A Cavalryman's Breakfast on the Plains
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
A Cavalryman's Breakfast on the Plains
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Cavalryman’s Breakfast – A Moment of Quiet Strength on the Frontier
Frederic Remington's “A Cavalryman’s Breakfast on the Plains,” painted in 1892, isn’t merely a depiction of soldiers enjoying a meal; it’s a carefully constructed tableau brimming with the spirit and complexities of the American West. This oil-on-canvas masterpiece, now residing within the Amon Carter Museum of American Art in Fort Worth, offers a poignant glimpse into the daily lives of the U.S. Cavalry during the late 19th century – a time of expansion, conflict, and profound cultural shifts.
Remington, already establishing himself as a leading chronicler of this rapidly changing landscape, masterfully captures a seemingly simple scene. The composition is remarkably balanced, drawing the eye to the central group of cavalrymen gathered around a crackling campfire. Their faces, etched with weariness and camaraderie, tell stories of long days patrolling vast territories, facing unpredictable weather, and navigating the challenges of frontier life. Notice how Remington subtly contrasts the ruggedness of their uniforms – the heavy boots, thick coats, and weathered leather – with the warmth emanating from the fire and the shared intimacy of their meal.
The Brushstrokes of a Pioneer
Remington’s artistic style is immediately recognizable: bold, dynamic brushwork that conveys movement and energy. He doesn't shy away from depicting the textures of the scene – the rough bark of the trees, the worn fabric of the uniforms, the flickering flames of the campfire. The artist employs a technique known as *chiaroscuro*, skillfully manipulating light and shadow to create depth and drama. The warm glow of the fire illuminates the faces of the soldiers, while the surrounding darkness hints at the vastness and potential dangers of the plains. This masterful use of light not only adds visual interest but also subtly underscores the scene’s emotional core – a sense of vulnerability amidst an expansive, sometimes unforgiving, environment.
Beyond simple realism, Remington imbues his work with a strong narrative voice. The inclusion of the figures in the background—a small group observing the cavalrymen—suggests a broader community, perhaps a Native American tribe or settlers, adding another layer to the story. The painting isn’t just about breakfast; it's about connection, resilience, and the shared experience of life on the frontier.
A Window into the West – Remington’s Legacy
Frederic Remington (1861-1909) was more than just an artist; he was a cultural interpreter. Born in Canton, New York, far from the landscapes he would later immortalize, Remington developed a deep fascination with the American West through his family’s connections to the Remington Arms Company and his own relentless curiosity. His paintings, often depicting cowboys, Native Americans, and the U.S. Cavalry, played a significant role in shaping public perception of this era – though it's important to acknowledge that his portrayals sometimes reflected prevailing stereotypes of the time.
“A Cavalryman’s Breakfast on the Plains” stands as one of Remington’s most celebrated works, exemplifying his ability to capture both the grandeur and the quiet dignity of frontier life. It remains a powerful testament to the spirit of those who shaped the American West, inviting viewers to contemplate themes of community, survival, and the enduring allure of the open range. Reproductions of this iconic painting offer a beautiful way to bring a piece of this captivating era into your home or office – a reminder of a time when courage, resilience, and a shared meal could define an entire culture.
