The Waterfall Where Yoshitsune Washed His Horse At Yoshino In Yamato Province
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (17 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
The Waterfall Where Yoshitsune Washed His Horse At Yoshino In Yamato Province
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
The Waterfall Where Yoshitsune Washed His Horse At Yoshino In Yamato Province
Katsushika Hokusai’s “Yoshitsune’s Horse-washing Falls at Yoshino in Yamato Province” (Washu Yoshino Yoshitsune uma arai no taki), part of his monumental series “A Tour of Waterfalls in Various Provinces,” transcends mere landscape depiction; it embodies a profound meditation on nature's power and the spiritual significance of pilgrimage. Completed around 1833-1834 during Hokusai’s prolific output, this print stands as a cornerstone of Edo-period art and continues to captivate audiences with its breathtaking composition and masterful execution.
- Subject Matter: The scene portrays Yoshino Falls—one of Japan's most revered waterfalls—where the warrior Minamoto Yoshitsune is depicted washing his horse before embarking on a crucial mission. This juxtaposition elevates the waterfall beyond a simple topographical representation, imbuing it with symbolic resonance related to purification and renewal.
- Style: Hokusai’s style exemplifies Japonisme – the Western fascination with Japanese art—characterized by bold outlines, flattened perspective, and an emphasis on capturing atmospheric conditions. The print's aesthetic aligns perfectly with Impressionist sensibilities, prioritizing tonal variation and conveying a sense of immediacy.
- Technique: Executed in Prussian blue pigment, a revolutionary color introduced to Japan from Europe during this period, “Yoshitsune’s Horse-washing Falls” showcases Hokusai’s unparalleled skill in woodblock printing. The artist meticulously layered ink tones—ranging from deep browns and greens to vibrant blues—to create an illusion of depth and luminosity, capturing the misty grandeur of Yoshino Mountain.
- Historical Context: Produced during a time of political upheaval and national identity formation, “Yoshitsune’s Horse-washing Falls” reflects Hokusai's engagement with Buddhist cosmology and his belief in animistic spirituality. The waterfall itself was considered sacred by pilgrims traveling to Mount Yoshino—a site venerated for its association with the imperial family and Buddhist deities—and Hokusai skillfully conveys this spiritual dimension through visual cues.
- Symbolism: Beyond its depiction of a natural landscape, the print communicates deeper symbolic ideas. The waterfall represents purification and renewal, mirroring Yoshitsune’s ritual cleansing before undertaking his perilous journey. Furthermore, the towering mountain backdrop symbolizes stability and permanence—contrasting with the ephemeral nature of human endeavor.
The image itself is a testament to Hokusai's artistic vision: a dynamic interplay of tonal hues that evokes the misty atmosphere of Yoshino Falls. The careful placement of figures—Yoshitsune and his horse—within the frame reinforces the print’s narrative core, inviting viewers to contemplate themes of pilgrimage, resilience, and the sublime beauty of the natural world.
“Yoshitsune’s Horse-washing Falls” remains an enduring masterpiece, inspiring artists and designers alike with its masterful technique and profound symbolic depth. Its influence extends far beyond its original context, solidifying Hokusai's legacy as one of Japan’s greatest artistic innovators.
