The Prophet Elijah and the Widow of Zarephath
Oil
WallArt
Baroque
1630
Early Modern
51.0 x 62.0 cm
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the image with a mirrored or solid-fill edge. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (27 August)
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
The Prophet Elijah and the Widow of Zarephath
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
Collectible Description
A Divine Encounter Amidst the Ruins
In the quiet, sun-drenched landscape of Cornelis van Poelenburch’s 1630 masterpiece, The Prophet Elijah and the Widow of Zarephath, time seems to suspend itself between the ancient past and a moment of profound spiritual revelation. The scene unfolds within a world of classical decay, where crumbling Roman-style entablatures and weathered stone columns rise from a verdant, scrubby earth. Here, amidst the ruins of a forgotten era, a sacred drama takes center stage. The elderly Prophet Elijah, distinguished by his steel-gray beard and a regal scarlet-red cloak, reaches out toward a kneeling young woman. Her posture—arms spread in a gesture of both supplication and awe—captures the very essence of faith meeting providence. Beside her, a small boy clutches a bundle of sticks, a poignant reminder of the humble, earthly struggles that underpin this divine interaction.
Van Poelenburch, a master of the Dutch Italianate style, breathes life into this biblical narrative through a sophisticated use of color and light. The palette is a rich tapestry of jewel tones: the sapphire-blue of the widow’s dress contrasts brilliantly against the thistle-purple of Elijah’s tunic, while the distant landscape glows with the warmth of honey-browns, rose-pinks, and golden yellows. This vibrant chromatic harmony does more than please the eye; it directs the viewer's soul through the composition, leading the gaze from the intimate foreground encounter toward the hazy, slate-blue mountains and the pale yellow horizon. The sky, transitioning from a soft dawn-like glow to a deep lapis blue, suggests an atmosphere of eternal significance, as if the heavens themselves are witnessing this miraculous meeting.
The Artistry of the Italianate Landscape
As a leading figure of the first generation of Dutch landscape painters active in Italy, Van Poelenburch brings a unique, cosmopolitan elegance to this work. His training under Abraham Bloemaert and his formative years in Rome allowed him to blend the meticulous detail characteristic of Dutch art with the idealized, classical beauty of the Italian countryside. In this painting, the technique is nothing short of exquisite. The artist employs fine, delicate brushwork to render the textures of weathered stone, soft foliage, and the heavy folds of draped fabric. This attention to detail creates a sense of tangible reality, making the presence of the two horses and the distant figures moving through the field feel like an organic part of a living, breathing world.
For the discerning collector or interior designer, this piece offers much more than mere decoration; it provides a window into a period of profound artistic synthesis. The way the light catches the edges of the ruins and illuminates the faces of the figures creates a sense of depth and luminosity that can transform any space. Whether placed in a grand gallery or a sophisticated private study, the painting serves as a focal point of contemplation. It invites the viewer to reflect on themes of resilience, hospitality, and the intersection of the human condition with the divine. Owning a high-quality reproduction of such a work allows one to bring this sense of historical grandeur and emotional depth into the modern home, offering a timeless piece of heritage that resonates with both classical beauty and spiritual grace.
Related Artworks
Artist Biography
early life and training
cornelis van poelenburgh, a prominent dutch landscape painter, was born in utrecht, netherlands in 1594. he initially trained with abraham bloemaert, a renowned artist of the time. this foundational training laid the groundwork for van poelenburch's future success.artistic career and influences
van poelenburch's travels to rome in the early 17th century significantly influenced his work, making him a leading representative of the first generation of dutch landscape painters active in italy. his small-scale paintings, often featuring italianate landscapes with small figures enacting biblical or mythological scenes, showcased his unique style. notable works:- satyrs spying on nymphs (after 1627), a characteristic example of van poelenburch's work, featuring archaic landscapes with figures bathing. (view on ArtsDot)
- council of the gods (c. 1630), a painting showcasing van poelenburch's idealized hilly landscape and roman-inspired goddesses, now housed in the mauritshuis (the hague, netherlands). (view on ArtsDot)
legacy and later life
van poelenburch's work was highly regarded by his contemporaries, including the grand duke of tuscany and the dutch stadholder. he later returned to utrecht, where he passed away in 1667, just a few years after his old teacher abraham bloemaert. key points:- born in utrecht, netherlands in 1594
- trained with abraham bloemaert
- influenced by his time in rome
- known for small-scale italianate landscapes with figures
- died in utrecht in 1667 view cornelis van poelenburch's artworks on ArtsDot learn more about cornelis van poelenburgh on wikipedia
cornelis van poelenburch
1594 - 1667 , Netherlands
Quick Facts
- Artistic Movement Or Style: Dutch Landscape, Romanate
- Artists Or Movements Influenced By This Artist: ['Claude Lorraine']
- Artists Who Influenced This Artist: ['Abraham Bloemaert']
- Date Of Birth: 1594, Utrecht, Netherlands
- Date Of Death: 1667, Utrecht, Netherlands
- Full Name: Cornelis van Poelenburgh
- Nationality: Dutch
- Notable Artworks:
- Satyrs spying on nymphs
- Council of the gods
- Place Of Birth: Utrecht, Netherlands

Glass option is only available in size under 110 CM