Related Artworks
Artist Biography
A Chronicler of the Vanishing West: The Life and Art of Frederic Remington
Frederic Sackrider Remington, born in Canton, New York, on October 4, 1861, wasn’t a product of the Wild West he so vividly depicted; rather, he was an Easterner who forged his artistic identity through fascination and dedicated study. His lineage hinted at a life far removed from dusty trails and cavalry charges – French Basque ancestry mingled with staunchly Republican New England roots, a father who was a Civil War colonel and newspaper editor, and connections to the famed Remington Arms dynasty through distant cousins. Yet, it was an early exposure to military themes, coupled with a restless spirit and a keen eye for storytelling, that set him on a path toward becoming arguably the most recognizable artist of the American West. His childhood moved to Bloomington, Illinois, then back to Canton and finally Ogdensburg, New York, but his imagination remained captivated by tales of frontier life. Though initially steered towards a military education at Vermont Episcopal Institute, Remington’s true calling lay not in following orders, but in observing and interpreting the world around him through art. A brief stint at Yale University confirmed this; football and sketching held far more appeal than formal academic pursuits.From Illustrator to Painter: Forging an Artistic Vision
Remington’s artistic journey began not with grand canvases, but with ink and paper. His first published work, a cartoon for the *Yale Courant*, signaled an early aptitude for capturing action and narrative. A pivotal trip to Montana in 1881 ignited his lifelong obsession with the West. This wasn't merely a tourist’s gaze; Remington sought to immerse himself in the culture, observing cowboys, Native Americans, and the landscape itself. He initially attempted ranching and mining ventures, but these proved unsuccessful, freeing him to fully dedicate himself to art. Returning East, he quickly established himself as an illustrator for magazines like *Harper's Weekly* and *Collier’s*, his dynamic depictions of Western scenes captivating a national audience hungry for stories of the frontier. These illustrations weren’t simply reportage; they were infused with drama, energy, and a romanticized vision of the West that resonated deeply with the public imagination. It was through this work that Remington honed his skills in composition, capturing movement, and conveying emotion – qualities that would later define his paintings. He received minimal formal training beyond some drawing classes at Yale and a short period at the Art Students League, developing instead a distinctive style characterized by energetic brushwork, bold colors, and a focus on realism blended with dramatic flair.Capturing a Vanishing World: Themes and Style
Remington’s art is inextricably linked to a specific moment in American history – the twilight of the Old West. His canvases are populated by iconic figures: rugged cowboys driving cattle, stoic Native Americans facing displacement, and U.S. Cavalry soldiers engaged in both heroic battles and tragic conflicts. He didn't shy away from depicting the harsh realities of frontier life, but his work often leans towards a romanticized portrayal, emphasizing courage, adventure, and the clash of cultures. His paintings aren’t simply historical documents; they are evocative narratives that explore themes of heroism, loss, and the inevitable march of progress. Remington's style evolved over time, moving from tighter, more academic renderings to looser, more expressive brushwork. He was a master of capturing movement – horses galloping across the plains, cowboys wrestling steers, soldiers charging into battle. He often employed quick sketches and photographs as reference material, but his art always transcended mere imitation, imbued with his own unique vision and emotional intensity. Notable works like *My Ranch*, *Waiting in the Moonlight*, *Ridden Down* (1905), and *The Long-Horn Cattle Sign* (1908) exemplify his ability to capture both the grandeur and the vulnerability of the American West.Legacy and Enduring Influence
Frederic Remington died unexpectedly in 1909 at the age of 48, leaving behind a vast body of work that continues to captivate audiences today. His impact on Western art is undeniable; he didn’t just depict the West, he helped *define* it for generations of Americans. He established a visual language for the frontier – an iconography of cowboys, Indians, and cavalrymen that became deeply ingrained in popular culture.- His work inspired countless other artists, including N.C. Wyeth and Zane Grey.
- The Frederic Remington Art Museum in Ogdensburg, New York, stands as a testament to his enduring legacy, preserving an extensive collection of his paintings, sculptures, and archival materials.
- His art continues to be exhibited in major museums across the country, including the Metropolitan Museum of Art and the Amon Carter Museum of American Art.
Frederic Remington
1861 - 1909 , United States of America
Quick Facts
- Artistic Movement Or Style: Western American Art
- Artists Or Movements Influenced By This Artist:
- N.C. Wyeth
- Zane Grey
- Date Of Birth: October 4, 1861
- Date Of Death: December 26, 1909
- Full Name: Frederic Sackrider Remington
- Nationality: American
- Notable Artworks:
- My Ranch
- Waiting in the Moonlight
- Ridden Down (1905)
- The Long-Horn Cattle Sign
- Place Of Birth: Canton, USA




Glass option is only available in size under 110 CM
