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True Feelings in Akashi, Delight over a Trist

A captivating 1860 ukiyo-e scene by Utagawa Kunisada II capturing intimate conversation between women in Akashi, offering a timeless glimpse into Japanese history for your private collection.

Explore Utagawa Kunisada II's stunning ukiyo-e prints! Featuring actors, beauties & scenes from Japanese literature. Discover his legacy in Edo period art.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. (Buy Hand Made Painting Buy Hand Made PaintingBuy Image Buy Image)

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Total Price

$ 63

reproduction

True Feelings in Akashi, Delight over a Trist

Giclée / Art Print

Reproduction Size

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Total Price

$ 63

Quick Facts

  • Artist: Utagawa Kunisada II
  • Subject or theme: Women conversing in an interior scene
  • Title: True Feelings in Akashi, Delight over a Trist
  • Year: 1860

Collectible Description

A Glimpse into Edo Intimacy: The World of Kunisada II

In the delicate interplay of shadow and light within True Feelings in Akashi, Delight over a Trist, we are transported back to the vibrant, bustling atmosphere of mid-19th century Japan. Created around 1860 by the master Utagawa Kunisada II, this evocative work serves as a window into the private, domestic spheres of the Edo period. The scene unfolds within a room defined by a striking blue backdrop, where the quietude of a shared moment is captured with profound tenderness. Two women sit gracefully upon the floor, their postures suggesting a deep, unspoken connection—perhaps a whispered confidence or a shared laughter that transcends the stillness of the frame. This piece does more than merely depict a room; it captures the very essence of human companionship and the subtle nuances of emotion that define our most cherished memories.

The composition is a masterclass in narrative layering, characteristic of the Ukiyo-e tradition. While the two central figures command our immediate attention, Kunisada II skillfully populates the periphery with life, creating a sense of a living, breathing environment. A small child sits near the woman on the left, adding a layer of familial warmth to the scene, while other figures linger in the background, suggesting that this intimate gathering is part of a larger, communal tapestry. The inclusion of everyday objects—the elegant vases, the humble bottles resting on the floor, and the lush potted plant—grounds the ethereal beauty of the subjects in a tangible reality. For the discerning collector or interior designer, these details offer a rich texture that can breathe life and historical depth into any curated space.

Technically, the work exemplifies the refined skill of the Utagawa school. Kunisada II, inheriting the legacy of his master, utilizes line and color to guide the viewer's eye through the complex social landscape of the painting. The balance between the cool, tranquil blues of the walls and the warmer tones of the figures creates a visual harmony that is both soothing and intellectually stimulating. There is a rhythmic quality to the placement of the characters and decorative elements, leading the gaze from the foreground intimacy toward the subtle mysteries of the background. This mastery of composition ensures that the artwork remains captivating from every angle, making it an ideal centerpiece for those looking to introduce a sense of sophisticated storytelling into their decor.

Beyond its aesthetic brilliance, True Feelings in Akashi carries a profound emotional resonance. It speaks to the universal themes of joy, melancholy, and the enduring strength of social bonds. The title itself hints at a duality—the "delight" found in connection contrasted with the "trist" or sadness that often shadows human experience. To possess a reproduction of this work is to invite a piece of history into one's home that celebrates the beauty of the ephemeral moment. It is an invitation to pause, to reflect, and to appreciate the quiet, profound truths that reside in our most private interactions, making it a timeless acquisition for any lover of fine Japanese art.


Artist Biography

**early life and training**

utagawa kunisada ii, also known as toyokuni iv, was a renowned japanese ukiyo-e print designer born in edo, japan in 1823. he was a pupil of utagawa kunisada i and signed much of his early work under the name kunimasa iii. around 1850-51, he adopted the name kunisada ii, marking his inheritance of the utagawa school.

**artistic style and notable works**

kunisada ii's prints include over 40 series, mostly featuring actors (yakusha-e), as well as portraits of beauties, illustrations of scenes from literature, erotica, and other subjects. one of his most celebrated works is the tale of the eight dog heroes (hakkendun inu no sōshi no uchi), dating from 1852, drawn from kyokutei bakin's epic novel, the satomi clan and the eight dogs (nansō satomi hakkenden).

**legacy and later life**

kunisada ii headed the utagawa school and worked in the style of his master, but never achieved the same level of success. his popularity waned in the meiji period (1868–1912), and he appears to have stopped making prints after 1874. he died on july 20, 1880, and was buried at banshōin kōunji. his buddhist posthumous name is sankōin hōkokujutei shinji.

**notable mentions in ArtsDot.com**

**key points in kunisada ii's life**

**further reading on ArtsDot.com**

utagawa kunisada ii

utagawa kunisada ii

1823 - 1880 , Japan

Quick Facts

  • Artistic Movement Or Style: Ukiyo-e (yakusha-e)
  • Artists Or Movements Influenced By This Artist: ['Utagawa School']
  • Artists Who Influenced This Artist: ['Utagawa Kunisada I']
  • Date Of Birth: 1823
  • Date Of Death: 1880
  • Full Name: Utagawa Kunisada II
  • Nationality: Japanese
  • Notable Artworks:
    • Hakkendun Inu no Sōshi no Uchi
    • The Osaka actor Kataoka Gado as An no Heibei
  • Place Of Birth: Tokyo, Japan
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