Related Artworks
Artist Biography
A Life Etched in Ink: The World of Katsushika Hokusai
Katsushika Hokusai, a name synonymous with Japanese art and the iconic image of *The Great Wave off Kanagawa*, was far more than just a printmaker. Born in Edo (modern-day Tokyo) around 1760, his life was a restless pursuit of artistic mastery, a constant evolution marked by shifting names and an insatiable curiosity. From humble beginnings as the son of a mirror maker, Hokusai’s early inclination towards art wasn't immediately encouraged; yet, he relentlessly honed his skills, reportedly beginning to draw at the age of six. This dedication would define a career spanning nearly nine decades, leaving behind a legacy that continues to resonate with audiences worldwide. His father, Nakajima Ise, though not an artist himself, recognized and perhaps fostered this nascent talent, laying the groundwork for a journey that would transform Japanese visual culture. Hokusai’s early life wasn't one of privilege, but rather a steady climb fueled by ambition and a deep-seated passion to capture the essence of the world around him.From Apprenticeship to Innovation: The Blossoming of a Style
Hokusai’s formal artistic training began at twelve when he entered the studio of Katsukawa Shunshō, a leading master of *ukiyo-e* – “pictures of the floating world.” This genre, popular during the Edo period, depicted scenes from everyday life: actors, courtesans, landscapes, and glimpses into the vibrant urban culture. Under Shunshō’s guidance, Hokusai mastered the techniques of woodblock printing, a demanding process requiring precision and artistry. However, he wasn't content to simply replicate his teacher’s style. Even in his early work, a restless spirit was evident, a desire to push boundaries and explore new avenues of expression. He experimented with different subjects, from book illustrations to single-sheet prints, constantly refining his skills and developing a unique visual language. This period also saw the first of many name changes – a common practice among *ukiyo-e* artists signifying periods of artistic reinvention or affiliation with different schools. He initially focused on illustrating books, which provided him with steady work and allowed him to develop his compositional skills. But it was his move towards single-sheet prints that truly unleashed his creative potential.Mount Fuji and the Floating World: Defining Masterpieces
Hokusai’s artistic output was astonishingly prolific; thousands of woodblock prints, paintings, and illustrated books bear his signature. While he explored a wide range of subjects, it was his series *Thirty-six Views of Mount Fuji* (circa 1831) that cemented his fame. This collection, featuring the now-iconic *The Great Wave off Kanagawa*, wasn’t merely a depiction of a landscape; it was a masterful exploration of perspective, composition, and the power of nature. The wave itself, a towering force about to crash down on tiny boats, embodies both the beauty and the terror of the sea. Beyond *Fuji*, works like *Fireworks at Ryōgoku Bridge* (1790) demonstrated his ability to capture dynamic scenes of daily life with remarkable energy and detail. His *Hokusai Manga* – a collection of sketches and studies encompassing people, animals, landscapes, and fantastical creatures – was groundbreaking in its scope and influence, foreshadowing the development of modern manga as an art form. These works weren’t isolated achievements; they were milestones in a continuous artistic journey, each building upon the last to create a body of work that is both deeply rooted in Japanese tradition and remarkably innovative.A Legacy Beyond Borders: Hokusai's Enduring Influence
Hokusai’s impact extended far beyond Japan. In the late 19th century, as Japan opened its doors to the West, *ukiyo-e* prints flooded European markets, sparking a phenomenon known as *Japonisme*. Artists like Claude Monet, Edgar Degas, and Vincent van Gogh were captivated by Hokusai’s bold compositions, vibrant colors, and unconventional perspectives. Van Gogh, in particular, was deeply influenced by *The Great Wave*, even recreating it in his own paintings. Hokusai's influence wasn't limited to Impressionism; it permeated various modern art movements, shaping the way artists approached composition, color, and subject matter. His emphasis on capturing fleeting moments, his dynamic use of line, and his ability to find beauty in everyday life resonated with a generation of artists seeking new forms of expression. Even today, Hokusai’s work continues to inspire and challenge artists around the world, solidifying his place as one of the most important figures in art history. He continued painting until his death in 1849 at the age of 89, leaving behind a vast body of work that remains a testament to his unwavering dedication and artistic genius.The Old Man Mad About Painting
Hokusai’s life was one of constant reinvention, marked by numerous name changes – over thirty throughout his career – each reflecting a new phase in his artistic development. He often referred to himself as “Gakyō Rōjin,” or "Old Man Crazy to Paint," a fitting title for an artist who remained passionately devoted to his craft well into his eighties. This relentless pursuit of perfection, coupled with his innovative spirit and profound understanding of both Japanese tradition and the wider world, cemented Hokusai’s legacy as a true master of *ukiyo-e* and a pivotal figure in the history of art. His work continues to captivate audiences, reminding us of the power of art to transcend cultural boundaries and connect us to something larger than ourselves.- Major Influences: Ukiyo-e traditions, Chinese landscape painting, everyday life in Edo.
- Key Characteristics: Bold lines, vibrant colors, dynamic compositions, keen observation of nature.
Katsushika Hokusai
1760 - 1849 , Japan
Quick Facts
- Artistic Movement Or Style: Ukiyo-e
- Artists Or Movements Influenced By This Artist:
- Impressionism
- Vincent van Gogh
- Claude Monet
- Artists Who Influenced This Artist: ['Chinese landscape painting']
- Date Of Birth: October 31, 1760
- Date Of Death: May 10, 1849
- Full Name: Katsushika Hokusai
- Nationality: Japanese
- Notable Artworks:
- The Great Wave off Kanagawa
- Thirty-six Views of Mt. Fuji
- Hokusai Manga
- Fireworks at Ryōgoku Bridge
- Place Of Birth: Tokyo, Japan


Glass option is only available in size under 110 CM
