period

movement

1. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Federico Fiori Barocci

vibe

1. Studies for the figure of Christ in the painting Noli me tangere — Federico Fiori Barocci
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
3. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
4. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
5. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579

topics

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
2. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci
3. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
4. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Federico Fiori Barocci
5. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
6. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
7. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
8. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583

keywords

1. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
2. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
3. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
4. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
5. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
6. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
7. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Federico Fiori Barocci
8. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Federico Fiori Barocci, 1595
9. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Federico Fiori Barocci, 1595
10. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569
11. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579

tone

1. Studies for the figure of Christ in the painting Noli me tangere — Federico Fiori Barocci
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
3. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
4. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
5. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
6. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569
7. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Federico Fiori Barocci
8. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579

main color

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
2. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
3. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
4. Seated Semi Nude Male Model at the Herkomer School — kate ethel cowderoy
5. San Cristoforo con Gesù Bambino — Amico Aspertini
6. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Fiori Barocci, 1579
7. Nudes — Émile Bernard
8. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Federico Fiori Barocci, 1595
9. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Federico Fiori Barocci, 1595
10. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569
11. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569
12. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — Federico Fiori Barocci, 1603
13. Martyrdom of Saints John and Paul (recto) — Guercino
14. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci
15. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
16. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
17. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
18. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
19. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Fiori Barocci, 1579
20. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci, 1595
21. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci, 1595
22. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Federico Fiori Barocci
23. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Federico Fiori Barocci

other