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Showing 20 artworks with Federico Fiori Barocci and with Melancholic

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Painting Of The Circumcision — Federico Fiori Barocci

Federico Fiori Barocci

1500
Painting Of The Circumcision

Experience the grandeur of Federico Barocci's "Painting of the Circumcision," a masterpiece depicting Jesus's circumcision and capturing the spiritual essence of Renaissance faith.

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Portrait Of A Young Woman — Federico Fiori Barocci

Federico Fiori Barocci

1570
Portrait Of A Young Woman

Admire 'Portrait of a Young Woman' by Federico Barocci (1535-1612), a captivating Renaissance masterpiece showcasing elegance and grace, influenced by Rubens & Zuccari.

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The Circumcision — Federico Fiori Barocci

Federico Fiori Barocci

1590
The Circumcision

Explore Federico Fiori Barocci's masterful depictions of religious scenes and portraits—a pivotal figure bridging Mannerism & Baroque art, showcasing emotive spirituality and innovative techniques.

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Three Studies With One Figure Supporting Another; Figure Sketch And Landscape Sketch (for “deposition”, Perugia, Cathedral Of San Lorenzo) — Federico Fiori Barocci

Federico Fiori Barocci

1569
Three Studies With One Figure Supporting Another; Figure Sketch And Landscape Sketch (for “deposition”, Perugia, Cathedral Of San Lorenzo)

Federico Barocci's 'Three Studies' is a captivating preparatory sketch for a deposition scene, showcasing dynamic figures and expressive lines—a glimpse into the Renaissance master’s artistic process.

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Face Of A Woman With Downcast Eyes — Federico Fiori Barocci

Federico Fiori Barocci

Face Of A Woman With Downcast Eyes

Federico Barocci's 'Face of a Woman with Downcast Eyes' captures poignant emotion & transitions between Renaissance & Baroque styles. Explore its beauty, symbolism, and artistic legacy.

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Aeneas' Flight From Troy (detail) — Federico Fiori Barocci

Federico Fiori Barocci

1598
Aeneas' Flight From Troy (detail)

The sculpture’s meticulous modeling and dramatic lighting exemplify Barocci's mastery of Baroque techniques. Its commission by Cardinal Borghese cemented its place as a landmark achievement in Italian art history.

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Studies For The Figure Of Christ In The Painting Noli Me Tangere — Federico Fiori Barocci

Federico Fiori Barocci

Studies For The Figure Of Christ In The Painting Noli Me Tangere

This detailed study by Federico Fiori Barocci exemplifies Barocci’s innovative approach to art, blending classical tradition with Baroque dynamism. Created around 1609, it captures the essence of Christ’s presence through masterful composition and expressive brushstrokes.

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Young Man’s Head With His Right Hand On His Face (for “assumption Of The Virgin”, Milano, Collezione Castelbarco Albani) — Federico Fiori Barocci

Federico Fiori Barocci

1612
Young Man’s Head With His Right Hand On His Face (for “assumption Of The Virgin”, Milano, Collezione Castelbarco Albani)

Witness the haunting 'Young Man’s Head' by Federico Barocci – a poignant study of introspection and melancholy from 1612, capturing the essence of Renaissance artistry.

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Kneeling Male Figure And Studies Of His Right Foot, Arms, Head And Drapery (for “last Supper”, Urbino, Cathedral Of Santa Maria Vergine Assunta) — Federico Fiori Barocci

Federico Fiori Barocci

Kneeling Male Figure And Studies Of His Right Foot, Arms, Head And Drapery (for “last Supper”, Urbino, Cathedral Of Santa Maria Vergine Assunta)

Witness the captivating 'Kneeling Male Figure' by Federico Barocci! This Renaissance masterpiece, part of the "Last Supper" altarpiece, showcases a dynamic pose and masterful drapery. Explore its rich details and artistic influence.

