Study of Girl in Japanese Dress
Oil On Canvas
WallArt
Impressionism
1895
19th Century
64.0 x 71.0 cm
Brooklyn Museum
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Study of Girl in Japanese Dress
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Study in Light and Grace: William Merritt Chase’s “Study of Girl in Japanese Dress”
William Merritt Chase's "Study of Girl in Japanese Dress," painted in 1895, isn’t merely a portrait; it’s a shimmering distillation of the Japonisme craze that swept through European art at the turn of the century. More than just a depiction of a young woman, this piece embodies a fleeting moment of contemplative beauty, capturing an elusive sense of serenity and hinting at the exotic allure of the East. The painting immediately draws the eye with its delicate palette – soft pinks, creams, and muted blues—a hallmark of Chase’s Impressionistic style, where light and color are prioritized over precise detail. The brushstrokes themselves are loose and fluid, creating a sense of movement and suggesting the ephemeral nature of the scene.
At its core, the work is rooted in observation, yet transcends simple representation. Chase wasn't interested in a photographic likeness; instead, he sought to capture an *impression* – the feeling evoked by the subject’s pose, her closed eyes, and the subtle play of light on her face. The girl, dressed in a flowing kimono of rich crimson and adorned with delicate floral patterns, appears lost in thought, transported to another realm. The background is deliberately ambiguous, featuring a simple wooden screen – a recurring motif in Japanese art—that serves as a visual anchor while simultaneously contributing to the painting’s dreamlike quality.
The Influence of Japonisme
“Study of Girl in Japanese Dress” stands as a prime example of Japonisme, an artistic movement that began gaining momentum in Europe during the late 19th century. Inspired by the opening of Japan to Western trade and diplomacy, artists like Chase were captivated by the aesthetics of Japanese art – its emphasis on asymmetry, flat perspectives, bold colors, and symbolic imagery. This fascination wasn’t simply about copying Japanese styles; it was a deeper engagement with the philosophy behind them—a reverence for nature, an appreciation for simplicity, and a belief in the power of suggestion. Chase's work reflects this nuanced approach, incorporating elements of Japanese design while maintaining his own distinct artistic voice.
The painting’s composition echoes that of James Abbott McNeill Whistler’s “Caprice in Purple and Gold: The Golden Screen” (1876), a pivotal piece that helped popularize Japonisme. Both works feature a young woman gazing at a screen, creating a sense of mystery and inviting the viewer to contemplate the scene's hidden narrative. Chase’s painting builds upon Whistler’s foundation, adding his own subtle refinements and imbuing the image with a palpable sense of quiet introspection.
Technical Details and Artistic Process
Painted in oil on canvas, “Study of Girl in Japanese Dress” measures 64 x 71 cm (25.2 x 28 inches). Chase’s technique is characterized by his masterful use of color and light—he employed broken brushstrokes to create a shimmering effect, capturing the way light diffuses through fabrics and illuminates the subject's features. The layering of colors creates depth and atmosphere, while the loose brushwork conveys a sense of spontaneity and immediacy. The artist’s attention to detail is evident in the rendering of the kimono’s intricate patterns and the subtle modeling of the girl’s face.
Interestingly, Chase's studio was a hub for artistic experimentation and exchange. He surrounded himself with Japanese objects—screens, ceramics, textiles—creating an environment that stimulated his creativity and informed his work. This immersive experience is reflected in the painting’s evocative atmosphere and its subtle references to Japanese culture.
A Legacy of Impressionistic Elegance
“Study of Girl in Japanese Dress” remains a captivating example of William Merritt Chase's artistic prowess and his significant contribution to American Impressionism. It’s a work that transcends mere representation, offering instead a glimpse into a moment of quiet contemplation—a testament to the enduring power of beauty, light, and suggestion. Today, reproductions of this evocative painting continue to inspire collectors and interior designers alike, bringing a touch of timeless elegance and artistic sophistication to any space.
