period

movement

1. The Time of Roses — r.b.a john william godward, 1916
2. Athenais — r.b.a john william godward, 1908
3. The Roman antiquities, t. 1, Plate XXXV — Giovanni Battista Piranesi, 1756
4. Following the above table — Giovanni Battista Piranesi
5. a classical lady — r.b.a john william godward, 1908
6. The Sweet Siesta of a Summer Day — r.b.a john william godward
7. Interior view of the Villa of Maecenas — Giovanni Battista Piranesi
8. The Roman antiquities, t. 1, Plate XXXVI — Giovanni Battista Piranesi, 1756
9. Ornaments and accessories of the same Tavern — Giovanni Battista Piranesi
10. A Tryst — r.b.a john william godward, 1912
11. Tomb of Cecilia Metella said Capo di Bove — Giovanni Battista Piranesi
12. View the remains of the Forum of Nerva — Giovanni Battista Piranesi

vibe

topics

1. Jerusalem — Nicholas Roerich, 1909

keywords

tone

main color

1. Interior view of the Villa of Maecenas — Giovanni Battista Piranesi
2. Ornaments and accessories of the same Tavern — Giovanni Battista Piranesi
3. mrs charles kettlewell in neo classical dress — Frederick Goodall
4. Following the above table — Giovanni Battista Piranesi
5. Lake McArthur, Lake O — James Edward Hervey MacDonald, 1924
6. a classical beauty with a peacock fan — r.b.a john william godward
7. Landscape with Classical Figures on and beside a Lake — Jean-Victor Bertin
8. View the remains of the Forum of Nerva — Giovanni Battista Piranesi
9. The Roman antiquities, t. 1, Plate XXVI. Aqua Julia. — Giovanni Battista Piranesi, 1756
10. The Roman antiquities, t. 1, Plate XXXV — Giovanni Battista Piranesi, 1756
11. The Roman antiquities, t. 1, Plate XXIX. Trajan`s Market. — Giovanni Battista Piranesi, 1756
12. venus binding her hair — r.b.a john william godward
13. View of the Arch of Titus — Giovanni Battista Piranesi
14. The Roman antiquities, t. 1, Plate XVII. Aqua Claudia. — Giovanni Battista Piranesi, 1756
15. a classical lady — r.b.a john william godward, 1908
16. mischief — r.b.a john william godward

other

1. Midsummer — Albert Joseph Moore, 1887