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One Study Of A Standing Nude Male Figure And Two Studies Of A Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Fiori Barocci

Federico Fiori Barocci

1583
One Study Of A Standing Nude Male Figure And Two Studies Of A Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique)

Federico Barocci's 'Calling of Saint Andrew' study showcases three nude figures – standing and kneeling – reflecting his masterful use of light, form, and dynamic composition. Explore this Renaissance masterpiece!

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Three Studies Of One Figure Supporting Another And Figure Sketch (for “lamentation”, Bologna, Palazzo D’accursio) — Federico Fiori Barocci

Federico Fiori Barocci

Three Studies Of One Figure Supporting Another And Figure Sketch (for “lamentation”, Bologna, Palazzo D’accursio)

Explore Federico Barocci’s charcoal sketches of nude figures – ‘Three Studies…’ & ‘Lamentation’. Baroque realism, anatomical detail, & preparatory studies for iconic compositions.

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Three Studies Of One Figure Supporting Another And Figure Sketch (for “lamentation”, Bologna, Palazzo D’accursio) — Federico Fiori Barocci

Federico Fiori Barocci

Three Studies Of One Figure Supporting Another And Figure Sketch (for “lamentation”, Bologna, Palazzo D’accursio)

Discover Federico Barocci's 'Three Studies of One Figure...' – a captivating charcoal drawing showcasing human form and masterful technique. Explore the Baroque masterpiece from Palazzo d’Accursio, Bologna.

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Study Of A Bent Right Arm — Federico Fiori Barocci

Federico Fiori Barocci

1590
Study Of A Bent Right Arm

Explore Federico Fiori Barocci's masterful Study of a Bent Right Arm (1590), a preparatory sketch showcasing anatomical precision and foreshadowing Baroque aesthetics. Admire the dynamic composition and vibrant yellow background.

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Three Studies Of Male Bust And Two Of A Knee (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Three Studies Of Male Bust And Two Of A Knee (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Federico Barocci's 'Three Studies...' showcases preparatory sketches for a Saint Vitalis martyrdom scene. Explore dynamic figures, anatomical detail & Renaissance techniques in this captivating study of form and emotion.

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Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Explore Federico Barocci's 'Partial Study' – a captivating preparatory sketch for the ‘Martyrdom of Saint Vitalis’. Witness dynamic figures, anatomical detail & Renaissance artistry in this study of form and emotion.

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Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies — Federico Fiori Barocci

Federico Fiori Barocci

1579
Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies

Federico Barocci's 'Two Figure Studies' showcases a nude woman and a clothed man with an angel, a dynamic Baroque masterpiece from 1579 at the Uffizi Gallery in Florence.

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Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies — Federico Fiori Barocci

Federico Fiori Barocci

1579
Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies

Federico Barocci's 'Two Figure Studies' showcases a nude and clothed figure with a putto, inspired by Florence’s ‘Madonna del Popolo.’ Explore the dynamic composition & Renaissance artistry in this 1579 masterpiece.

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Schizzo Compositivo (per L — Federico Fiori Barocci

Federico Fiori Barocci

Schizzo Compositivo (per L

Discover Federico Barocci’s ‘Schizzo compositivo,’ a dynamic Baroque sketch of divine figures. Explore its expressive lines & monochrome beauty – a unique art piece.

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Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Explore Federico Barocci's 'Partial Study' – preparatory sketches for ‘Martyrdom of Saint Vitalis’. Witness dynamic nude figures, anatomical detail & Renaissance artistry in this captivating study from 1583.

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Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies — Federico Fiori Barocci

Federico Fiori Barocci

1579
Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies

Federico Fiori Barocci's 'Two Figure Studies,' one nude and the other clothed with a putto in his arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), created in 1579, is a charcoal drawing measuring 21 x 32 cm housed at the Uffizi Gallery. This study exemplifies Barocci's influence on Baroque art and showcases anatomical precision.

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