, this piece offers more than mere decoration; it is a conduit for contemplation—a visual meditation on faith, humility, and divine love that transcends the specific historical moment.
A Touch of Venetian History
Dating to 1471, this work places us squarely in a period of immense cultural flowering in Northern Italy. Crivelli’s journey through Venice and Padua allowed him to absorb diverse influences, resulting in a style that is both highly decorative and deeply emotional. Owning or displaying a reproduction of such an important piece allows one to connect with the patronage, the intellectual fervor, and the profound spiritual life of Renaissance Venice itself. It serves as a magnificent anchor for any room seeking an atmosphere steeped in cultured history and enduring beauty.
Related Artworks
Artist Biography
early life and training
carlo crivelli, an italian renaissance painter, was born in venice around 1430-35. he came from a family of painters and received his artistic formation in venice and padua. crivelli's early training is believed to have been under jacobello del fiore, who was still active in 1436. he also studied at the school of vivarini in venice.
career and style
crivelli spent his early years in the veneto, absorbing influences from vivarini, squarcione, and mantegna. by 1458, he left the veneto and spent most of his career in the march of ancona, developing a distinctive personal style that contrasts with that of his venetian contemporary giovanni bellini. crivelli's work is characterized by a conservative late gothic decorative sensibility, marked by a linear quality, attention to detail, and the use of "trompe l'oeil" techniques.
notable works and collaborations
* carlo crivelli's painting "madonna and child enthroned" (106 x 55 cm, museum of fine arts, budapest, hungary) is a prime example of his style. * he collaborated with his younger brother vittorio crivelli on several projects. * pietro alemanno, a painter who immigrated to the march of ancona from germany/austria, was his pupil and collaborator.
museums and collections
* the pinacoteca di brera in milan, italy, features several of crivelli's works, including "pietà" (128 x 241 cm). * the museum san giovanni in bragora in venice, italy, has a collection of artworks from various periods and styles, including some attributed to crivelli.
- view carlo crivelli's artworks on ArtsDot.com
- explore jacopo robusti's works on ArtsDot.com
- read more about carlo crivelli on wikipedia
crivelli's legacy continues to inspire art enthusiasts and scholars alike, with his work remaining a testament to the enduring power of conservative late gothic decorative sensibility.
Carlo Crivelli
1435 - 1495 , Italy
Quick Facts
- Artistic Movement Or Style: Late Gothic/Renaissance
- Artists Or Movements Influenced By This Artist: ['Giovanni Bellini']
- Artists Who Influenced This Artist:
- Jacobello del Fiore
- Vivarini
- Squarcione
- Mantegna
- Date Of Birth: c. 1430-35 Venice
- Date Of Death: c. 1495 Italy
- Full Name: Carlo Crivelli
- Nationality: Italian
- Notable Artworks:
- Madonna and Child
- Saint Bartholomew
- Saint Roch
- Place Of Birth: Venice, Italy

Glass option is only available in size under 110 CM