Related Artworks
Artist Biography
A Life Painted in Light: The World of William Merritt Chase
William Merritt Chase, a name synonymous with the blossoming of American Impressionism, was more than just a painter; he was a pivotal force in shaping the nation’s artistic identity at the turn of the 20th century. Born on November 1, 1849, in the humble surroundings of Williamsburg (later Nineveh), Indiana, Chase's journey from rural beginnings to becoming a celebrated artist and influential educator is a testament to his unwavering dedication and innate talent. His early life was marked by a familial relocation to Indianapolis in 1861, where he initially assisted in his father’s business ventures. However, even amidst these practical obligations, the seeds of artistic passion were sown, nurtured by studies with local instructors Barton S. Hays and Jacob Cox. This foundational training ignited a desire for further exploration, leading him briefly into naval service before ultimately gravitating towards the vibrant art scene of New York City in 1869. There, under the tutelage of Joseph Oriel Eaton at the National Academy of Design, and later Lemuell Wilmarth, a student of Jean-Léon Gérôme, Chase began to hone his skills, laying the groundwork for a career that would redefine American painting. A temporary financial setback forced a move to Saint Louis in 1870, but even this challenge proved fruitful, allowing him to establish himself within the local art community and gain recognition for his burgeoning talent.From Academic Roots to Impressionistic Brilliance
Chase’s artistic development was not a sudden leap into Impressionism, but rather a gradual evolution informed by rigorous academic training and extensive travels abroad. A crucial turning point came with his extended sojourn in Munich beginning in 1872, where he studied at the Academy of Fine Arts under Alexander von Wagner and Karl von Piloty. This period instilled in him a mastery of traditional techniques and a penchant for dramatic compositions, yet it was during a subsequent visit to Venice with fellow American artists Frank Duveneck and John Twachtman that Chase began to embrace a more liberated approach to painting. Inspired by the luminous light and vibrant colors of the Italian landscape, he started experimenting with looser brushwork and a heightened sensitivity to atmospheric effects. Upon his return to New York in 1878, Chase fully embraced Impressionistic principles, capturing fleeting moments of modern life with an energetic and captivating style. Works like Keying Up – The Court Jester (1876), exhibited to critical acclaim at the Boston Art Club and Philadelphia Centennial Exposition, showcased his ability to convey movement and personality through bold brushstrokes and a dynamic composition. He continued to explore diverse subjects—striking portraits such as Portrait of Virginia Gerson, evocative landscapes like Gowanus Bay (aka Misty Day, Gowanus Bay), and scenes depicting the vibrancy of urban life, including Alice Fernandez. Other notable works include “A Friendly Call,” “A Study in Curves,” and “Terrace at the Mall, Central Park.”The Educator: Shaping a Generation of Artists
Beyond his accomplishments as a painter, William Merritt Chase left an indelible mark on American art through his dedication to teaching. Recognizing the need for innovative art education, he founded the Chase School in New York City in 1896, which later evolved into Parsons The New School for Design. This institution became a breeding ground for artistic talent, emphasizing direct observation, technical proficiency, and creative experimentation. Unlike many of his contemporaries who favored rigid academic instruction, Chase encouraged his students to develop their individual voices and explore diverse styles. He held teaching positions at the Pennsylvania Academy of the Fine Arts, the Art Students League, and the Brooklyn Art Association, disseminating his artistic philosophy far and wide. His influence extended to numerous artists, including Wayman Elbridge Adams, who openly acknowledged Chase as a mentor. The emphasis on plein air painting—painting outdoors directly from nature—became a cornerstone of his pedagogical approach, fostering a deeper connection between students and their subjects.Legacy and Historical Significance
William Merritt Chase’s place in American art history is secure. He bridged the gap between established academic traditions and the burgeoning Impressionist movement, contributing significantly to the development of a distinctly American artistic identity. His commitment to capturing the essence of modern life—the bustling cityscapes, intimate domestic interiors, and leisurely pursuits of his time—resonated with audiences eager for a new visual language. While his later years saw a temporary eclipse in critical recognition, his work has experienced a resurgence in recent decades, solidifying his reputation as one of America’s most important and influential artists. He wasn't merely documenting scenes; he was interpreting the spirit of an evolving nation through the vibrant lens of Impressionism. His legacy extends beyond his canvases to the countless artists he inspired, ensuring that his innovative approach to painting continues to shape the landscape of American art for generations to come.William Merritt Chase
1849 - 1916 , United States of America
Quick Facts
- Artistic Movement Or Style: Impressionism
- Artists Or Movements Influenced By This Artist: ['Wayman Elbridge Adams']
- Artists Who Influenced This Artist: ['Jean-Léon Gérôme']
- Date Of Birth: November 1, 1849
- Date Of Death: October 25, 1916
- Full Name: William Merritt Chase
- Nationality: American
- Notable Artworks:
- Keying Up – The Court Jester
- Idle Hours
- A Study in Curves
- A Friendly Call
- Alice Fernandez
- Place Of Birth: Nineveh, USA

Glass option is only available in size under 110 CM
