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She Shall be Called Woman

George Frederic Watts' "She Shall Be Called Woman" (1875-92) is a haunting portrait embodying feminine strength and mystery, reflecting Symbolist ideals through evocative symbolism & masterful technique.

Explore the Symbolist art of George Frederic Watts (1817-1904). Known for allegorical paintings like 'Hope' & frescoes, Watts blended classical themes with Victorian aesthetics. Discover his masterpieces at ArtsDot.

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Total Price

$ 263

reproduction

She Shall be Called Woman

Reproduction Medium

Reproduction Size

-

Total Price

$ 263

Quick Facts

  • Dimensions: 116.8 x 257.8 cm
  • Movement: Symbolism
  • Title: She Shall Be Called Woman
  • Year: 1880
  • Notable elements: Allegorical figure
  • Medium: Oil on canvas
  • Influences:
    • Classical art
    • Greek sculpture

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary subject of George Frederic Watts’ ‘She Shall Be Called Woman’?
Question 2:
In what year was ‘She Shall Be Called Woman’ painted?
Question 3:
Which artistic movement is most closely associated with George Frederic Watts’ work, including ‘She Shall Be Called Woman’?
Question 4:
The image description mentions several elements within the painting. Which of these is NOT explicitly mentioned?
Question 5:
George Frederic Watts was known for his allegorical paintings. What was the overarching concept behind these works?

Artwork Description

The Enigmatic Figure: A Portrait of Quiet Strength

George Frederic Watts’ “She Shall be Called Woman,” painted circa 1875-92, is not a portrait in the conventional sense. It's an arresting study in stillness and profound contemplation, capturing a woman seemingly lost within her own thoughts. The figure, rendered with a deliberate lack of explicit detail – her face obscured by a veil of dark hair – immediately invites speculation and projection. She stands bathed in a diffused light, reminiscent of a northern sky, suggesting both vulnerability and an inner resilience. The composition is carefully balanced; the verticality of her form contrasts subtly with the horizontal sweep of the landscape behind her, creating a sense of groundedness despite the ethereal quality of the scene.

Watts’ masterful use of oil paint allows for a remarkable depth of texture and color. The muted palette – predominantly blues, greens, and browns – evokes a mood of melancholy and introspection. Notice how he builds up layers of pigment to create subtle gradations in tone, particularly around the folds of her dress and the suggestion of foliage behind her. This technique isn’t merely decorative; it contributes significantly to the painting's overall sense of atmosphere and emotional resonance.

A Symbolist Vision: Echoes of Myth and Philosophy

“She Shall be Called Woman” firmly establishes Watts as a key figure within the Symbolist movement, a European artistic current that flourished in the late 19th century. Rejecting the realism and materialism prevalent in much of 19th-century art, Symbolists sought to express inner states of mind, spiritual truths, and mythological themes through evocative imagery and suggestive forms. This painting is deeply rooted in this philosophy; it’s less about depicting a specific individual and more about embodying an abstract concept – womanhood itself.

The veiled face, a recurring motif in Watts' work, symbolizes the hidden depths of the female psyche, the mysteries that lie beneath the surface. The landscape behind her is not merely a backdrop but a symbolic representation of the inner world—a suggestion of nature’s wisdom and the cyclical rhythms of life. Watts drew heavily on classical mythology and philosophy for inspiration, particularly Plato's concept of the “Allegory of the Cave,” which explores the journey from ignorance to enlightenment. The woman in this painting can be interpreted as a figure emerging from darkness into a realm of greater understanding.

Historical Context: Victorian Sensibilities and Spiritual Yearning

To understand "She Shall be Called Woman," it’s crucial to consider the social and intellectual climate of Victorian England. The era was marked by rapid industrialization, social upheaval, and a growing sense of spiritual unease. Many Victorians felt alienated from the materialism of the age and yearned for something more meaningful—a connection to nature, spirituality, and the timeless values of antiquity. Watts’ art reflects this yearning, offering a refuge from the anxieties of modern life.

Watts himself was deeply influenced by his travels in Italy, where he encountered the works of Michelangelo and Giotto, which profoundly shaped his artistic vision. His interest in classical mythology and philosophy further informed his work, leading him to explore themes of beauty, truth, and the human condition with a profound sensitivity.

Emotional Resonance: A Portrait of Inner Strength

Despite her obscured features, “She Shall be Called Woman” radiates an undeniable sense of strength and dignity. The painting’s power lies not in its literal depiction but in its ability to evoke a feeling—a quiet contemplation, a profound awareness of the mysteries of existence. It's a portrait that invites viewers to project their own hopes, fears, and aspirations onto the figure, creating a deeply personal and resonant experience.

Reproductions of this iconic work offer an opportunity to bring Watts’ evocative vision into any space, serving as a reminder of the enduring power of art to illuminate the human spirit. Consider framing it in a manner that complements its muted palette and contemplative mood – perhaps against a neutral wall or within a room filled with natural light.


Artist Biography

early life and education

george frederic watts, a prominent figure in the symbolist movement, was born on february 23, 1817, in marylebone, london. his early life was marked by delicate health and the loss of his mother at a young age. watts' father, a piano-maker, provided him with a conservative christian education and introduced him to the classics, including the iliad. this classical influence would later become a cornerstone of his artistic style.

career

watts began his artistic journey at the age of 10, learning sculpture under william behnes. he later enrolled as a student at the royal academy schools at 18. his first exhibition at the academy in 1837 marked the beginning of his prolific career.
  • caractacus, a drawing submitted for a competition to design murals for the new houses of parliament, earned watts a first prize in 1843.
  • his subsequent travels to italy (1843-1847) and his association with the british ambassador henry fox influenced his style, as seen in his portrait of lady holland, exhibited in 1848.
  • watts' return to britain led to a commission for a fresco in the houses of parliament, which he completed between 1848 and 1853.

symbolist masterpieces

watts' most famous works include:

legacy

watts' influence on the art world is undeniable. his association with the symbolist movement and his innovative use of color and form have made him a beloved figure in the history of british art. view george frederic watts' artworks on ArtsDot.com

museums featuring watts' work

discover more about george frederic watts and his contributions to the symbolist movement on ArtsDot.com.
George Frederic Watts

George Frederic Watts

1817 - 1904 , United Kingdom

Quick Facts

  • Artistic Movement Or Style: Symbolist
  • Artists Or Movements Influenced By This Artist:
    • Romanticism
    • Pre-Raphaelites
  • Artists Who Influenced This Artist:
    • William Behnes
    • Henry Fox
  • Date Of Birth: February 23, 1817
  • Date Of Death: July 1, 1904
  • Full Name: George Frederic Watts
  • Nationality: British
  • Notable Artworks:
    • Hope
    • Love and Life
    • The Triumph of the Red Cross Knight
  • Place Of Birth: Marylebone, United Kingdom
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