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DiaporamaWe went out of Mlawa
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We went out of Mlawa
Reproduction Medium
Reproduction Size
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Total Price
$ 263
Artwork Description
A Pioneer’s Bold Vision: Kazimir Malevich and ‘We Went Out of Mlawa’
Kazimir Severinovich Malevich (1878-1935), a titan amongst Russian avant-garde artists, stands as an undeniable progenitor of Suprematism – a revolutionary movement that fundamentally reshaped the landscape of 20th-century art. Born in Kyiv Oblast, Ukraine, Malevich’s formative years instilled within him a deep appreciation for Ukrainian folk traditions and their expressive visual language, which would subtly permeate his artistic explorations. His journey towards modernism began with formal training in Kyiv but swiftly propelled him toward Moscow and the vibrant intellectual currents of Europe, where he encountered the transformative influences of Impressionism, Symbolism, Fauvism, and Cubism – experiences that prepared him for his groundbreaking departure from representational art.The Essence of Naïve Art: Stylized Simplicity
‘We Went Out Of Mlawa,’ painted in 1914, exemplifies Malevich’s embrace of Naïve Art (Primitivism), a stylistic approach characterized by its deliberate rejection of illusionistic techniques and its prioritization of direct visual perception. Unlike the polished realism prevalent at the time, this artwork eschews meticulous detail, opting instead for simplified forms and bold colors—a conscious decision to distill artistic expression to its purest essence. Malevich’s intention wasn't merely to depict a scene; it was to convey feeling itself – an ambition that aligns perfectly with Suprematism’s core philosophy.Compositional Dynamics: Horses in Motion
The painting’s visual narrative centers around two men astride horses traversing a grassy field, creating a dynamic interplay of movement and stillness. Malevich skillfully employs horizontal lines to define the terrain while vertical strokes accentuate the posture of the riders and their mounts. Three horses are present—one ridden by each man and another standing nearby—further enhancing the sense of openness and grandeur. The use of red coats for the soldiers adds visual prominence and contributes to the artwork’s dramatic impact, grounding it in a specific historical context – the prelude to World War I.Symbolism Beyond Representation
While devoid of recognizable figures or realistic landscapes, ‘We Went Out Of Mlawa’ resonates with profound symbolic significance. Malevich deliberately abandons traditional iconography, prioritizing geometric abstraction as a vehicle for conveying spiritual truths. The bold color palette—primarily reds and greens—is not merely decorative; it serves to stimulate emotional response and imbue the artwork with an aura of solemn contemplation. It's a testament to Malevich’s conviction that art could transcend mere visual imitation and communicate directly with the viewer’s subconscious mind.A Legacy of Pure Feeling
‘We Went Out Of Mlawa,’ like Malevich’s other seminal works—including ‘Black Square’—represents a pivotal moment in artistic history. It embodies Suprematism's unwavering commitment to non-objective art, rejecting any reference to external reality and focusing instead on the fundamental building blocks of visual experience: color and form. This artwork continues to inspire artists and collectors alike, serving as a powerful reminder that true artistic innovation lies not in replicating what is seen but in expressing what is felt—a legacy that cements Malevich’s place among the most influential figures of the 20th century.Related Artworks
Artist Biography
Kazimir Malevich: A Pioneer of Abstract Art
Early Life and Influences
- Born in Kyiv Oblast, Ukraine in 1878 to a Polish family, Kazimir Severinovich Malevich’s early life was shaped by the rural Ukrainian landscape and its rich folk culture.
- His upbringing instilled in him an appreciation for traditional artistic expressions that would later subtly influence his work.
- Formal training began in Kyiv, but Malevich quickly sought broader artistic horizons, moving towards Moscow and eventually engaging with the burgeoning avant-garde movements of Europe.
- Key Influences: Early exposure to folk art, combined with a desire for modern expression, formed the foundation of his unique style.
Artistic Development & Key Movements
- Initially, Malevich explored various styles including Impressionism, Symbolism, Fauvism, and Cubism. A pivotal trip to Paris in 1912 exposed him to the latest developments in European art.
- He gradually moved away from representational forms, seeking a purely artistic language based on geometric shapes and color.
- This led to the development of Suprematism around 1915 – an abstract movement focused on “the supremacy of pure feeling” in art.
- Suprematism rejected any attempt to depict objects from the visible world, instead prioritizing basic geometric forms like squares, circles, and rectangles.
Major Achievements & Notable Works
- Black Square (1915): Arguably his most famous work, it represents a radical departure from traditional art and is considered a foundational piece of abstract painting.
- White on White (1918): A series exploring the purity of form and color, featuring white geometric shapes against a white background – pushing abstraction to its limits.
- Stroyuschiysya dom [House under Construction] (1916): An early example of Suprematism showcasing his unique perspective on Ukrainian culture through abstract forms.
- He also wrote extensively on art theory, articulating the philosophical principles behind Suprematism and advocating for a new artistic consciousness.
Historical Significance & Legacy
- Malevich’s work profoundly impacted the development of 20th-century abstract art, influencing movements like Minimalism and Constructivism.
- He challenged conventional notions of representation and paved the way for non-objective art.
- His ideas about pure feeling and geometric abstraction continue to resonate with artists today.
- Despite facing political persecution under Stalin – initially supported, then suppressed – Malevich persevered in his practice and teaching.
- Influence on Later Artists: He directly influenced artists like El Lissitzky and indirectly shaped countless others through the enduring legacy of Suprematism.
Later Life & Death
- In his later years, Malevich revisited figurative painting, attempting to synthesize his abstract principles with representational forms.
- He continued to teach and write about art until his death in Leningrad (now St. Petersburg) in 1935.
- His work remained relatively obscure for decades after his death but experienced a resurgence of interest in the latter half of the 20th century, solidifying his place as one of the most important figures in modern art history.
Kazimir Malevich
1878 - 1935 , Ukraine
Quick Facts
- Artistic Movement Or Style: Suprematism, Abstract Art
- Artists Or Movements Influenced By This Artist:
- Minimalism
- Constructivism
- El Lissitzky
- Artists Who Influenced This Artist:
- Cubism
- Fauvism
- Impressionism
- Date Of Birth: 1878
- Date Of Death: 1935
- Full Name: Kazimir Severinovich Malevich
- Nationality: Ukrainian/Russian
- Notable Artworks:
- Black Square
- White on White
- House under Construction
- Place Of Birth: Kyiv, Ukraine
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