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DiaporamaTHE WOMAN, THE MOON AND THE BRANCH
Modernism
1954- Modern
93.0 x 66.0 cm
The Ramzi and Saeda Dalloul Art Foundation
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Hand Made Oil Reproduction
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Glass option is only available in size under 110 CM
THE WOMAN, THE MOON AND THE BRANCH
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Related Artworks
Artist Biography
Shakir Hassan Al Said: A Pioneer of Modern Iraqi Art
Early Life and Education
- Born: 1925 in Samawah, Iraq.
- Shakir Hassan Al Said was a multifaceted artist – painter, sculptor, writer, philosopher, art critic, and historian.
- He received his degree in Social Science from the Higher Institute of Teachers in Baghdad (1948).
- Furthered his artistic training with a diploma in painting from the Institute of Fine Arts in Baghdad (1954).
- Continued studies at the École Nationale Supérieure des Beaux-Arts in Paris until 1959, broadening his exposure to international art movements.
Artistic Development and Influences
- Upon returning to Baghdad, Al Said immersed himself in the study of Yahya ibn Mahmud al-Wasiti’s work, a significant figure in Islamic miniature painting.
- Sufism, with its mystical and philosophical underpinnings, profoundly influenced his artistic vision.
- The poetry and philosophy of Mansur al-Hallaj, a controversial Sufi mystic, also played a crucial role in shaping his aesthetic sensibilities.
- His early style was initially figurative but gradually transitioned towards an emphasis on Arabic calligraphy as a central artistic element.
Founding of Art Groups and Collaborative Efforts
- Jama'et Baghdad lil Fann al-Hadith (The Baghdad Modern Art Group) – Co-founded in 1951, this group aimed to synthesize modern artistic approaches with Iraq’s rich cultural heritage.
- Al Bu'd al Wahad (The One Dimension Group) – Established in 1971, this collective explored the expressive potential of Arabic script within a contemporary art context. It championed the Hurufiyya movement.
Key Artistic Contributions and Style
- Notable Works: Include “Quaternary Rhythm” (ibrahimi collection, Amman, Jordan), demonstrating his unique blend of modernity and tradition; “Woman in Profile (turned to the left)”, showcasing stylistic experimentation.
- Al Said’s work is characterized by a distinctive fusion of abstract forms, calligraphic elements, and symbolic imagery.
- He often employed earthy tones and textured surfaces, evoking a sense of history and cultural depth.
Legacy and Historical Significance
- Al Said’s theoretical writings and artistic practice charted a new course for Arabic art aesthetics.
- He advocated for evaluating regional art through uniquely Arabic lenses, challenging Western-centric perspectives.
- His contributions had a profound impact on the modern Iraqi art movement and continue to inspire artists today.
- His work is held in collections such as The Museum Ruskin Library (Lancaster, United States).
- Died in 2004, leaving behind a lasting legacy as a pivotal figure in the development of modern art in Iraq and beyond.
shakir hassan al-said
1925 - 2004 , Iraq
Quick Facts
- Birth Date: 1925
- Birth Place: Samawah, Iraq
- Death Date: 2004
- Influenced By:
- Yahya ibn Mahmud Al-Wasiti
- Sufism
- Mansur Al-Hallaj
- Movement:
- Modern Iraqi art
- Hurufiyya movement
- Name: Shakir Hassan Al Said
- Nationality: Iraqi
- Notable Works:
- Quaternary Rhythm
- Woman in Profile
- Unread Writings
- The Café
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