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DiaporamaPortrait Of A Woman Seated Beneath A Tree
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Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. (
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Glass option is only available in size under 110 CM
Portrait Of A Woman Seated Beneath A Tree
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
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Artist Biography
Early Life and Training
- Born: July 25, 1781, Paris, France
- Died: June 12, 1853, Paris, France
- Parents: Joseph-Armand Blondel (painter and stucco expert) and Marie-Geneviève Marchand.
- Early apprenticeship at the Dihl and Guerhard porcelain factory provided foundational drawing skills under Charles-Étienne Leguay.
- Studied with Baron Jean-Baptiste Regnault, a prominent Neoclassical painter, from 1801.
- Won the prestigious Prix de Rome in 1803, though delayed travel to the Villa Medici until 1809 due to war.
- Formed a lifelong friendship with Jean Auguste Dominique Ingres during his time in Rome.
Artistic Style and Major Works
- Style: Neoclassical – characterized by clarity, order, symmetry, and a focus on classical themes and forms.
- Subjects: Primarily historical and religious scenes, often commissioned for public buildings. Also painted portraits.
- Notable Commissions:
- Palace of Fontainebleau
- Palace of Versailles
- Louvre Museum
- Brongniart Palace (Paris Bourse)
- Luxembourg Palace
- Churches of St. Thomas Aquinas and Notre-Dame-de-Lorette in Paris
- Significant Works:
- La Circassienne au Bain (1814): Became infamous for its connection to a claim related to luggage lost on the RMS Titanic.
- The Death of Louis XII (1817)
- Paintings depicting Napoleon, such as Napoleon Visiting the Palais Royal After the Dissolution of the Tribune (1834).
Career and Recognition
- Became a Knight in the Order of the Legion d'Honneur in 1824.
- Appointed professor at the École nationale supérieure des Beaux-Arts in 1824, a position he held until his death.
- Elected to the Académie des Beaux-Arts in Paris in 1832.
- Frequently exhibited at the Salon exhibitions in Paris, receiving numerous awards and accolades.
- Considered for the directorship of the French Academy in Rome but ultimately unsuccessful.
Influences and Legacy
- Baron Jean-Baptiste Regnault: Provided foundational training in Neoclassical techniques.
- Jean Auguste Dominique Ingres: A close friend and significant influence, sharing a similar artistic sensibility.
- Blondel's work reflects the broader Neoclassical movement’s emphasis on reason, order, and classical ideals.
- While celebrated during his lifetime for public commissions and academic achievements, later critics viewed his style as somewhat conservative or "retardataire" (outdated).
- His legacy lies in his contributions to French historical painting and the decoration of important national buildings, demonstrating a mastery of technique within the Neoclassical tradition.
Later Life and Death
- Continued teaching at the École nationale supérieure des Beaux-Arts until his death.
- Remained active in artistic circles, maintaining correspondence with Ingres.
- Died on June 12, 1853, in Paris.
Merry-Joseph Blondel
1781 - 1853 , France
Quick Facts
- Artistic Movement Or Style: Neoclassical
- Artists Who Influenced This Artist:
- Baron Jean-Baptiste Regnault
- Jean Auguste Dominique Ingres
- Date Of Birth: July 25, 1781
- Date Of Death: June 12, 1853
- Full Name: Merry-Joseph Blondel
- Nationality: French
- Notable Artworks:
- La Circassienne au Bain
- The Death of Louis XII
- Place Of Birth: Paris, France
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