Menu
FREE ART CONSULTATION
PreviewPreview AR previewAR preview Buy Print Buy PrintBuy Image Buy Image SendSend
DetailsDetails Add to favorites Add to favorites DownloadDownload SimilarsSimilars X-RayX-Ray DiaporamaDiaporama

Lieutenant S. C. Robertson, Chief of the Crow Scouts

Lieutenant S. C. Robertson, Chief of the Crow Scouts

Explore the captivating world of Frederic Remington (1861-1909), master of Western American art! Discover iconic paintings of cowboys, Native Americans & frontier life – a true American legend.

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. (Buy Print Buy PrintBuy Image Buy Image)

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (25 August). No compromise on quality.

why_choose_icon
Free Worldwide Express Shipping
why_choose_icon
High-Quality Linen Canvas
why_choose_icon
Full Shipping Insurance
why_choose_icon
Customs Tax Refund Guarantee
why_choose_icon
True Color Matching Guarantee
why_choose_icon
60-Day Return Policy (Defects Only)
why_choose_icon
100% Money-Back Guarantee
why_choose_icon
Bulk Discount Offer

Total Price

$ 263

reproduction

Lieutenant S. C. Robertson, Chief of the Crow Scouts

Reproduction Medium

Reproduction Size

-

Total Price

$ 263

Quick Facts

  • Artistic style: Realistic Impressionism
  • Movement: American West Art
  • Artist: Frederic Remington
  • Title: Lieutenant S. C. Robertson, Chief of the Crow Scouts
  • Dimensions: 33 x 45 cm
  • Location: Amon Carter Museum of American Art
  • Notable elements or techniques: Dynamic pose, horse partnership

Artwork Description

Lieutenant S. C. Robertson, Chief of the Crow Scouts – A Portrait of Frontier Resilience

The painting “Lieutenant S. C. Robertson, Chief of the Crow Scouts” by Frederic Remington captures a pivotal moment in American history—the waning days of westward expansion and the uneasy coexistence between settlers and Native Americans. Executed in 1890, this watercolor and graphite on paper piece isn’t merely a depiction of a man on horseback; it's an embodiment of courage, leadership, and the spirit of exploration that defined the era. Remington skillfully portrays Robertson, a Crow scout serving under General Nelson Miles during the Nez Perce War, with remarkable detail—the weathered face etched with experience, the gaze focused intently ahead, conveying unwavering determination.
  • Style: Remington’s signature style is characterized by dramatic realism infused with romantic idealism. He meticulously renders textures and light to convey a palpable sense of atmosphere, transporting viewers directly into the rugged landscape of Montana.
  • Technique: Remington employed a layered watercolor technique—starting with opaque white washes to establish form and shading, followed by translucent washes to build up color and luminosity. Graphite was used for subtle tonal variations and precise delineation of facial features.
  • Historical Context: The painting emerged during the Nez Perce War (1877-1879), a conflict fueled by disputes over land rights and escalating tensions between settlers and indigenous peoples. Remington’s portrayal reflects the prevailing sentiment—a fascination with the frontier, coupled with an admiration for Native American resilience in the face of adversity.
Robertson's posture speaks volumes about the challenges confronting scouts like him: seated firmly atop his horse, he embodies steadfastness and vigilance. The horse itself is rendered with impressive anatomical accuracy, emphasizing its importance as a symbol of mobility and connection to the land—a crucial element in navigating the vast wilderness. Remington’s masterful use of color contributes significantly to the painting's emotional impact. Earthy browns and ochres dominate the palette, mirroring the arid terrain of Montana and conveying a sense of ruggedness and solitude. Yet, flashes of muted blues and greens hint at the beauty of the surrounding environment—a subtle reminder that even amidst hardship, there exists an enduring connection to nature. Provenance: The painting’s journey through time began with Joseph E. McCarrell, San Francisco, California, before finding its way into the Amon Carter Museum's collection. Its inclusion in exhibitions like “How the West Was Made” solidified Remington’s legacy as a chronicler of the vanishing frontier and ensured that his artwork would continue to inspire generations of art enthusiasts. The painting resides at Amon G. Carter Museum of American Art, Fort Worth, Texas, where it remains accessible for study and appreciation. Further Exploration: To delve deeper into Remington’s artistic vision and explore similar works celebrating the spirit of exploration, consider examining “Cavalryman of the Line,” another iconic depiction of the American West—a painting that similarly captures the grandeur and drama of frontier life. Also noteworthy is "Lieutenant S. C. Robertson," which showcases Remington's ability to convey both physical realism and psychological depth. Examining these pieces alongside “Lieutenant S. C. Robertson, Chief of the Crow Scouts” provides invaluable insight into Remington’s artistic sensibilities and his enduring contribution to American art history.

