period

movement

1. The Concert — Lionello Spada, 1615
2. The Officers of the St Adrian Militia Company — Frans Hals, 1633
3. The Concert — Callisto Piazza da Lodi, 1528
4. Wedding Quodlibet BWV 524 — Johann Sebastian Bach, 1708
5. Willem III, Count of Holland, Ordering the Beheadal of the Bailiff of Zuid Holland, 1336, Simon Henrixz (copy after), 1620 - 1649 — Simon Henrixz (Copy After), 1649
6. Musical Angels (Ángeles Músicos) — mariano salvador maella pérez

vibe

topics

keywords

tone

main color

1. Willem III, Count of Holland, Ordering the Beheadal of the Bailiff of Zuid Holland, 1336, Simon Henrixz (copy after), 1620 - 1649 — Simon Henrixz (Copy After), 1649
2. Cover of sheet music of ''Arry'' song, sung by Jenny Hill — alfred concanen, 1882
3. A Music Party — philippe mercier, 1737
4. Quartet for 2 violins, viola, violoncello (B flat major) op. 130 — ludwig van beethoven, 1827
5. Musicians and Soldiers — Valentin de Boulogne, 1625
6. The Wedding at Cana (detail)4 — Paolo Veronese
7. The Officers of the St Adrian Militia Company — Frans Hals, 1633
8. Officers and Sergeants of the St Hadrian Civic Guard — frans hals i, 1633
9. The Concert — Lionello Spada, 1615
10. Musical Instruments and Parrot — Jean-Baptiste-Siméon Chardin, 1732
11. The Concert — Callisto Piazza da Lodi, 1528
12. The Music Party — adolphe alexander lesrel
13. The Marriage at Cana d - — Paolo Veronese
14. Oil Sketch for High Altarpiece, St Bavo, Ghent — Peter Paul Rubens
15. The Honesty of Eligius — jacopo da empoli, 1614
16. The Music Lesson — Jean-Antoine Watteau, 1719
17. Banquet of the Officers of the St Hadrian Civic Guard Company — frans hals i, 1627
18. Musical Angels (Ángeles Músicos) — mariano salvador maella pérez

other

1. LE DUO CHANTEUSE ET JOUEUR DE LUTH THEORBE — Gerard ter Borch
2. Banquet of the Officers of the St Adrian Civic Guard (the Calivermen) — frans hals i, 1627
3. Symphony No. 6 (F major) op. 68 (Pastoral), parts — ludwig van beethoven, 1809
4. The Concert — Johann Georg Platzer
5. A Portugueza: march — alfredo cristiano keil, 1890