Allegory of September (detail)
Oil On Canvas
WallArt
Early Renaissance
1484
216.0 x 320.0 cm
Palazzo Schifanoia
Giclée / Art Print
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Allegory of September (detail)
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
The Allegory of September by Cosmè Tura: A Window into Renaissance Ferrara
Cosmè Tura’s Allegory of September, a fresco dominating the Sala dei Nove in Palazzo Schifanoia, Ferrara, is not merely a decorative panel; it's a meticulously crafted microcosm of Late Medieval and Early Renaissance thought. Painted between 1476 and 1478 for the court of Borso d’Este, Duke of Ferrara, this monumental work offers a rare glimpse into the intellectual and artistic climate of a burgeoning city-state—a testament to Tura's exceptional skill as both a painter and a visual storyteller. The fresco depicts three women engaged in conversation before a table laden with symbolic objects, each element carefully chosen to represent the virtues and vices associated with the month of September. It’s a complex allegory, layered with references to classical mythology, astrology, and Christian iconography, all rendered with Tura's signature blend of meticulous detail and expressive dynamism.
The scene unfolds in a richly furnished room, bathed in an atmospheric light that suggests both the warmth of the season and the solemnity of contemplation. The women—representing Prudence, Justice, and Faith—are not static figures; they are caught in animated dialogue, their gestures and expressions conveying a sense of urgency and intellectual engagement. The background, featuring a brick wall with an archway leading to a distant landscape, establishes depth and perspective, drawing the viewer into the scene. The meticulous rendering of textures – from the velvet cushions to the folds of the women’s garments – showcases Tura's mastery of oil paint, a relatively new medium at the time that allowed for unprecedented levels of realism and detail.
A Tapestry of Symbolism: Decoding the Fresco’s Secrets
The true power of Allegory of September lies in its dense web of symbolism. Each object on the table—the bowl of fruit, the cup, the various instruments—holds a specific meaning, carefully chosen to illustrate the virtues and vices associated with the month. The presence of astrological symbols, including the signs of the zodiac, underscores the importance of celestial influences in shaping human affairs. The depiction of Maia, the Roman goddess of harvest, as an allegory of September reinforces the connection between the month and abundance, prosperity, and fertility.
Notably, Tura’s work reflects a sophisticated understanding of classical philosophy and mythology. The figures are not simply representations of abstract virtues; they embody specific qualities—Prudence embodies wisdom and foresight, Justice represents fairness and impartiality, and Faith symbolizes trust in divine guidance. The inclusion of elements like the scales of justice, the laurel wreath (a symbol of honor and victory), and the musical instruments all contribute to this complex tapestry of meaning. The careful arrangement of these symbols creates a visual narrative that invites contemplation and interpretation.
Tura’s Ferrara: A Crucible of Artistic Innovation
Understanding Allegory of September requires appreciating the context in which it was created—the vibrant artistic environment of Ferrara during the late 15th century. Ferrara, under the patronage of the Este family, had become a major center for Renaissance art and culture, attracting artists from across Italy and beyond. Cosmè Tura himself emerged from humble beginnings, his father a shoemaker, to become one of the most influential figures in the city’s artistic renaissance.
Tura's training is shrouded in some mystery, with speculation linking him to the workshops of Galasso Galassi and Francesco Squarcione. However, it was undoubtedly in Padua that he truly blossomed, encountering the innovative techniques and humanist ideals championed by Squarcione. This exposure to classical antiquity, combined with the influence of Flemish artists who had settled in Ferrara, shaped Tura’s distinctive style—characterized by sharp lines, meticulous detail, and a masterful use of light and shadow. His work stands as a pivotal example of the early Renaissance in Italy, bridging the gap between Gothic traditions and the emerging ideals of humanism.
A Legacy of Vision: The Fresco's Enduring Appeal
Allegory of September remains a powerful testament to Tura’s artistic genius and the intellectual ferment of Renaissance Ferrara. Its intricate symbolism, masterful technique, and evocative atmosphere continue to captivate viewers centuries after its creation. The fresco offers not only a glimpse into the past but also a profound meditation on the nature of virtue, justice, and the human condition. Reproductions of this extraordinary work allow us to appreciate Tura’s vision and his enduring contribution to the history of art.
