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Native American Women Warriors Color Guard dress

A striking portrait of Native American Women Warriors Color Guard by Mitchelene Bigman. This powerful piece honors military service, Indigenous heritage, and the strength of women veterans.

Mitchelene BigMan (Crow/Hidatsa) is a U.S. Army veteran & advocate who founded Native American Women Warriors (NAWW), the first all-female color guard. Celebrates Indigenous identity, military service, and healing through ceremonial art & performance

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Total Price

$ 263

reproduction

Native American Women Warriors Color Guard dress

Reproduction Medium

Reproduction Size

-

Total Price

$ 263

Quick Facts

  • Artist: mitchelene bigman (bigman)
  • Notable elements or techniques: Jingle dress, ceremonial design
  • Title: Native American Women Warriors Color Guard dress
  • Year: 2010
  • Location: Smithsonian National Museum of the American Indian
  • Medium: Fabric, metal cones, garment patch, sequins, thread
  • Dimensions: 127 x 63 cm

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary subject depicted in the artwork "Native American Women Warriors Color Guard dress"?
Question 2:
According to the provided information, in what year was the artwork created?
Question 3:
The image description highlights specific design elements on the dress. What are these elements primarily?
Question 4:
Who is the artist credited with creating this artwork?
Question 5:
The artwork’s creation is linked to a specific organization. What is the name of this organization?

A Warrior’s Echo: Mitchelene Bigman's “Native American Women Warriors Color Guard Dress”

Mitchelene Bigman’s “Native American Women Warriors Color Guard Dress,” created in 2010, is more than a meticulously rendered textile; it’s a potent visual statement—a vibrant embodiment of resilience, ancestral connection, and the enduring spirit of Indigenous women. The piece immediately commands attention with its bold palette: deep blues interwoven with striking reds, accented by crisp whites and the evocative Cheyenne pink that speaks to the heartland of the Plains tribes. Yet, beyond its arresting colors lies a complex narrative woven into every stitch, reflecting Bigman’s personal journey as an Army veteran, her profound respect for Native American culture, and her unwavering commitment to honoring the legacy of women warriors.

The dress itself is constructed from a blend of synthetic fabric and cotton cloth, suggesting a deliberate juxtaposition of contemporary materials with traditional techniques. The intricate detailing—a tapestry of buttons, carefully sewn embellishments, and the dynamic arrangement of jingle bells – speaks to the hours of labor invested in its creation. Notably, the garment incorporates elements reminiscent of ceremonial dress, particularly the iconic jingle dresses, which hold deep spiritual significance within many Plains tribes. These dresses are not merely garments; they’re vehicles for healing, storytelling, and connection with the spirit world, often worn during powwows and other sacred ceremonies.

The Veteran's Perspective: A Bridge Between Worlds

Bigman’s background is inextricably linked to this artwork. Her service in the U.S. Army, culminating in two deployments to Iraq as a diesel mechanic, provides a powerful counterpoint to the traditional image of Native American identity. She didn’t shy away from challenging expectations or confronting systemic discrimination within the military, experiences that fueled her determination to create a space for recognition and healing among female veterans of Indigenous descent. The dress becomes a tangible representation of this bridging—a visual dialogue between the warrior spirit forged in battle and the ancestral traditions she carries within her.

The inclusion of military insignia – subtle yet present – isn’t intended as a symbol of allegiance to the United States, but rather as a recognition of the shared experiences of service and sacrifice. It acknowledges the complex relationship between Native Americans and the American military, highlighting both the challenges faced by Indigenous veterans and their unwavering commitment to duty.

Symbolism and Ceremony: A Tapestry of Meaning

The color choices themselves are laden with symbolic weight. Red represents life, strength, and courage—qualities deeply associated with Native American warrior traditions. Blue evokes the vastness of the sky and the interconnectedness of all things, while white symbolizes purity and peace. The Cheyenne pink, a vibrant hue often used in ceremonial dress, connects the piece to the Plains tribes’ rich artistic heritage and their profound connection to the land.

