St Pius, St Thomas of Aquino and St Peter Martyr
Oil On Canvas
WallArt
Baroque
1730
Early Modern
343.0 x 169.0 cm
Santa Maria del Rosario
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St Pius, St Thomas of Aquino and St Peter Martyr
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Divine Conclave in Late Baroque Splendor
To stand before this depiction of St Pius, St Thomas of Aquino, and St Peter Martyr is to step directly into the luminous heart of the late Baroque period. The scene unfolds with an almost palpable sense of intellectual fervor and spiritual gravity. Sebastiano Ricci, a master whose brushstrokes captured the very breath of Venetian grandeur, has orchestrated a gathering that feels both monumental in scope and deeply intimate in its exchange. The composition draws the eye across the assembled figures—scholars, saints, and observers—all united by the pursuit of divine truth. It is a visual sermon rendered with the richness and drama characteristic of Ricci’s most vigorous period.
Mastery of Light and Form
Ricci's technique here is nothing short of breathtaking. One can almost feel the interplay between the rich, deep shadows and the brilliant highlights that define the figures. His handling of paint allows the draperies to fall with a weighty, sculptural grace, while simultaneously suggesting movement and life beneath the folds. The luminosity emanating from the central grouping suggests not merely candlelight, but divine illumination itself. This technical brilliance, honed during his time in Venice, gives the entire tableau an air of timeless, almost ethereal presence. Whether viewed as a grand fresco or a detailed canvas reproduction, the illusion of depth and palpable texture remains astonishing.
The Weight of Scholarship and Sainthood
The subject matter itself is rich with theological resonance. The gathering of these three prominent saints—St Pius, St Thomas of Aquino, and St Peter Martyr—suggests a confluence of profound wisdom across different eras of Christian thought. They are depicted in conversation before an architectural setting, perhaps symbolizing the enduring structures of faith and learning. Notice the inclusion of the book, a universal symbol of knowledge, grounding the spiritual discussion in tangible scholarship. The presence of the angel overhead adds a celestial dimension, reminding the viewer that this earthly discourse is overseen by heavenly grace.
A Focal Point for Contemplation
For the collector or designer seeking an artwork to anchor a space—be it a library, a grand hall, or a private chapel—this piece offers more than mere decoration; it offers contemplation. The emotional impact of the painting is one of elevated discourse and serene conviction. It invites the viewer to pause their modern rush and engage with the weighty matters of philosophy, theology, and enduring virtue. Reproducing this work allows one to bring the sophisticated drama and luminous piety of 1730 into a contemporary setting, making it a conversation piece that speaks volumes about culture and intellect.
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Artist Biography
biography of a vigorous and luminous painter
sebastiano ricci, an italian painter from belluno, was born on august 1, 1659, and passed away on may 15, 1734. he was a prominent figure in the late baroque school of venice, known for his grand manner fresco painting style.
early life and training
ricci's artistic journey began at a young age. in 1671, he was apprenticed to federico cervelli of venice. however, some sources claim that his first master was sebastiano mazzoni.
notable works and commissions
* bacchus and ariadne (national gallery, london, united kingdom), a painting showcasing ricci's mastery of the baroque style. * memorial to admiral sir clowdisley shovell (oil on canvas), a testament to his ability to capture the essence of a moment. * the decoration of the oratory of the madonna of the seraglio (1685-1687) in collaboration with ferdinando galli-bibiena, receiving a payment of 4,482 lira.
artistic style and influences
ricci's work was influenced by giovanni gioseffo dal sole's style during his time in bologna. his paintings often featured grand, luminous, and vigorous themes, making him a representative of the late baroque school of venice.
legacy and later life
ricci's artistic career was marked by periods of turmoil, including imprisonment and scandals. however, he continued to produce notable works, such as venus takes leave from adonis, which showcased his skill in capturing heavenly depictions. he ultimately accepted foreign patronage in london, working on a commission for lord burlington.
- view sebastiano ricci's artwork on ArtsDot.com
- explore more about the baroque school of venice and its influences on wikipedia
- discover other notable artists from the same period, such as luigi bonazza, on ArtsDot.com
important: this article is based on the available information from ArtsDot.com and may be subject to change as more data becomes available.
Sebastiano Ricci
1659 - 1734 , Italy
Quick Facts
- Artistic Movement Or Style: Late Baroque
- Artists Or Movements Influenced By This Artist: ['Marco Ricci']
- Artists Who Influenced This Artist: ['Giovanni Gioseffo dal Sole']
- Date Of Birth: August 1, 1659
- Date Of Death: May 15, 1734
- Full Name: Sebastiano Ricci
- Nationality: Italian
- Notable Artworks:
- Bacchus and Ariadne
- Venus takes leave
- Dream of Aesculapius
- Place Of Birth: Belluno, Italy

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