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Emperor Maximilian I with His Family

Discover this grand Renaissance portrait of Emperor Maximilian I by Bernhard Strigel, showcasing opulent detail and dynastic power from 1520; bring history home.

Explore the portraits & historical paintings of Bernhard Strigel (1461-1528), a Swabian artist favored by Emperor Maximilian I. Known for luminous color & detailed likenesses.

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Total Price

$ 263

reproduction

Emperor Maximilian I with His Family

Reproduction Medium

Reproduction Size

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Total Price

$ 263

Quick Facts

  • Influences: Gothic tradition
  • Movement: Renaissance
  • Notable elements or techniques: Portraiture, Inscriptions
  • Year: 1520
  • Artist: Bernhard Strigel
  • Dimensions: 604 x 728 cm
  • Title: Emperor Maximilian I with His Family

Art Quiz

There is only one correct answer for each question.

Question 1:
Who is the artist credited with painting 'Emperor Maximilian I with His Family'?
Question 2:
In what year is the painting 'Emperor Maximilian I with His Family' dated?
Question 3:
The painting is notable for referencing which historical event through its selection of figures?
Question 4:
What artistic school or region is Bernhard Strigel associated with?
Question 5:
According to the photo description, what objects are visible in addition to the people?

Artwork Description

Bernhard Strigel, the last known member of a successful family of artists from the Allgäu region of southern Germany, held a succession of honorary civic offices in Memmingen beginning in 1512. A much sought-after portraitist, he was soon appointed imperial court painter and finally raised to the peerage. His painting portrays Emperor Maximilian I and his first wife, Mary of Burgundy (1457–1482), next to their son Philip the Fair, who had died in 1506. Below them are Philip’s sons Charles (in the middle) and Ferdinand (on the left).To the right of them is Louis of Hungary, whom Maximilian had adopted in 1515. The inscriptions give a second meaning to the portraits: they identify the subjects as members of the family of Mary Cleophas, who had been venerated as one of the sisters of the Virgin Mary since the early 15th century. Originally the other members of the Virgin’s family were on the back of the panel (removed in 1919; KHM, GG 6411) and on another part (now in private ownership) of the work, which was originally conceived as a diptych. How the work was commissioned is not completely clear. It is known for certain that Johannes Cuspinian, a Humanist advisor to Maximilian, commissioned the second panel and the back of the first. But perhaps – and this appears more plausible – he commissioned the entire diptych, including the present painting, in 1520, five years after the double wedding that he had helped to negotiate. The selection of figures is certainly a reference to that event. As a proxy for one of his grandsons Maximilian married the sister of Louis, Anna of Hungary, in Vienna in 1515. A reciprocal gesture for the decision taken in 1507 that Louis would marry Archduchess Maria, the sister of Charles and Ferdinand, this successful move on the dynastic chessboard was solemnly celebrated with a double wedding in Vienna and guaranteed the emperor’s successors the crowns of Bohemia and Hungary until 1918.© Cäcilia Bischoff, Masterpieces of the Picture Gallery. A Brief Guide to the Kunsthistorisches Museum, Vienna 2010

Artist Biography

The Luminous Legacy of Bernhard Strigel

In the heart of the Swabian landscape, during a period when the medieval world was beginning to yield to the dawn of the Renaissance, Bernhard Strigel emerged as a master of light and human presence. Born in Memmingen around 1461, Strigel did not merely paint figures; he breathed life into them through a meticulous command of color and form. His journey was one of profound artistic evolution, moving from the structured traditions of the Gothic era toward a more nuanced, observational style that would define the German Renaissance. As a pivotal figure of the Swabian School, his work serves as a vital bridge between the spiritual intensity of the Middle Ages and the humanistic clarity of the sixteenth century.

The foundations of Strigel’s genius were laid within the intimate confines of a familial workshop. Under the guidance of his father, Hans Strigel, and influenced by the esteemed master Zeitblom of Ulm, the young artist developed an eye for the minute details that characterize Northern Renaissance art. This early training instilled in him a reverence for the textures of reality—the heavy fold of a velvet robe, the subtle sheen of a pearl, and the soft glow of skin under candlelight. One can trace the echoes of masters like Rogier van der der Weyden and Dieric Bouts in his early compositions, where a sense of profound devotion meets an almost scientific precision in detail.

Imperial Favor and the Art of the Portrait

Strigel’s ascent from a regional talent to a celebrated figure of European importance was propelled by the most powerful patronage of his age: that of Emperor Maximilian I. The Emperor, a man with an insatiable appetite for imagery and historical documentation, recognized in Strigel a unique ability to capture not just the likeness, but the very essence of authority and nobility. This relationship transformed Strigel’s career, leading him on grand artistic expeditions through the cultural hubs of Augsburg, Innsbruck, and Vienna. His presence in the imperial courts allowed him to participate in the most significant political and social narratives of his time.

Perhaps his most enduring contribution to the history of portraiture lies in his role during the momentous Habsburg-Jagellon marriage negotiations. In 1515, summoned specifically to Vienna, Strigel was tasked with capturing the faces of a changing Europe. His portraits from this era are characterized by an extraordinary clarity and a psychological depth that transcends mere documentation. Through his brush, the subjects possess a quiet dignity and a luminous quality that suggests a soul peering out from behind the pigment. These works do more than record history; they humanize it, offering us an intimate window into the faces of the Renaissance elite.

A Masterpiece of Technique and Tradition

The technical brilliance of Bernhard Strigel is most evident in his mastery of luminosity. He possessed a rare ability to manipulate light so that it seemed to emanate from within the painting itself, rather than merely reflecting off its surface. This technique, combined with a sophisticated use of color palettes, allowed him to create works that felt both physically tangible and spiritually elevated. Whether he was working on large-scale historical compositions or intimate individual portraits, his commitment to precision remained unwavering.

His artistic achievements can be summarized through several key pillars of his career:

  • The Synthesis of Styles: Successfully merging the meticulous detail of the Ulm school with the burgeoning naturalism of the Renaissance.
  • Imperial Documentation: Serving as a primary visual chronicler for Emperor Maximilian I, capturing the faces of European royalty.
  • Mastery of Color: Utilizing a vibrant and luminous palette that brought a sense of life and movement to static forms.
  • Historical Significance: Acting as a crucial link in the evolution of German painting, transitioning from Gothic symbolism to Renaissance humanism.

Today, the works of Bernhard Strigel remain a testament to an era of profound transformation. His ability to capture the fleeting light of a moment and preserve it within the permanence of oil and tempera ensures that his legacy continues to resonate. To look upon a Strigel portrait is to encounter the very spirit of the Swabian Renaissance—a world where every brushstroke is an act of devotion to the beauty of the visible world.

Bernhard Strigel

Bernhard Strigel

1461 - 1528 , Germany

Quick Facts

  • Artistic Movement Or Style: Swabian School
  • Artists Or Movements Influenced By This Artist:
    • Danube School
    • Renaissance Painting
  • Artists Who Influenced This Artist:
    • Zeitblom
    • Hans Strigel
    • Rogier van der Weyden
    • Dürer
    • Hans Holbein
  • Date Of Birth: Memmingen, Germany (1461)
  • Date Of Death: 1528
  • Full Name: Bernhard Strigel
  • Nationality: German
  • Notable Artworks:
    • Mary & Joseph with Jesus
    • Emperor Maximilian I
    • Portrait of Louis II of Hungary
    • Saint Catherine and Dorothy
    • Altarpiece of the Virgin
  • Place Of Birth: Memmingen
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