The jingle bells, strategically placed throughout the garment, create a subtle but insistent rhythm—a sonic echo of traditional ceremonies and a reminder of the enduring power of storytelling. They represent not just sound, but also movement, energy, and the vibrant pulse of Indigenous culture. The overall design subtly references the Native American Women Warriors Color Guard, an organization founded by Bigman to honor female veterans.

A Legacy in Cloth: Reproduction and Reverence

Reproductions of “Native American Women Warriors Color Guard Dress” offer a remarkable opportunity to bring this powerful artwork into homes and spaces. The meticulous detail and vibrant colors are faithfully captured, ensuring that the piece’s emotional impact remains intact. When selecting a reproduction, consider the quality of the materials used—a fine-art print on archival paper or canvas will best preserve the artwork's integrity for years to come.

More than just a decorative object, this dress is a testament to resilience, cultural pride, and the enduring spirit of Native American women. It’s an invitation to contemplate the complexities of identity, the power of tradition, and the importance of honoring those who have served their communities with courage and grace.


Artist Biography

Mitchelene Bigman: A Life of Service, Advocacy, and Cultural Preservation

  • Born: September 1, 1965, Billings, Montana
  • Origin: ArtsDot
  • Background: Apsáalooke (Crow/Absaroke) / Minitari (Hidatsa) U.S. Army Veteran and Advocate

Early Life and Military Service

  • Raised on and off the Montana Crow Reservation, experiencing challenges including a negative experience at a Catholic-run Indian residential school.
  • Graduated from Billings Senior High School in 1983.
  • Enlisted in the U.S. Army in 1987 due to limited employment opportunities and high rates of domestic abuse on the reservation.
  • Served as a diesel mechanic, known for volunteering for difficult assignments.
  • Deployed twice to Iraq during Operation Iraqi Freedom, earning a Combat Action Ribbon after surviving a rocket attack.
  • Retired as a Sergeant First Class in 2009.
  • Earned a BS in Business Management (2011) and an MBA (2013) from the University of Phoenix.
  • Pursued a Masters in Legal Studies of Indigenous Peoples Law from the University of Oklahoma, graduating in May 2023.

Advocacy and the Native American Women Warriors

  • Experienced racism and discrimination during her military service due to her Native American identity and gender.
  • Established the Army Women’s Iraqi Freedom Veterans (AWIFV) Color Guard to provide support for female Native American veterans.
  • Founded the Native American Women Warriors (NAWW) in 2010, succeeding AWIFV.
  • NAWW's mission is to recognize and honor women veterans of Native American descent and their contributions to both military service and indigenous cultures.
  • The NAWW team incorporates traditional handmade jingle dresses into their performances, blending healing traditions with military symbolism.
  • Dress colors include red, white, blue, and Cheyenne pink, representing patriotism and Indigenous identity.
  • Performed at significant events including Barack Obama's second inauguration (2013) and Joe Biden’s inauguration (2021).

Artistic Expression and Cultural Significance

  • The NAWW Color Guard performances are a form of ceremonial art, combining traditional practices with contemporary military honors.
  • Jingle dresses worn by the team incorporate symbolic colors and elements honoring Native American heritage and military service.
  • Bigman's work highlights the intersectionality of Indigenous identity, military service, and women’s roles in both spheres.
  • The NAWW serves as a powerful symbol of resilience, cultural preservation, and advocacy for Native American veterans.

Recognition and Continued Impact

  • Received the Society of American Indian Government Employees (SAIGE) Meritorious Service Award in 2012.
  • Recognized by the White House "Champions of Change" initiative in 2014.
  • Served on the Board of Trustees for the Smithsonian National Museum of the American Indian and the Advisory Committee for the Native American Veterans Memorial.
  • Continues to tour with NAWW, advocating for Native American women veterans and promoting cultural understanding.
mitchelene bigman (bigman)

mitchelene bigman (bigman)

1965 - , United States of America

Quick Facts

  • Artistic Movement Or Style: Ceremonial Art & Performance
  • Date Of Birth: September 1, 1965
  • Full Name: Mitchelene Bigman (Bigman)
  • Nationality: American
  • Notable Artworks: ['Native American Women Warriors Dress']
  • Place Of Birth: Billings, United States
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