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The Origin of the Milky Way (after Jacopo Tintoretto)

Magnificent reproduction of 'The Origin of the Milky Way' (after Tintoretto) by W.G. Gillies. A dramatic, symbolic painting depicting creation. Hand-painted & museum quality.

Explore W.G. Gillies' Scottish landscapes & still lifes. Discover his Cubist influences, 1922 Group ties, Edinburgh College of Art legacy & profound impact on 20th-century art.

Giclée / Art Print

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Total Price

$ 63

reproduction

The Origin of the Milky Way (after Jacopo Tintoretto)

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Quick Facts

  • Subject or theme: Cosmic Creation
  • Year: 1924
  • Title: The Origin of the Milky Way
  • Dimensions: 36 x 41 cm
  • Medium: Oil on Canvas
  • Artist: Sir William George Gillies
  • Location: National Gallery, London

Art Quiz

There is only one correct answer for each question.

Question 1:
What artistic movement is prominently evident in ‘Two Pots, Saucer and Fruit’?
Question 2:
Which artist influenced Gillies's use of color palettes in his early works like ‘Two Pots, Saucer and Fruit’?
Question 3:
Gillies’ encounter with Paul Klee's work in 1934 inspired him to incorporate what characteristic into his compositions?
Question 4:
The Edinburgh College of Art where Gillies taught for over 40 years was founded in what year?
Question 5:
What is the primary subject matter of Gillies’ celebrated landscapes and still lifes?

The Origin of the Milky Way (after Jacopo Tintoretto) – A Symphony of Creation

Sir William George Gillies’ “The Origin of the Milky Way,” completed in 1924, stands as a monumental testament to both artistic innovation and profound contemplation. More than just a depiction of celestial phenomena, it embodies a complex tapestry of influences—Cubism wrestling with Cézanne’s stillness, Klee’s whimsical imagination battling Tintoretto’s dramatic flair—resulting in an artwork that transcends mere visual representation.

  • Style & Influence: Gillies' journey began with André Lhote’s Parisian tutelage and a fervent embrace of Cubism. However, he swiftly moved beyond rigid geometric forms, recognizing the power of Cézanne’s observation of nature to imbue his compositions with an underlying sense of calm and solidity. The subtle interplay between Braque and Picasso's restrained palettes further refined Gillies’ aesthetic sensibilities.
  • Technique: Executed in oil on canvas, “The Origin of the Milky Way” showcases Gillies’ masterful command of texture and colour. Thick impasto brushstrokes dominate the upper portion of the painting, conveying a palpable dynamism reminiscent of Tintoretto's theatrical style—a deliberate contrast to Cézanne’s more contemplative approach. The artist skillfully layered hues to capture the ethereal glow of the Milky Way itself, creating an immersive experience for the viewer.
  • Historical Context: Painted during the burgeoning Art Deco movement, Gillies’ work reflects a fascination with scientific exploration and mythological narratives. Tintoretto's influence is particularly evident in his depiction of cosmic grandeur—a stylistic choice that aligns with the broader cultural preoccupation with understanding the universe at the time. The painting speaks to the anxieties and aspirations of an era grappling with rapid technological advancements alongside enduring spiritual questions.
  • Symbolism & Narrative: At its core, “The Origin of the Milky Way” recounts a biblical myth—the creation story—where God breathes life into the cosmos. Gillies’ depiction captures this pivotal moment with striking visual precision. The central figure—a woman giving birth to the universe—represents divine fecundity and renewal, while the birds circling above symbolize aspiration and transcendence. The careful arrangement of objects contributes to the narrative's symbolic richness, mirroring the interconnectedness of all things.
  • Emotional Impact: Viewing “The Origin of the Milky Way” evokes a sense of awe and wonder—a feeling that Gillies successfully conveys through his masterful use of colour and texture. The painting’s dramatic composition compels contemplation on themes of genesis, beauty, and humanity's place within the vast expanse of existence. It remains an enduring symbol of artistic ambition and spiritual insight.

A reproduction of this masterpiece would undoubtedly enrich any interior space, offering a captivating glimpse into the visionary spirit of Scottish Colourism.


Artist Biography

Sir William George Gillies: A Life in Scottish Art

Early Life and Education

  • Born: Haddington, East Lothian, United Kingdom, 1898.
  • Gillies initially enrolled at the Edinburgh College of Art but his studies were interrupted by service in World War I with the Royal Engineers.
  • Following the war, he returned to complete his education at the Edinburgh College of Art, graduating and subsequently becoming a dedicated teacher there for over 40 years.

Artistic Development and Influences

  • Gillies’ artistic journey began with an exploration of Cubism after studying under André Lhote in Paris (1923) and traveling to Italy (1924).
  • Early works, like “Two Pots, Saucer and Fruit” (1933), demonstrate this influence, showing a Cézanne-inspired arrangement with Braque and Picasso’s understated color palettes.
  • A pivotal moment came in 1934 when he encountered the work of Paul Klee, inspiring him to adopt a more imaginative use of colour and childlike qualities in his compositions.
  • He gradually moved away from strict Cubism, developing a distinctive style rooted in Scottish landscape and still life traditions.

The 1922 Group and Collaborative Spirit

  • In 1922, Gillies co-founded the “1922 Group” alongside fellow artists including William Crozier, William Geissler, and William MacTaggart.
  • This exhibition society provided a platform for emerging Scottish artists to showcase their work at the New Gallery in Edinburgh for a decade.
  • The group fostered a sense of community and innovation within the Scottish art scene.

Themes and Subject Matter

  • Landscapes: Gillies is renowned for his depictions of the Lothian, Fife, and Border regions of Scotland. He captured the essence of these landscapes with a sensitive eye.
  • Still Lifes: Still life compositions were another significant focus, often featuring ceramics created by his younger sister, Emma Smith Gillies, whose premature death in 1936 deeply affected him.
  • Portraiture: While he experimented with portraiture early in his career, landscapes and still lifes became his primary subjects.

Major Achievements and Recognition

  • Gillies served as Principal of the Edinburgh College of Art from 1959 until his retirement in 1966.
  • His prolific output and dedication to teaching had a profound influence on generations of Scottish painters.
  • He was elected a Royal Academician (RA), signifying significant recognition within the art world.

Historical Significance and Legacy

  • Sir William George Gillies is considered one of Scotland’s most important 20th-century painters.
  • His work bridges the gap between early modernism and a distinctly Scottish artistic identity.
  • Legacy: His influence extends beyond his paintings, shaping the direction of Scottish art through his teaching and mentorship.
  • He died in 1973, leaving behind a rich body of work that continues to be celebrated for its beauty, sensitivity, and enduring relevance.
sir william george gillies

sir william george gillies

1898 - 1973 , United Kingdom

Quick Facts

  • Birth Date: 1898
  • Birth Place: Haddington, United Kingdom
  • Death Date: 1973
  • Influenced By:
    • André Lhote
    • Cézanne
    • Braque
    • Picasso
    • Paul Klee
  • Movement:
    • Cubism
    • Scottish Colourists
  • Name: Sir William George Gillies
  • Nationality: Scottish
  • Notable Works:
    • Young Boy with a Teapot
    • Mediterranean Landscape with Overcast Sky
    • Still Life – Yellow Jug and Striped Cloth
    • The Origin of the Milky Way (after Jacopo Tintoretto)
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