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Artist Biography
A Ferrarese Visionary: The Life and Art of Cosmè Tura
Born around 1430 in the vibrant ducal city of Ferrara, Italy, Cosmè Tura emerged from humble beginnings – his father was a shoemaker named Domenico – to become one of the most distinctive and influential painters of the Early Renaissance. While details surrounding his initial training remain somewhat elusive, art historians suggest a possible apprenticeship with Galasso Galassi, a shadowy figure connected to the renowned Piero della Francesca. This early exposure likely laid the groundwork for Tura’s developing artistic sensibilities, though it was a period of travel, potentially encompassing Venice and Padua between 1452 and 1456, that truly ignited his creative spark. In Padua, he would have encountered the workshop of Francesco Squarcione, a pivotal center for artistic innovation where the study of classical antiquity flourished alongside emerging Renaissance techniques like linear perspective and robust form. These influences were not merely absorbed but synthesized into something uniquely Tura’s own – a style characterized by its sharp lines, decorative exuberance, and an almost obsessive attention to detail.The Court Painter and His Innovative Style
Tura's career blossomed within the Este court, first under Duke Borso d'Este and later Ercole I d’Este. He wasn’t simply a painter; he was a versatile artisan employed in creating not only frescoes and panel paintings but also designs for tournaments, decorated furniture, and even clothing. This multifaceted role speaks to the breadth of artistic skill valued within the Este household and allowed Tura ample opportunity to experiment with materials and techniques. His innovative use of oil paint stands out particularly – he masterfully manipulated its properties to render a remarkable range of textures, from the shimmering sheen of metal armor to the delicate folds of luxurious fabrics. This technical prowess was coupled with an artistic vision deeply informed by a diverse array of influences: the serene spirituality of Fra Angelico, Piero della Francesca’s geometric precision, Andrea Mantegna's dramatic foreshortening and classical references, and the meticulous realism of Flemish painters. However, Tura didn’t simply imitate these masters; he forged them into a distinctly Ferrarese aesthetic – one defined by expressive lines, intricate ornamentation, and a captivating sense of dynamism. Notable works from this period include A Muse (Detail) from 1460, showcasing his delicate rendering of form and symbolism, the early Portrait of a Young Man from around 1450, and the later St Anthony of Padua Reading, completed in 1475. His Pietà (1474) is another testament to his skill with tempera paint.A Legacy Forged in Ferrara
Cosmè Tura’s impact extended far beyond the confines of the Este court. He is rightfully considered a founder of the School of Ferrara, an artistic movement that flourished in the late 15th century and exerted considerable influence on subsequent generations of Italian painters. His style – often described as idiosyncratic and even somewhat unsettling – captivated his contemporaries and continues to intrigue art historians today. The expressive energy of his lines, the almost fantastical quality of his decorative elements, and his willingness to push the boundaries of artistic convention set him apart from many of his peers. He influenced artists such as Giovanni Andrea Ghirardoni, who continued to develop the Ferrarese style after Tura’s death in 1495. Today, examples of his work can be found in museums and collections around the world, but a significant concentration remains in Ferrara itself, particularly at the Museo del Duomo and Palazzo Schifanoia – the latter boasting magnificent frescoes where Tura's hand is prominently visible.Influences and Enduring Significance
To understand Cosmè Tura’s artistic achievements, it’s crucial to recognize the complex web of influences that shaped his vision. His debt to Fra Angelico is evident in the devotional intensity of his religious works, while Piero della Francesca's mastery of perspective and geometric form provided a structural foundation for his compositions. The dramatic power and classical allusions found in the art of Andrea Mantegna also resonated deeply with Tura, inspiring him to explore innovative approaches to depicting space and anatomy. Furthermore, exposure to Flemish artists likely encouraged his adoption of oil paint as a medium, allowing for greater detail and textural nuance. The possible mentorship of Galasso Galassi, though shrouded in mystery, may have provided an initial grounding in artistic principles. Cosmè Tura’s legacy lies not only in the beauty and originality of his paintings but also in his contribution to the development of Italian Renaissance art. He demonstrated a remarkable ability to synthesize diverse influences into a cohesive and compelling style, establishing Ferrara as a significant center for artistic innovation and leaving an indelible mark on the history of painting.Cosmè Tura
1430 - 1495 , Italy
Quick Facts
- Artistic Movement Or Style: Early Renaissance
- Artists Or Movements Influenced By This Artist: ['Giovanni Andrea Ghirardoni']
- Artists Who Influenced This Artist:
- Fra Angelico
- Piero della Francesca
- Andrea Mantegna
- Flemish Artists
- Date Of Birth: c. 1430
- Date Of Death: 1495
- Full Name: Cosmè Tura
- Nationality: Italian
- Notable Artworks:
- A Muse (Detail)
- Portrait of a Young Man
- St Anthony of Padua Reading
- Saint Peter
- Pietà
- Place Of Birth: Ferrara, Italy

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