Artist Biography

A Chronicler of the Vanishing West: The Life and Art of Frederic Remington

Frederic Sackrider Remington, born in Canton, New York, on October 4, 1861, wasn’t a product of the Wild West he so vividly depicted; rather, he was an Easterner who forged his artistic identity through fascination and dedicated study. His lineage hinted at a life far removed from dusty trails and cavalry charges – French Basque ancestry mingled with staunchly Republican New England roots, a father who was a Civil War colonel and newspaper editor, and connections to the famed Remington Arms dynasty through distant cousins. Yet, it was an early exposure to military themes, coupled with a restless spirit and a keen eye for storytelling, that set him on a path toward becoming arguably the most recognizable artist of the American West. His childhood moved to Bloomington, Illinois, then back to Canton and finally Ogdensburg, New York, but his imagination remained captivated by tales of frontier life. Though initially steered towards a military education at Vermont Episcopal Institute, Remington’s true calling lay not in following orders, but in observing and interpreting the world around him through art. A brief stint at Yale University confirmed this; football and sketching held far more appeal than formal academic pursuits.

From Illustrator to Painter: Forging an Artistic Vision

Remington’s artistic journey began not with grand canvases, but with ink and paper. His first published work, a cartoon for the *Yale Courant*, signaled an early aptitude for capturing action and narrative. A pivotal trip to Montana in 1881 ignited his lifelong obsession with the West. This wasn't merely a tourist’s gaze; Remington sought to immerse himself in the culture, observing cowboys, Native Americans, and the landscape itself. He initially attempted ranching and mining ventures, but these proved unsuccessful, freeing him to fully dedicate himself to art. Returning East, he quickly established himself as an illustrator for magazines like *Harper's Weekly* and *Collier’s*, his dynamic depictions of Western scenes captivating a national audience hungry for stories of the frontier. These illustrations weren’t simply reportage; they were infused with drama, energy, and a romanticized vision of the West that resonated deeply with the public imagination. It was through this work that Remington honed his skills in composition, capturing movement, and conveying emotion – qualities that would later define his paintings. He received minimal formal training beyond some drawing classes at Yale and a short period at the Art Students League, developing instead a distinctive style characterized by energetic brushwork, bold colors, and a focus on realism blended with dramatic flair.

Capturing a Vanishing World: Themes and Style

Remington’s art is inextricably linked to a specific moment in American history – the twilight of the Old West. His canvases are populated by iconic figures: rugged cowboys driving cattle, stoic Native Americans facing displacement, and U.S. Cavalry soldiers engaged in both heroic battles and tragic conflicts. He didn't shy away from depicting the harsh realities of frontier life, but his work often leans towards a romanticized portrayal, emphasizing courage, adventure, and the clash of cultures. His paintings aren’t simply historical documents; they are evocative narratives that explore themes of heroism, loss, and the inevitable march of progress. Remington's style evolved over time, moving from tighter, more academic renderings to looser, more expressive brushwork. He was a master of capturing movement – horses galloping across the plains, cowboys wrestling steers, soldiers charging into battle. He often employed quick sketches and photographs as reference material, but his art always transcended mere imitation, imbued with his own unique vision and emotional intensity. Notable works like *My Ranch*, *Waiting in the Moonlight*, *Ridden Down* (1905), and *The Long-Horn Cattle Sign* (1908) exemplify his ability to capture both the grandeur and the vulnerability of the American West.

Legacy and Enduring Influence

Frederic Remington died unexpectedly in 1909 at the age of 48, leaving behind a vast body of work that continues to captivate audiences today. His impact on Western art is undeniable; he didn’t just depict the West, he helped *define* it for generations of Americans. He established a visual language for the frontier – an iconography of cowboys, Indians, and cavalrymen that became deeply ingrained in popular culture.
  • His work inspired countless other artists, including N.C. Wyeth and Zane Grey.
  • The Frederic Remington Art Museum in Ogdensburg, New York, stands as a testament to his enduring legacy, preserving an extensive collection of his paintings, sculptures, and archival materials.
  • His art continues to be exhibited in major museums across the country, including the Metropolitan Museum of Art and the Amon Carter Museum of American Art.
Remington’s depictions, while sometimes criticized for their romanticized portrayal of the West, offer a valuable glimpse into a pivotal era in American history. He captured not just what *was*, but also what people *believed* about the West – its myths, its legends, and its enduring appeal. He remains a powerful symbol of the American spirit—a chronicler of a vanishing world who transformed it into an enduring artistic legacy.
Frederic Remington

Frederic Remington

1861 - 1909 , United States of America

Quick Facts

  • Artistic Movement Or Style: Western American Art
  • Artists Or Movements Influenced By This Artist:
    • N.C. Wyeth
    • Zane Grey
  • Date Of Birth: October 4, 1861
  • Date Of Death: December 26, 1909
  • Full Name: Frederic Sackrider Remington
  • Nationality: American
  • Notable Artworks:
    • My Ranch
    • Waiting in the Moonlight
    • Ridden Down (1905)
    • The Long-Horn Cattle Sign
  • Place Of Birth: Canton, USA
Explore artworks organized by themes, styles, and characteristics.