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DiaporamaStopping for the Little Folk
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Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. (
Buy Hand Made Painting Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
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While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
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Glass option is only available in size under 110 CM
Stopping for the Little Folk
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
Related Artworks
Artist Biography
Early Life and Artistic Beginnings
- Born: Mile End, London, 4 June 1879
- Parents: Augustus Attwell (butcher) and Emily Ann Attwell
- Education at Coopers' Company School and Regent Street Art School.
- Initially studied at Heatherley’s and Saint Martin’s School of Art, but developed a preference for imaginative subjects over traditional art training.
- Early sales to magazines like The Tatler and The Bystander marked the beginning of her professional career.
Development of Style and Major Works
- Initially influenced by artists such as Hilda Cowham, Jessie Willcox Smith, John Hassall, and the Heath Robinson brothers.
- Developed a distinctive style around 1914 characterized by sentimentalized, rotund, and cuddly depictions of children.
- Illustrated numerous classic children's books:
- Mother Goose (1910)
- Alice in Wonderland (1911)
- Hans Andersen’s Fairy Tales (1914)
- The Water Babies (1915)
- Peter Pan and Wendy (abridged edition, 1921)
- Created the "Boo Boos," a series of fairy characters featured in books and merchandise.
- Designed popular children's china ware for Shelley Potteries starting in 1926, including the iconic “Boo Boos” collection.
- Illustrated greeting cards extensively for Valentine & Sons.
Commercial Success and Historical Significance
- Achieved significant commercial success throughout her career, with her illustrations appearing on a wide range of products.
- Her work resonated deeply with audiences during both World Wars, offering comfort and cheerfulness.
- Became one of Britain's most popular commercial illustrators of the early to mid-20th century.
- Her style influenced subsequent generations of children’s illustrators.
- The continued publication of The Lucie Attwell Annual for a decade after her death demonstrates the enduring popularity of her work.
Later Life and Legacy
- Married painter and illustrator Harold Cecil Earnshaw in 1908; they had one daughter, Marjorie, and two sons.
- Continued to produce illustrations throughout her life, even contributing a comic strip, "Wot A Life," to the magazine Playbox in 1943.
- Died at her home in Fowey, Cornwall, on November 5, 1964.
- Her daughter, Marjorie, continued her business after her death.
- Webster Wickham, Peggy's grandson, is now the licensing agent for Mabel Lucie Attwell’s work.
- Today, Mabel Lucie Attwell is remembered as a beloved artist whose charming illustrations continue to bring joy to people of all ages.
Mabel Lucie Attwell
1879 - 1964 , United Kingdom
Quick Facts
- Artistic Movement Or Style: Nostalgic illustration
- Artists Who Influenced This Artist:
- Hilda Cowham
- Jessie Willcox Smith
- John Hassall
- Date Of Birth: June 4, 1879
- Date Of Death: November 5, 1964
- Full Name: Mabel Lucie Attwell
- Nationality: British
- Notable Artworks:
- Mother Goose (1910)
- Alice in Wonderland (1911)
- Hans Andersen's Fairy Tales (1914)
- The Water Babies (1915)
- Place Of Birth: Mile End, United Kingdom
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